In this workshop students will learn to shoot in the classic, home movie, analog format and become part of a community of Super 8 and 16mm enthusiasts. Explore the “bucket method” of hand processing your film, and how to care for your negatives.

Stephanie Hough is an experimental filmmaker, production coordinator and director of photography whose work explores repetition, gender, relationships and emotional landscapes. Her films HOW TO FEEL (DV, 2010), HEART (16mm, 2013), SPOOKY ACTION AT A DISTANCE (Super 8, 2016) have screened in the NW Filmmaker’s Festival, Portland International Film Festival, Experimental Film Festival PDX, BendFilm, The Boathouse Microcinema, TriBeca Film Center and more. As an educator with the Northwest Film Center, Pacific University and the PNCA, Hough has a passion for sharing analog film techniques and making learning accessible for all. 

Workshop cost $70
Register for all three Analog Film Workshops for $150

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In this workshop we’ll explore the idea of personal identity through mixed media. Learn how to do packing tape image transfers, create your own collage papers, and then make a grungy mixed media piece of artwork.

Angie Ebba is a queer disabled writer, artist, educator, activist, and performer. She is a published poet and essayist, who teaches and performs across the US. She believes strongly in the power of words and art to help better understand ourselves, build connections and community, and make personal and social change. 

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We often think of the poem, essay, or story as a device that delivers great knowledge, wisdom, or emotional insight, and the writer as an expert craftsman, who, with great skill and complete intention, willfully inscribes those messages onto the page. In contrast, the late (great) author Donald Barthelme defines the writer as “one who, embarking on a task, does not know what to do”.  This workshop takes Barthelme’s definition as its starting point, and is designed to give students hands-on experience in writing without any predetermined outcome in mind–in writing with an eye towards uncertainty, chance, experiment, play, and discovery.  This will be a playful, exercise based workshop and seasoned writers as well as students with little to no experience are equally welcome to participate.

Quinn Gancedo is a writer and educator based in Portland, Oregon.  He is the author of The Nouns (The Cupboard Pamphlet, 2022) and his work has appeared or is forthcoming in Fence, Diagram, Tammy, New Delta Review, and elsewhere.  He has taught creative writing, literature, and DIY bookmaking at the California Institute of the Arts and in various community and youth education settings.  He is a co-founder of Elbow Room, a non-profit arts organization focused on providing material support, mentorship, representation, and space to work, collaborate, and experiment for artists experiencing intellectual and developmental disabilities in Portland.  

Katie Savastano is an artist, educator, and designer out of Portland, Oregon.  From 2011 to 2015 she booked and promoted countless DIY shows in Portland and Eugene under the moniker Small Howl.  Since then she has done design work making merch, album art, and promotional materials for Rock and Roll Camp for Girls, Mississippi Studios, Revolution Hall, Antiquated Future, Black Belt Eagle Scout, and others.  In 2020, she co-founded Elbow Room, a non-profit arts organization dedicated to providing material resources, mentorship, representation, and space to work, collaborate, and experiment for artists experiencing intellectual and developmental disabilities in Portland.

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Ever wondered about the beautiful Japanese prints you find all over the world?  This course is designed to show you the basics of Moku Hanga (Japanese woodblock). Though a more complicated printing technique, this class will take you through a quick crash course covering all the major points, and allow you to pull a few prints yourself. Charles Spitzack (American, Pacific Northwest) was born in 1987 in Minnesota and raised in the Twin Cities. He received a BFA with a focus in Print Arts and Drawing from Cornish College of the Arts and has participated in residencies at Rockland Woods and Mokuhanga Project space. As a Pacific Northwest-based artist, he teaches woodblock printmaking at  Pratt Fine Arts Center and also works as a carpenter, a process that reflects his interest in the physicality of woodblock prints and his ability to find inspiration anywhere. His work has been shown extensively in the Pacific Northwest and internationally. Spitzack is known for his bold, energetic, Mokuhanga-inspired woodblock prints of the human figure, animals, landscapes, urban scenes, and more. His work commonly addresses the plight of the working class, hopelessness in the face of destruction, and humanistic experiences.  Register

Learn about how to use a mixture of concrete to make lightweight and durable jewelry. Students will learn how to make a one part mold and pour the concrete as a casting technique. Afterwards students will sand their concrete and seal them. Students will leave with one finished piece of jewelry!

