Sou’Wester Arts is delighted to welcome artists Lindsay Costello & Erika Callihan whose exhibition What Else is Here? will be featured in our Gallery Trailer & Red Bus Microcinema April 14 – July 6. We hope you will join the artists for an opening reception with coffee and galettes on Friday, April 14 from 11:11 a.m. – 1:11 p.m.

What Else is Here? will be the culminating body of site-responsive work created by artist-friends Lindsay Costello and Erika Callihan during a week-long residency at the Sou’Wester. They’re thinking about rest, play, trust, the writing of Annie Dillard, and nature as a resource in healing C-PTSD. The exhibition will include a textile piece, soundscapes, paintings, and process drawings, plus a separate activation of the Red Bus Microcinema with Lindsay‘s diaristic 8mm nature films. Visitors will be invited to engage with the exhibition and the surrounding landscape through various creative and somatic prompts. 

“Portraits, Men in Ballgowns, Sound, We Will Be Heard” by Scott Braucht

Sou’Wester Arts is thrilled to welcome filmmaker Scott Braucht whose program Portraits / Men in Ballgowns // Sound / We Will Be Heard will be featured in a special exhibition celebrating Pacific County Pride in our Red Bus Microcinema.

On view at The Sou’Wester’s Red Bus Theatre

May 29 – July 14, 2023.

Opening reception Monday, May 29 6-8p with a special acoustic performance from musician Khaelo Dé.

June 27th-29th

Stop Motion En Plein Air! with Aarica North

This summer camp week is currently full. Feel free to register for a different summer camp week.

Who says you have to animate alone in the dark? Each student will build their own puppet with organic material, then the group will play a collaborative game outside where we create a stop motion animation together. Students will receive a copy of the final animation, and can bring their puppets home with them.

REGISTER

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JOHN & JULIE
“We Do”

An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023

Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.

John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.

Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.

curated by Nikki Cormaci

DIY Screen Printing with Azenath and Ian

Screenprinting is a hands-on medium that allows students to reproduce any artwork they want in multiple colours and on many mediums. Our workshop, aimed at beginner students, will show how to undergo the entire printing process using a combination of recycled, homemade and a few purchased tools. Students will leave with the handmade screens and prints they made in the workshop, a booklet of historical art and propaganda prints from our collection, and inspiration and understanding to help them start screenprinting on their own.

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“Barn Rave, 2011” by Tori Wheeler

ON VIEW
JULY 27 2023 – OCTOBER 12 2023

Tufted, and interactive artwork, Barn Rave, 2011 encapsulates the frenetic, feral exchange of energy found in a packed dance floor. The modular work recalls a night in a remote barn outside of Cedar Rapids, Iowa. Its tessellated pieces intertwine, forming a hazy, abstracted scene of kids drenched in sweat, a barn filled with fog, hay, pulsating music, and a mix of suspicious substances. This ephemeral experience imprints neural pathways.

The puzzle-like components and imagery pay homage to a transformative and hedonistic celebration of youthful exuberance. The liberated sensuality and sometimes-brainlessness of infectious bassy beats become the unyielding desires to relinquish the burdens and constraints of adolescence in small town surroundings. The pieces move and connect, at times surpassing a perfect fit. Capturing the raw energy of dancing amidst others. Capturing unbridled energy. Their arrangement allows for infinite reconfigurations—a reflection of the ever-shifting nature of the dance floor.

Tori Wheeler is an artist, designer, and dancer whose work is influenced by ecstatic human exchange, touch and tactility, music-and-nature-induced-trance-states, and a dash of trickster humor. Their creative practice mirrors that of a desire path.

Tori holds a Bachelor of Fine Arts in Design from the Kansas City Art Institute and works as a textile artist, gold leaf gilder, and fairweather graphic designer.

