Bijoux Cone: Presented by Sou’wester Arts

Bijoux Cone (Formerly Bryson Cone) is a visual artist, filmmaker, musician and producer based out of Portland OR. Bijoux Cone’s debut album “Magnetism” was released February 19 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release.

Bijoux Cone’s music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves.

The live band includes/has included members such as:

Bijoux Cone (FKA Bryson Cone, Reptaliens, Gary Wilson & The Blind Dates),

Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse),

Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire),

Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).

Jed Crisologo : Presented by Sou’wester Arts

Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes.  His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs.  This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.

Nick Delffs : Presented by Sou’wester Arts

Nick Delffs grew up in Mendocino County, a lawless stretch of coastline that’s hard to get to and, for many, hard to escape. Nick did — emerging in the early aughts as the frontman for Portland band The Shaky Hands, whose sharp, jittery rock was anchored by Nick’s quavering vocals and questing lyrics. The Shaky Hands were mainstays of Portland on the verge of a major shift, and they rode that shift a while, signing to Kill Rock Stars and touring internationally with some of the bigger names in indie rock. But a hiatus in 2011 became indefinite and Nick Delffs was once again cast into the world: working as a sideman, releasing solo records, doing manual labor, going deeper into his spiritual practices, and, crucially, becoming a father.

Becoming a parent can affect different artists in different ways. Nick rode that change with surpassing grace and maturity. 2017’s Redesign, his first full-length under his own name, reflected the transition. In “Song for Aja”, Nick touched on other concerns familiar to those who follow his work: love of the natural world; longing for spiritual and physical connection; the desire to suffer with meaning and exult with abandon, to embrace somehow the world in its maddening contradictions and find the unity at the core.

Childhood Pastimes, his second release on Mama Bird Recording Co., is both more focused and, despite being technically an EP, more ambitious. It’s a four-song cycle — one song with many movements or four songs that bleed into one another, depending on how you hear it — that can be viewed either as a personal journey or an archetypal passage of a human being through four discrete stages: roughly, the movement from childhood innocence into adolescent adventure (The Escape); the sudden immersion into a life of discovery and excitement (The Dream); the first experience of romantic love, followed by the onset of heartbreak, dissolution, breakdown of self (The Affair); the emergence into a new way of thinking, a fresh perspective that encompasses all the suffering and joy into a balanced whole (The Outside).

Nick plays nearly all of the instruments here and the result is a unified aesthetic, born ultimately of his deep-seated love of rhythm: the thrum and throb of the acoustic guitars, the percussive melodic bang of the elegantly-crafted piano lines, and always, always the insistent, driving drums, propelling the record, and the listener, on this journey as the four tracks bleed into one another, one body, one blood, one beating heart. The concept of four songs that are really one suite of music requires a sure hand, and Nick’s never shakes: the way the songs blend together while retaining their distinctiveness — from the poppy exaltation of “The Escape” to the cold intensity, almost like an acoustic Kraftwerk, of “The Affair” — shows a songwriter and musician who has fully grown into his powers.

Those who have followed Nick’s career may see this as a culmination of years and years of honing and fine-tuning his bountiful gifts, and wonder with delight what might come next. For those who haven’t listened to Nick before, Childhood Pastimes is the perfect entry point, a distillation of what’s come before and the promise of a new beginning.

June 27th-29th

Stop Motion En Plein Air! with Aarica North

This summer camp week is currently full. Feel free to register for a different summer camp week.

Who says you have to animate alone in the dark? Each student will build their own puppet with organic material, then the group will play a collaborative game outside where we create a stop motion animation together. Students will receive a copy of the final animation, and can bring their puppets home with them.

REGISTER

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DIY Screen Printing with Azenath and Ian

Screenprinting is a hands-on medium that allows students to reproduce any artwork they want in multiple colours and on many mediums. Our workshop, aimed at beginner students, will show how to undergo the entire printing process using a combination of recycled, homemade and a few purchased tools. Students will leave with the handmade screens and prints they made in the workshop, a booklet of historical art and propaganda prints from our collection, and inspiration and understanding to help them start screenprinting on their own.

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Always Moving / Magical in Motion By LAURA HEIT + MONA HUNEIDI

• OPENING FILM SCREENING 6/16/24
• FREE AND OPEN TO ALL
• FILM WILL BE SCREENING DAILY 11a & 4p or by request with the front desk

“I am interested in everything that is opaque, that which takes place in secret and behind curtains or in the shadows. My aim is not to make clear or justify, rather I aim to watch/show as if in a dream. My work focuses on the minutiae of human behavior, obsessive habits, arduous matters of the heart, betrayal, espionage and inexplicable phenomenon. These themes are the impetus and the architecture that builds the sets, the mise en scene and the characters I create. 

I use wood, glass, transparencies, wire weaves, paper dolls, found objects, doll parts, shadows, tea leaves and texture to create space and the characters that inhabit it. I believe that everyday articles are curious when taken out of context and that still objects, no matter how pedestrian, are magical in motion.”  —  MONA HUNEIDI

Always Moving / Magical in Motion features the stop-motion, live-action puppetry, hand drawing and computer animation in the short films of artists Laura Heit and Mona Huneidi. Sometimes fantastical, sometimes abstract, sometimes in orbit, these films visualize the things we cannot see, fears, hypothetical stars, moments inside catastrophes, and the future. On view at The Sou’Wester’s Red Bus Microcinema, 3728 J Place, Seaview, WA, June – September,  2024, with screenings at 11 a.m. and 4 p.m. daily. A special closing event attended by filmmaker Laura Heit will take place in September. More details to come.

Laura Heit is an interdisciplinary artist who currently lives and works in Portland Oregon. Her work has been exhibited and screened in the US and abroad, at venues including Track 16 (Los Angeles, CA), Boise Art Museum (Boise, ID), Adams and Ollman (Portland, OR), The Schnitzer Museum of Art (Eugene, OR), The Schneider Museum of Art (Ashland OR), She Works Flexible (Houston, TX), REDCAT (Los Angeles, CA), Walker Art Center (Minneapolis, MN), MoMA (NYC, NY), Millennium Film (NYC, NY), Pompidou (Paris, France), TBA Festival (Portland, OR), the Guggenheim Museum (NYC, NY), Walt Disney Hall (Los Angeles, CA), and Detroit Institute of the Arts (Detroit, MI) among others. Her grants include; 2016 Oregon Arts Council Individual Artists Fellowship, Artist Project Grant Regional Arts & Culture Council including the 2014 Innovation Award, The British Council, and the MacDowell Colony. She has previously held positions at PNCA as chair of Animated Arts, SAIC, and Cal Arts where she was co-director of the Experimental Animation Department. Her book Animators Sketchbooks was published in 2013 by Thames and Hudson. 

Mona Huneidi is an animator/filmmaker who was born and raised in Kuwait. She went to primary schools in Lebanon and Kuwait and arrived in the US in 1980 to pursue her education. She holds a BFA in Filmmaking from the San Francisco Art Institute. She worked as an assistant producer for television productions in Kuwait in the late 80s and early 90s. Upon returning to the US, she joined the pre-production team at Imago Theatre working as a puppeteer, a dramaturg, prop master and a set dresser. She earned a Drammy award in 2004 for the projection design on the play Missing Mona. She writes, creates and produces her own animated films, which have been shown locally at Performance Works Northwest, Imago Theatre Cabaret and PCC’s Art Week. Her work has also been screened internationally at  Festival Du Cinéma Bruxelles, Festival De Cine Internacional De Barcelona, Animacam Online Animation Festival Galicia, and the Cannes Short Film Festival.     

Curated by Nikki Cormaci