FREE Public screening in The Sou’wester Lodge

12/1/23 at 7 p.m to open our Winter exhibition in our Red Bus Theatre featuring

Wide Blue Yawn – An experimental documentary film by Eva Knowles

The idea for Wide Blue Yawn occurred to Eva after observing a UFO while alone on the beach in October 2020. She always had a powerful relationship to the Long Beach Peninsula, having grown up coming here for family getaways since she was a child–and so, after her mysterious encounter she decided to embark on deeper research of this place and make a film about it. Wide Blue Yawn attempts to capture layers of history at the mouth of the Columbia River and to honor the specific feelings evoked by the rugged pacific northwest geology, the spiritual presence of the first human inhabitants (the Chinookan people), and all that has unfolded since Lewis and Clark hit the scene in 1805. Wide Blue yawn spans centuries and wonders at how we ended up here, in our strange present reality.

Eva Knowles was born in 1990 and grew up in Bonney Lake, Washington. Her films are shot with a handheld digital camcorder and have an intimate and personal feeling. As an artist Eva is concerned with the mysterious, the sublime, and the mundane. She has worked as a teacher, a farmer, and also practices reiki. She has many projects in the works about fascinating topics.

Contact: email: eeva.knowles@gmail.com / instagram

Curated by Nikki Cormaci

Tispur live at The Sou’wester

Sat, Dec 2nd 7p presented by Sou’wester Arts

Tispur is a chamber-folk project fronted by Samwise Carlson from Boise, ID, now located in Portland, OR. Known for their intricate guitar-work, dream-like vocals, and ornate lyricism that excite evocative imagery of imaginary worlds; Samwise creates gently hypnotic, moving performances akin to the spirits of Nick Drake, Vashti Bunyan, and Joanna Newsom.

J. Graves

Live at The Sou’wester

Presented by Sou’wester Arts

Tense relationship rock, sanguine lyricism, chord changes like a secret longing, a rhythm section that thuds, skitters, and melts over the determined voice of Jessa Graves. The heat of the cataclysm gives off a vapor known to galvanize meatspace
into writhing, dancing heaps, creating rabid, loyal fans. Joined by Kelly Clifton, perhaps one of the best bassists, and the
unassuming Aaron MacDonald, who would be a watchmaker were he not a drummer, J. Graves is back with a crushing new LP FORTRESS OF FUN, a first of it’s kind choose your own adventure record.

Noah Kite

Live at The Sou’wester

Presented by Sou’wester Arts

The son of an acting coach and a therapist, Kite seems to have it in his DNA to blend the dramatic and analytic. Each musical wave crest and fall mirrors a turn in the story. Instruments rest for minutes before suddenly emerging. Emotions and motifs sustain and then drop into oblivion. The tone switches suddenly from accusation to epiphany. It is the sound of someone going through it.
Alongside the musical tumult, the steady voice of Kite never loses his cool despite the searing intimacy of the song’s content. He thoughtfully guides us through the story of his relationship, in as well as struggles with friends, substances, sex and codependency. He has been clearly affected by the proceedings, but is determined to stare into them without blinking.

Maria DeHart

Live at The Sou’wester

Presented by Sou’wester Arts

Since her early days of musical performance, Maria DeHart has been on a continuous journey of building her sound. Starting in 2018, the Portland, Oregon-based artist has traveled through a few distinct phases, going from acoustic songwriter to loop-pedal expert to full band frontperson. Her newest release, an EP called “Win Some, Lose Everyone” on the east coast-based indie label Self Aware Records, is a brief yet strong run of filled-out songs that signals a development in DeHart’s self-actualization. While prepping for its release, DeHart came to the realization that this would be the perfect time to adopt an official name for her project, Myriads, which nowadays includes much collaboration and feels significantly bigger than just herself.

Recorded mostly in her bedroom and a backyard practice space belonging to her bandmate and partner Sean Cooper, the four tracks that make up the EP build off of her acoustic beginnings and introduce a heavier and fuller sound to DeHart’s musical repertoire. She enlisted emo legend Peter Helmis, a good friend and musical collaborator, to mix the tracks and Chris Baglivo, a Philly-based audio engineer, musician, and producer, to master them. Her production choices are no coincidence; DeHart’s music has a place in the universe of today’s emo and shoegaze revival. In the sharp, overdriven guitar riffs and verbed-out vocals, you can hear her influences– there are distinct nods to bands like Tigers Jaw, Pity Sex, and Turnover. Above all, in her authentically vulnerable lyrics and thoughtful storytelling, she pays homage to the work of today’s influential femme artists, including Snail Mail, Waxahatchee, Phoebe Bridgers, and Wednesday. 

DeHart is proud to be a part of the world of non-male musicians writing thoughtful and heartfelt music that communicates strength and badassery. At the same time, she writes about the struggle of living with a marginalized identity; in the EP’s concluding track, “Whore,” she explores the reality of navigating relationships as a sex worker. Her lyrics hit like a truck; during the musical and emotional climax of the track, she laments, “Thought that nobody would want me / worn out body, I’m a whore.” DeHart’s intentional emotional transparency, sometimes painfully honest and always woven together with meticulously layered instrumentation, compels listeners to enter a dreamy, introspective space that encourages them to open up, explore, and just rock out.

