Rebecca Sanborn began writing songs at age six, starting an early pattern of straying creatively from sheet music. Her piano instructor taught her to write the music down, which seemed like a magical power. She also fell in love with theatre and writing, pursuing all of these arts with equal passion. Rebecca got her first agent at age ten and landed starring roles in commercials. One director hired her on the spot because she had a voice “like Lauren Bacall”. In High School she would wake at 5 am to jump rope in the driveway and then pound out short works of fiction on the typewriter in the garage so as not to wake anyone. The love affair with stories and music continued and at eighteen, she left her native Portland, Oregon to study at The College of Santa Fe, in New Mexico—majoring in Theatre and immersing herself in the free, unpredictable world of the Contemporary Music Program. Every Thursday night a Forum was held where new music was emphatically encouraged. Rebecca had found her home. She studied under the experimental composers Joseph Weber and Peter Gordon and was moulded by Martha Graham’s personal demonstrator, Juanita Barry, in rigorous modern dance classes for four years.
Upon returning to the Northwest after college, Rebecca met her husband and musical partner, drummer Ji Tanzer. They are both members of the adventurous jazz quintet, Blue Cranes, the art pop trio, Swansea, and Portland’s veteran indie group, Loch Lomond. Rebecca and Ji also starred in the film “Light of Mine”, which garnered a coveted spot at the A.F.I. Fest in 2011. “Light of Mine” was the only independent film from The States to be included in the festival. Rebecca plays in the all-female, cape-wearing, fog-machine-loving synth trio, Eccoh Eccoh Eccoh with Kyleen King (Brandi Carlile) and Jenny Conlee-Drizos (The Decemberists).
In 2021, Rebecca was invited to write an original set of music for the Montavilla Jazz Fest—composing and arranging eight songs in two months. She performed these tunes with her long-time mentor and hero, pianist Randy Porter, bassist Jon Shaw, and of course, Ji Tanzer. The work now stands as a collective entitled “Shadow Work”. Several pieces have since been arranged by Douglas Detrick, and were performed at the 2022 Montavilla Jazz Fest with the 12-piece Portland Jazz Composers’ Ensemble as a part of “The Heroine’s Journey” – an evening with Marilyn Keller, Darrell Grant, and Rebecca Sanborn. In 2023, Rebecca was awarded a RACC grant to record “Shadow Work”.
Throughout all of the years of hard touring and performing, Rebecca never lost touch with the written word. She earned a spot in the highly competitive Tin House Winter Workshop in 2016, mentoring under Mitchell S. Jackson. She has completed five novels and continues to work on her literary, musical, or theatrical craft on a daily basis. When Rebecca isn’t engaged in art or teaching, she can be found chasing after her costume-obsessed five-year-old daughter or trying to get some sleep.