Arielle Brackett is a metalsmith and educator based in Portland, Oregon. She received her BFA in metals at the Oregon College of Art and Craft in 2017. She has shown nationally and internationally, including Canada, Romania and Russia. Brackett was awarded best in metals at the Colorado Gallery of the Arts and the Art Center of Estes Park and Juror’s Choice Award in Jewelry from CraftForms 2021. She received two scholarships to paint in Le Barroux, France and Grand Junction, Colorado. In May 2016, Brackett was granted a full ride scholarship to attend a two-week glass workshop at the Penland School of Craft. Brackett is published in Society of North American Goldsmiths (SNAG), Jams 2018 and How Art Heals, by Andra Stanton. In 2019, she had a piece in a runway show, Shift in Portland, Oregon. Brackett showed work in SNAG’s Exhibition in Motion in 2019 and 2021.

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Workshop includes relief printmaking demo (linocut), time for sketching and discussion during interactive presentation that situates us on the timeline of activist printmaking from Martin Luther 16th Century to Mexico 20th century to the present. Building upon a 30 year history as stage performer and rock singer, Karim Shuquem creates installations, sculptures, and prints that have relationship with staging, temporality, and process. Shuquem has recently completed the Otis College MFA program and works as an art teacher. Register

Participants will learn the basics of block printing on fabric including designing, carving, and printing. You will troubleshoot common problems in relief printmaking, learn about brands and tools, and leave with finished prints on fabric. Please bring your own fabric item which can include yardage, tshirts, scarves, or anything else that is relatively smooth. Avoid fabrics such as burlap.

Ashley Quick is a visual artist based in the mountain west. Her graphic and often illustrative work represents personal experience and place-based reflections on nature in mediums such as printmaking, illustration, and more recently mural. She shows regularly in Wyoming and Colorado, and has been featured in shows across the country. 

This class is currently full.

Learn the basics of handbuilding with clay and experiment using “nerikomi” techniques – the process of pressing or folding multiple colors of clay to achieve unique surface designs. This class is beginner friendly and includes all the tools you need, clay, glaze, and firing of one or two finished pieces.

Ally Bruser is a former elementary school art teacher, artist, and mother living in southwest Washington, on the unceded territory of the Chinook Nation. Most of her ceramics are handbuilt using nerikomi techniques — the process of pressing and folding multiple colors of clay together then rolling them into slabs. When not making pottery, Ally is working towards making the arts and arts learning experiences more accessible as the Program Manager for Sou’wester Arts. Visit albepottery.squarespace.com or follow @albepottery on instagram to learn more about Ally and her pottery process.

$70

 

We Hold the Light: Cyanotype Quilts with Cordy Joan

In this workshop we will use two practices that ask us to interact with natural light to create miniature “secret” quilts. First, participants will be guided in making cyanotypes out of gathered natural materials from the land. (That is, cyanotyping as a method of sun-printing that requires us to relate to the light). These will serve as their mini-quilt tops. Second, participants will be guided through a series of writing prompts to find words that they will cut into quilt batting to create the middle of the quilt. This interacts with light in that when your finished quilt is held up to a light source, your batting-cut words will be revealed like secret messages. Quilt backs will be provided and we will complete our pieces using a simple hand-tie method.

Cordy (they/them) is a white artist and educator living on Ohlone land (Oakland, CA). They wish to find where poems and quilts hold hands and they are interested in what we will leave behind. They think that making communal objects together can be an act of relearning how to be together. For more info visit corduroyjoan.com or @coanofsilence on instagram

$65

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Singing in the land:  earth magic, song, and the body 

Thursday, May 25 5-7 pm

 

Join bodyworker, musician, and animist priest ell rieke (they/them) in residency at the Sou’wester for a magical, musical exploration of connection with the earth, our ancestors, and the world of spirit.  Part workshop, part participatory sonic experience, we will spend the first part of our time in conversation, talking through questions like:  what is magic and why does it matter?  Where do songs come from?  Is the earth talking to us?  How can sound and rhythm help us navigate this complicated, painful, beautiful world?  

 

In the second half of our gathering, ell will guide participants in using voice and body to connect with spirit and the earth.  They will teach some songs of the season, from both folk and modern traditions, and then guide a gentle ritual of reverence and celebration for the coming of summer.  You will be invited to sing or hum and move your body, and are also welcome to just sit and experience.  All bodies, voices, and backgrounds are welcome, including kids! 

 

Please bring something to sit on, and cozy layers in case the evening is cool.  You may want to bring a journal and pen, if you like taking notes, and are also invited to bring a special object (that will return home with you) and/or flowers for the group altar.