SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
June 27th-29th
Stop Motion En Plein Air! with Aarica North
This summer camp week is currently full. Feel free to register for a different summer camp week.
Who says you have to animate alone in the dark? Each student will build their own puppet with organic material, then the group will play a collaborative game outside where we create a stop motion animation together. Students will receive a copy of the final animation, and can bring their puppets home with them.
JOHN & JULIE
“We Do”
An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023
Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.
John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.
Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.
curated by Nikki Cormaci
DIY Screen Printing with Azenath and Ian
Screenprinting is a hands-on medium that allows students to reproduce any artwork they want in multiple colours and on many mediums. Our workshop, aimed at beginner students, will show how to undergo the entire printing process using a combination of recycled, homemade and a few purchased tools. Students will leave with the handmade screens and prints they made in the workshop, a booklet of historical art and propaganda prints from our collection, and inspiration and understanding to help them start screenprinting on their own.
“Barn Rave, 2011” by Tori Wheeler
ON VIEW
JULY 27 2023 – OCTOBER 12 2023
Tufted, and interactive artwork, Barn Rave, 2011 encapsulates the frenetic, feral exchange of energy found in a packed dance floor. The modular work recalls a night in a remote barn outside of Cedar Rapids, Iowa. Its tessellated pieces intertwine, forming a hazy, abstracted scene of kids drenched in sweat, a barn filled with fog, hay, pulsating music, and a mix of suspicious substances. This ephemeral experience imprints neural pathways.
The puzzle-like components and imagery pay homage to a transformative and hedonistic celebration of youthful exuberance. The liberated sensuality and sometimes-brainlessness of infectious bassy beats become the unyielding desires to relinquish the burdens and constraints of adolescence in small town surroundings. The pieces move and connect, at times surpassing a perfect fit. Capturing the raw energy of dancing amidst others. Capturing unbridled energy. Their arrangement allows for infinite reconfigurations—a reflection of the ever-shifting nature of the dance floor.
Tori Wheeler is an artist, designer, and dancer whose work is influenced by ecstatic human exchange, touch and tactility, music-and-nature-induced-trance-states, and a dash of trickster humor. Their creative practice mirrors that of a desire path.
Tori holds a Bachelor of Fine Arts in Design from the Kansas City Art Institute and works as a textile artist, gold leaf gilder, and fairweather graphic designer.
Curated by Nikki Cormaci
Grief Retreat with The Portland Grief house
Two night retreat with guided meditations and sound healing
Who/How much: w/Julia Francis and Laura Green of The Portland Grief House $498-807 includes lodging
What: We will spend the weekend in conversation with the non-human world; asking what medicine we can offer and what we can take. Except for grief spills and vocalizing during sound healing, we will keep conversation with humans to a bare minimum. We’ll use guided sound work, yoga practice and meditation to let spoken language shift away from the center of our attention. We’ll listen deeply, and talk sincerely with the world around us, and believe what we hear and learn. Retreat pricing includes various Sou’Wester lodging options. Full event details and itinerary found here: https://www.
Email: info@griefhouse.org
Exhibtion opening in our Art Trailer Gallery
No Lo Tenia Escrito / It Wasn’t in My Plans by Jade Mara Novarino
No Lo Tenia Escrito showcases a short film, Mi Abuela La Hormiga / My Grandma the Ant (40 minutes, 2023), and several prints and works on paper. The footage and the work are from a trip to Argentina in February of 2023. This work was made in order to remember—my grandma, us, a place, and a time. In a sense, it is a small archive, a document that marks a special moment in our relationship. Initially, for the film, I had set out to ask my grandmother many questions, and in some cases succeeded in receiving answers—but in the still and quiet moments of the footage, when the camera was just another piece of furniture and not someone to act in front of, was where I learned the most. The film is conscious of its own form, and the camera itself is acknowledged multiple times. Even so, the main subject—my grandma—doesn’t seem shy or to change before its presence. The prints and works on paper are reflections, journal entries, and photographs made within the year leading up to the show.
Jade Mara Novarino is a first generation American artist, educator, farmer, and community member born and raised in San Diego, California. Her work draws on inspiration from her family and the seasons, personal narrative, site-specificity, songs, and attempts to highlight the everyday as sacred. Her multidisciplinary work spans from socially engaged projects to imaginary restaurants to calligraphy to video to collage, photography, painting, and found sculpture. She runs an artist space and farm from her home in Milwaukie, Oregon. Her birthday is in February, her favorite month is September, and she looks forward to planting garlic every October. She is always looking for new pen-pals.