Curated by Nikki Cormaci

Exhibtion opening in our Art Trailer Gallery

No Lo Tenia Escrito / It Wasn’t in My Plans by Jade Mara Novarino

No Lo Tenia Escrito showcases a short film, Mi Abuela La Hormiga / My Grandma the Ant (40 minutes, 2023), and several prints and works on paper. The footage and the work are from a trip to Argentina in February of 2023. This work was made in order to remember—my grandma, us, a place, and a time. In a sense, it is a small archive, a document that marks a special moment in our relationship. Initially, for the film, I had set out to ask my grandmother many questions, and in some cases succeeded in receiving answers—but in the still and quiet moments of the footage, when the camera was just another piece of furniture and not someone to act in front of, was where I learned the most. The film is conscious of its own form, and the camera itself is acknowledged multiple times. Even so, the main subject—my grandma—doesn’t seem shy or to change before its presence. The prints and works on paper are reflections, journal entries, and photographs made within the year leading up to the show. 

Jade Mara Novarino is a first generation American artist, educator, farmer, and community member born and raised in San Diego, California. Her work draws on inspiration from her family and the seasons, personal narrative, site-specificity, songs, and attempts to highlight the everyday as sacred. Her multidisciplinary work spans from socially engaged projects to imaginary restaurants to calligraphy to video to collage, photography, painting, and found sculpture. She runs an artist space and farm from her home in Milwaukie, Oregon. Her birthday is in February, her favorite month is September, and she looks forward to planting garlic every October. She is always looking for new pen-pals. 

Curated by Nikki Cormaci

FREE Public screening in The Sou’wester Lodge

12/1/23 at 7 p.m to open our Winter exhibition in our Red Bus Theatre featuring

Wide Blue Yawn – An experimental documentary film by Eva Knowles

The idea for Wide Blue Yawn occurred to Eva after observing a UFO while alone on the beach in October 2020. She always had a powerful relationship to the Long Beach Peninsula, having grown up coming here for family getaways since she was a child–and so, after her mysterious encounter she decided to embark on deeper research of this place and make a film about it. Wide Blue Yawn attempts to capture layers of history at the mouth of the Columbia River and to honor the specific feelings evoked by the rugged pacific northwest geology, the spiritual presence of the first human inhabitants (the Chinookan people), and all that has unfolded since Lewis and Clark hit the scene in 1805. Wide Blue yawn spans centuries and wonders at how we ended up here, in our strange present reality.

Eva Knowles was born in 1990 and grew up in Bonney Lake, Washington. Her films are shot with a handheld digital camcorder and have an intimate and personal feeling. As an artist Eva is concerned with the mysterious, the sublime, and the mundane. She has worked as a teacher, a farmer, and also practices reiki. She has many projects in the works about fascinating topics.

Contact: email: eeva.knowles@gmail.com / instagram

Curated by Nikki Cormaci

Each March The Sou’wester is given over to 30+ artists and art collectives for a week of residency work culminating in a public exhibition of performances, installations & studio tours. Arts Week highlights the creative process and experiential nature of the Sou’wester Artist Residency Program. Arts week 2024 hopes to create communal movement from the confluence of individual flow states. Through each of our visions, we come together to share in making something bigger. How does this energized space wash back on us? How does it inspire us, heal us, move us towards a sense of belonging? What do we take back from this exchange to seed  our own revisioning?

Schedule and itinerary TBA

ARTS WEEK ARCHIVE

Each March The Sou’wester is given over to 30+ artists and art collectives for a week of residency work culminating in a public exhibition of performances, installations & studio tours. Arts Week highlights the creative process and experiential nature of the Sou’wester Artist Residency Program. Arts week 2024 hopes to create communal movement from the confluence of individual flow states. Through each of our visions, we come together to share in making something bigger. How does this energized space wash back on us? How does it inspire us, heal us, move us towards a sense of belonging? What do we take back from this exchange to seed  our own revisioning?

FREE AND OPEN TO THE PUBLIC MARCH 15-17

FRI, 6-10p @ ILWACO ARTWORKS
SAT, 10a-12p @ WAVE PRESCHOOL
SAT, 12-10p @ THE SOU’WESTER
SUN, 11-1p @ ILWACO ARTWORKS

Schedule and itinerary TBA