Jan 6 – Feb 9

Basic Handbuilding Workshop Series: “In the Kitchen”

w/Shelly Hedges $250

Make your own dinnerware, serving platters, and storage containers in this beginning handbuilding class. Demonstrations will include slab-building, coil techniques, press molds, and glazing methods.

Includes:

• One 25lb bag of clay.
• Open studio access for the duration of class.

Saturdays, 10a – 1p

• Jan 6th – Place Settings
• Jan 13th – Serving Bowls & Platters
• Jan 20th – Lidded Jars and Utensil Crocks 
• Jan 27th – Pitchers & creamers
• Feb 3rd – Glazing
• + Friday Feb 9th – Potluck Show & Tell! 6-8p

Location: Ilwaco Artworks

Tomo Nakayama Live at the Sou’wester

“When music journalists say things like ‘this artist is a fixture in Seattle music,’ there’s probably no one right now who fits that title better than Nakayama.” – KEXP

Born in Japan and raised in Seattle, Washington, Tomo Nakayama is an artist whose melodic, complex and emotionally compelling music has been praised by NPR, New York Times, and The Stranger. Beginning as frontman of the indie rock bands Asahi and Grand Hallway and a successful solo career spanning two decades as a singer, songwriter, composer, producer, actor, and curator, Nakayama has become one of the most active and recognizable figures in Seattle music.

After the critically acclaimed indie-folk albums “Fog on the Lens” and “Pieces of Sky” (named “Best Folk Act” by Seattle Weekly), Nakayama surprised his fans by releasing his latest album “Melonday” (on Porchlight Records), a collection of instantly memorable and undeniably danceable synthpop songs. Co-produced by Yuuki Matthews (The Shins, Sufjan Stevens) and mastered by Dave Cooley (M83, Paramore, Tame Impala), “Melonday” was named one of the Top Albums of the year by Seattle Times, KEXP, and Seattle Met Magazine, and debuted at #1 on KEXP’s NW Charts. The following year he composed the music for Megan Griffith’s feature film “I’ll Show You Mine” and the KUOW podcast “Ten Thousand Things” hosted by Shin Yu Pai, and collaborated on a song with Dave Matthews for SMASH (Seattle Musicians Access to Sustainable Healthcare).

Nakayama has toured across the US and Japan, sharing the stage with Built to Spill, Thao, Cornelius, Daði Freyr, Fleet Foxes, Michael Hurley, Sons of Kemet, Ben Gibbard, Fruit Bats, Damien Jurado, Buffalo Daughter, Wye Oak, and Shugo Tokumaru. He has performed and collaborated with Sera Cahoone, Jherek Bischoff, Jeremy Enigk (of Sunny Day Real Estate), and experimental dance company Malacarne. He also composed music and appeared as an actor in the Lynn Shelton film “Touchy Feely” with Elliot Page and Rosemarie DeWitt. A former Artist in Residence at Seattle’s Town Hall, his sound installations and compositions have also been featured at the Museum of Northwest Art and Wing Luke Museum.

Jan 6 – Feb 9

Basic Handbuilding Workshop Series: “In the Kitchen”

w/Shelly Hedges $250

Make your own dinnerware, serving platters, and storage containers in this beginning handbuilding class. Demonstrations will include slab-building, coil techniques, press molds, and glazing methods.

Includes:

• One 25lb bag of clay.
• Open studio access for the duration of class.

Saturdays, 10a – 1p

• Jan 6th – Place Settings
• Jan 13th – Serving Bowls & Platters
• Jan 20th – Lidded Jars and Utensil Crocks 
• Jan 27th – Pitchers & creamers
• Feb 3rd – Glazing
• + Friday Feb 9th – Potluck Show & Tell! 6-8p

Location: Ilwaco Artworks

Nevada Sowle Live at the Sou’wester

You’d expect most musicians from Northern Idaho to be immovably rooted in folk, country, and Americana stylings, but Nevada Sowle doesn’t let that landlocked positioning define his sound. Constantly seeking to find new tones both acoustic & electronic, unique yet familiar, Sowle’s catalogue fits most snuggly into the category of Pop – but don’t let that word deter you if you’re a stickler for quality lyrical content and well-thought-out composition. Having spent the past few years recording and touring the west coast with acts like Bart Budwig, Desolation Horse, MAITA, Joseph Hein, and An American Forrest, Sowle has found time in between green rooms and sound booths to develop a style that will help define the sound and style of the Pacific Northwest.

Jan 6 – Feb 9

Basic Handbuilding Workshop Series: “In the Kitchen”

w/Shelly Hedges $250

Make your own dinnerware, serving platters, and storage containers in this beginning handbuilding class. Demonstrations will include slab-building, coil techniques, press molds, and glazing methods.

Includes:

• One 25lb bag of clay.
• Open studio access for the duration of class.

Saturdays, 10a – 1p

• Jan 6th – Place Settings
• Jan 13th – Serving Bowls & Platters
• Jan 20th – Lidded Jars and Utensil Crocks 
• Jan 27th – Pitchers & creamers
• Feb 3rd – Glazing
• + Friday Feb 9th – Potluck Show & Tell! 6-8p

Location: Ilwaco Artworks