Curated by Nikki Cormaci
FREE Public screening in The Sou’wester Lodge
12/1/23 at 7 p.m to open our Winter exhibition in our Red Bus Theatre featuring
Wide Blue Yawn – An experimental documentary film by Eva Knowles
The idea for Wide Blue Yawn occurred to Eva after observing a UFO while alone on the beach in October 2020. She always had a powerful relationship to the Long Beach Peninsula, having grown up coming here for family getaways since she was a child–and so, after her mysterious encounter she decided to embark on deeper research of this place and make a film about it. Wide Blue Yawn attempts to capture layers of history at the mouth of the Columbia River and to honor the specific feelings evoked by the rugged pacific northwest geology, the spiritual presence of the first human inhabitants (the Chinookan people), and all that has unfolded since Lewis and Clark hit the scene in 1805. Wide Blue yawn spans centuries and wonders at how we ended up here, in our strange present reality.
Eva Knowles was born in 1990 and grew up in Bonney Lake, Washington. Her films are shot with a handheld digital camcorder and have an intimate and personal feeling. As an artist Eva is concerned with the mysterious, the sublime, and the mundane. She has worked as a teacher, a farmer, and also practices reiki. She has many projects in the works about fascinating topics.
Contact: email: eeva.knowles@gmail.com / instagram
Curated by Nikki Cormaci
Collective Release Fire
Outside in the trailer court in front of the lodge, we will gather into an expanded moment of presence with the weight of the world, a time of reverence through lively celebration of the complexity of existence in togetherness, where whatever wishes to unfold may do so naturally through the intentional lighting of a fire. There will be pieces of paper and pens on which to write and reflect and then offer the writings into the fire, instruments with which we can play, and an invitation to donate whatever resources are available, financial or otherwise, to Source Food and Goods, a group offering community aid to the local Palestinian community in Portland, OR .
*No drinks in public. Quiet hours after 10p.
Contemplative Rest Retreat
Contemplative Rest: Our Basic Peace Work
A weekend-long retreat with M Freeman
Fri, Feb 9 @ 7:00pm – Sun, Feb11 @ 11am
In-person only at:
The Sou’wester Lodge
3728 J Place
Seaview, Wa 98644
The Brief
Explore, savor, and rest in the numinous through this weekend-long retreat with contemplative guide, media artist, and writer, M Freeman. Inspired by decades of heart-centered contemplative practices and by Buddhist monk Thich Nhat Hanh’s mindfulness teaching that rest is our most basic peace work, Freeman’s Contemplative Rest cultivates engagement in the mystical realm and nurtures awe as a profoundly fortifying resource.
We’ve all had unforgettable experiences of awe. Maybe it was on a hike, or holding a newborn, or watching a flock of birds. Maybe it was in moonlight, or with your cat, or in a hospital room. This spacious weekend features practice sessions in which Freeman will lead participants through exploring and honoring recollected moments, and will then guide folks into reverent, somatic, contemplative rest. Participants will be invited into reflective writing, to share reflections and insights, and to enjoy lots of solo relaxation time. All this wonder happens along the stunning Washington State coast at the Sou’wester Lodge and Vintage Travel Trailer Resort.
How much: Retreat fee is sliding scale, starting at $325 – Tickets
Lodging is additional. The Sou’wester has set aside select lodging options for retreat participants. Book lodging directly here with the Sou’wester.
Event details at marilynfreeman.com
About M Freeman
Media artist, writer, contemplative, spiritual director, and independent scholar, M Freeman works at the intersections of reckoning and resiliency, queerness and film, and contemplative, creative and social art practices. Author of The Illuminated Space: A Personal Theory and Contemplative Practice of Media Art (The 3rd Thing, 2020/winner of the Nautilus Book Award Gold Medal for Creativity & Innovation) and creator of Cinema Divina (short films for contemplative practice), Freeman is the founder of Contemplative Rest: Exploring, Savoring & Resting in the Numinous; and co-curator of Good Symptom: A Serial Anthology of Time-based Disturbances. Their text and media arts essays have been published in or at The Fourth Genre, Ninth Letter, TriQuarterly, Blackbird, Rolling Stone, Abbey of the Arts, and Good Symptom. Their films are screened on PBS and in galleries, spirituality centers and festivals worldwide. marilynfreeman.com.
M Freeman photo by Anne de Marcken
Each March The Sou’wester is given over to 30+ artists and art collectives for a week of residency work culminating in a public exhibition of performances, installations & studio tours. Arts Week highlights the creative process and experiential nature of the Sou’wester Artist Residency Program. Arts week 2024 hopes to create communal movement from the confluence of individual flow states. Through each of our visions, we come together to share in making something bigger. How does this energized space wash back on us? How does it inspire us, heal us, move us towards a sense of belonging? What do we take back from this exchange to seed our own revisioning?
Schedule and itinerary TBA