SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Kelli Schaefer: Presented by Sou’wester Arts
A few years disappeared into the forest of a global pandemic, but Kelli Schaefer and her brand new band trod through a new record this year, and it is expected to leap from the woods in 2023. With two full-length records and two EP’s already under her belt, her new record is another pivot in stylistic choice. This time, with a fresh take on the age-old singer-songwriter trope, Schaefer delivers haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass. These songs could be the soundtrack to a modern gothic, a playlist for a trudge through the forest, the accompaniment to a subconscious mantra. As expected, Schaefer again demonstrates her refusal to confine herself to a single genre. Along with her bandmates Andrew Jones (bass), Ayal Alvez (piano, keys), Joey Binhammer (guitar), Schaefer is working to finish the record and planning tour steadily in the foreseeable future. The record was recorded live at Color Therapy with Ryan Oxford (Y La Bamba) and mixed by Alex Bush (Damien Jurado).
Crowey: Presented by Sou’wester Arts
What began as the solo project of Joey Binhammer (Die Geister Beschwören, Elektrokraken, Meeping, Whales Wailing), Crowey has grown into a psychedelic/folk soundscape project and collaboration between Joey and Kate Kilbourne (Mordecai, June Rose Band, Sweeping
Exits). Both multi-instrumentalists from Portland, OR, the duo crafts sweeping vistas of finger-style guitar, strings and vocal harmonies, exploring the deep well of human emotion and finding beauty in its darkest crevices. Layers of intricate orchestration evoke the sound of moving clouds.
Brad Parsons: Presented by Sou’wester Arts
Brad Parsons is a singer-songwriter/multi-
JOHN & JULIE
“We Do”
An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023
Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.
John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.
Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.
curated by Nikki Cormaci
monica: Presented by Sou’wester Arts
‘monica’ is songwriter Caitlyn Faircloth’s melancholy dream of electric guitars and dusty amplifiers. This project lingers in sleepy, asymmetrical indie rock using soft, lonely melodies to create a nostalgic soundscape for listeners. Caitlyn lives in Quilcene, WA on the Olympic Peninsula.
Lou Trove is the nom de plume for Adam Torres’ new experimental electronic music project, which prominently features the sounds and textures of digital mellotron flute to narrative incisive compositions inspired by precious geologic formations from the Earth’s core. Aesthetically and thematically sparkly, Lou Trove makes music for meditation, hearing as seeing, and as a portal to depart upon adventures of the imagination.
“Barn Rave, 2011” by Tori Wheeler
ON VIEW
JULY 27 2023 – OCTOBER 12 2023
Tufted, and interactive artwork, Barn Rave, 2011 encapsulates the frenetic, feral exchange of energy found in a packed dance floor. The modular work recalls a night in a remote barn outside of Cedar Rapids, Iowa. Its tessellated pieces intertwine, forming a hazy, abstracted scene of kids drenched in sweat, a barn filled with fog, hay, pulsating music, and a mix of suspicious substances. This ephemeral experience imprints neural pathways.
The puzzle-like components and imagery pay homage to a transformative and hedonistic celebration of youthful exuberance. The liberated sensuality and sometimes-brainlessness of infectious bassy beats become the unyielding desires to relinquish the burdens and constraints of adolescence in small town surroundings. The pieces move and connect, at times surpassing a perfect fit. Capturing the raw energy of dancing amidst others. Capturing unbridled energy. Their arrangement allows for infinite reconfigurations—a reflection of the ever-shifting nature of the dance floor.
Tori Wheeler is an artist, designer, and dancer whose work is influenced by ecstatic human exchange, touch and tactility, music-and-nature-induced-trance-states, and a dash of trickster humor. Their creative practice mirrors that of a desire path.
Tori holds a Bachelor of Fine Arts in Design from the Kansas City Art Institute and works as a textile artist, gold leaf gilder, and fairweather graphic designer.
Curated by Nikki Cormaci
Community Clay Play
Work with pottery clay and tools to create a finished piece of your own!
REGISTER TO ATTEND
$20/person, includes firing & glazing one item. Additional $10+ per piece 6 inches+. Must prepay to attend Clay Play.
All ages are welcome. Come bond with family or friends!
Location:
109 1st Ave N Ilwaco, WA
(across from City Hall & next to Roots)
Hemlock
Live at The Sou’wester Lodge
Community Clay Play
Work with pottery clay and tools to create a finished piece of your own!
REGISTER TO ATTEND
$20/person, includes firing & glazing one item. Additional $10+ per piece 6 inches+. Must prepay to attend Clay Play.
All ages are welcome. Come bond with family or friends!
Location:
109 1st Ave N Ilwaco, WA
(across from City Hall & next to Roots)
Rebecca Sanborn began writing songs at age six, starting an early pattern of straying creatively from sheet music. Her piano instructor taught her to write the music down, which seemed like a magical power. She also fell in love with theatre and writing, pursuing all of these arts with equal passion. Rebecca got her first agent at age ten and landed starring roles in commercials. One director hired her on the spot because she had a voice “like Lauren Bacall”. In High School she would wake at 5 am to jump rope in the driveway and then pound out short works of fiction on the typewriter in the garage so as not to wake anyone. The love affair with stories and music continued and at eighteen, she left her native Portland, Oregon to study at The College of Santa Fe, in New Mexico—majoring in Theatre and immersing herself in the free, unpredictable world of the Contemporary Music Program. Every Thursday night a Forum was held where new music was emphatically encouraged. Rebecca had found her home. She studied under the experimental composers Joseph Weber and Peter Gordon and was moulded by Martha Graham’s personal demonstrator, Juanita Barry, in rigorous modern dance classes for four years.
Upon returning to the Northwest after college, Rebecca met her husband and musical partner, drummer Ji Tanzer. They are both members of the adventurous jazz quintet, Blue Cranes, the art pop trio, Swansea, and Portland’s veteran indie group, Loch Lomond. Rebecca and Ji also starred in the film “Light of Mine”, which garnered a coveted spot at the A.F.I. Fest in 2011. “Light of Mine” was the only independent film from The States to be included in the festival. Rebecca plays in the all-female, cape-wearing, fog-machine-loving synth trio, Eccoh Eccoh Eccoh with Kyleen King (Brandi Carlile) and Jenny Conlee-Drizos (The Decemberists).
In 2021, Rebecca was invited to write an original set of music for the Montavilla Jazz Fest—composing and arranging eight songs in two months. She performed these tunes with her long-time mentor and hero, pianist Randy Porter, bassist Jon Shaw, and of course, Ji Tanzer. The work now stands as a collective entitled “Shadow Work”. Several pieces have since been arranged by Douglas Detrick, and were performed at the 2022 Montavilla Jazz Fest with the 12-piece Portland Jazz Composers’ Ensemble as a part of “The Heroine’s Journey” – an evening with Marilyn Keller, Darrell Grant, and Rebecca Sanborn. In 2023, Rebecca was awarded a RACC grant to record “Shadow Work”.
Throughout all of the years of hard touring and performing, Rebecca never lost touch with the written word. She earned a spot in the highly competitive Tin House Winter Workshop in 2016, mentoring under Mitchell S. Jackson. She has completed five novels and continues to work on her literary, musical, or theatrical craft on a daily basis. When Rebecca isn’t engaged in art or teaching, she can be found chasing after her costume-obsessed five-year-old daughter or trying to get some sleep.