SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
New Victorian : Presented by Sou’wester Arts
New Victorian is the ethereal, small-rock project from Portlander Scott Taylor.
Students will use paper mache to sculpt Mythical Creatures by expanding on their current animal knowledge and imagination. Students will also make a painting that depicts their creatures’ habitat and behavior.
Youth can sign up for the entire camp week M-F 9-4PM, or just the Sou’wester Arts Artist-led Workshops in the afternoons on T, W, Th from 1-4PM. If students would like to only sign up for artist-led workshops, they can email claire@djhcc.org to make arrangements. Please visit DJHCC.org for more information.
Students will use paper mache to sculpt Mythical Creatures by expanding on their current animal knowledge and imagination. Students will also make a painting that depicts their creatures’ habitat and behavior.
Youth can sign up for the entire camp week M-F 9-4PM, or just the Sou’wester Arts Artist-led Workshops in the afternoons on T, W, Th from 1-4PM. If students would like to only sign up for artist-led workshops, they can email claire@djhcc.org to make arrangements. Please visit DJHCC.org for more information.
Students will use paper mache to sculpt Mythical Creatures by expanding on their current animal knowledge and imagination. Students will also make a painting that depicts their creatures’ habitat and behavior.
Youth can sign up for the entire camp week M-F 9-4PM, or just the Sou’wester Arts Artist-led Workshops in the afternoons on T, W, Th from 1-4PM. If students would like to only sign up for artist-led workshops, they can email claire@djhcc.org to make arrangements. Please visit DJHCC.org for more information.
In this workshop students will use transparent objects to create moving image cyanotypes without the use of traditional filmmaking equipment. This hands-on workshop will demonstrate how to clear coat 16mm film with cyanotype solution, compose creative film sequences with pre-coated stock, properly expose in the sun, and develop and tone images using household chemicals. At the end of the workshop, we will splice and project our sequences. Participants are encouraged to bring translucent fabrics, objects, 16mm negatives, transparencies and other materials to enhance their creative journey.
Stephanie Hough is an experimental filmmaker, production coordinator and director of photography whose work explores repetition, gender, relationships and emotional landscapes. Her films HOW TO FEEL (DV, 2010), HEART (16mm, 2013), SPOOKY ACTION AT A DISTANCE (Super 8, 2016) have screened in the NW Filmmaker’s Festival, Portland International Film Festival, Experimental Film Festival PDX, BendFilm, The Boathouse Microcinema, TriBeca Film Center and more. As an educator with the Northwest Film Center, Pacific University and the PNCA, Hough has a passion for sharing analog film techniques and making learning accessible for all.
Workshop cost $70
Register for all three Analog Film Workshops for $150
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
In this workshop we will use plaiting and twining to create a small basket. We will be weaving with hand harvested and natural materials, including cedar bark, cherry bark, sea grass and iris leaf. We will be creating unique shapes and designs using these 2 techniques.
Rose Covert is a constant maker and an artist who creates in many directions. Her paintings, sculptures and woven works have been displayed throughout the Pacific Northwest. Most recently Rose has been engaged in woven sculptural work made of plants growing within a 30 mile radius of where she lives. Rose makes these very intricate and wild shapes by weaving one stick at a time, thus creating pathways to follow and build upon. As a member of the Columbia Basin Basketry Guild and a childhood educator Rose moves seamlessly between student and teacher, learning from the materials, the process and the people she works with.
As a teacher Rose is drawn to engagement and embodiment, beginning by exploring the mediums and materials we’ll be working with then using our senses and intuition to get a feel for what we’ll be making. Her teaching style has an emphasis on the magic and play of making, using questions and conversation as a way to encourage connection and imagination.
Workshop cost $80
!mindparade (unplugged) : Presented by Sou’wester Arts
!mindparade is a psychedelic/experimental project that formed in Bloomington, Indiana. Originally the solo bedroom project of Alex Arnold, the live show and recordings are fleshed out by a revolving cast of musicians utilizing electronics and orchestration. !mindparade’s beautiful cacophony of bombast is pleasantly bewildering. Wild flourishes of dreamy psychedelic instrumentation zoom past you in all directions like standing in the middle of a busy intersection.
Currently based in Portland, Oregon, USA.
Jeremy James Meyer: Presented by Sou’wester Arts
Jeremy James Meyer is an artificer of song. A songwriter’s songwriter. He crafts redemptive songs full of woody rock ‘n’ roll tones. His deep, penetrating voice has a wide range, and is especially captivating in his droning, lower register. He spent the last decade drifting around, a tool belt troubadour, working carpentry by day, bringing folk music to the people at night. As with most well traveled songwriters it’s hard to tell where the road ends and Jeremy James Meyer begins. His songs seamlessly blend plain-language and poetic lyricism. They wander from personal truth to outlaw legends. He’s capable of cathartic protest songs, cosmic country canticles, and dive bar sing-a-longs. Whenever, and however your path crosses with Jeremy James Meyer’s (and it will) prepare for an enchanting, psychedelic trip through cosmic American music.
“Alive and OK by Jeremy James Meyer is a lesson in what country music can be. This is not the pop country of Nashville. This is real country music with stories and melodies that keep the listener engaged. Whether it’s a foot stomper or a song made for slow dancing, Meyer delivers songs that will get you moving.”
“Last year was a devastating time for fans of Americana, country, and pretty much anyone who loved a well-written song with the passing of Walker, Prine and Billy Joe Shaver all in the span of six months. It’s heartening though to know there is another generation of talented singers and songwriters eschewing current trends and fads and focusing simply on writing timeless, relatable music agnostic of specific genres. Meyer is certainly one of those acolytes to the greats, alongside peers like Todd Snider and Hayes Carll carrying that tradition into the future.”
In this workshop we’ll explore elemental printmaking techniques, creating multiples or one-of-a-kind prints with a rolling pin or tiny press. Monotypes are a painterly print, using Akua Non-toxic soy and honey based inks with brushes, brayers, stencils and templates, ferns, feathers or leaves. We’ll do Trace monotypes, Foil printing and Collograph to create fantastic textured surfaces. We’ll also explore Gyotaku, the Japanese art of fish printing, using rubber fish to transfer ink onto paper or fabric. Other elements addressed will be chine Colle’, making a stamp, relief printing, printing on fabric, everyday items you can use for art, Scratch Foam printing, Stamping with Easycut, Tape design plates and more! Workshop is 10AM-2PM and cost is $90.
Jane Pagliarulo received a BFA in Printmaking from University of Massachusetts at Amherst. She cut her teeth as a fine art printer at Hand Graphics in Santa Fe, New Mexico. From 1989 to 1996 she printed lithographs, woodcuts and etchings. As a monotype printer she has worked one-on-one in creative collaboration with artists having tremendously varied conceptual and technical approaches. As a result Jane strays beyond the traditional boundaries of printmaking. In 1996 Pagliarulo moved to Oregon, founding a printmaking workshop in Hood River. In 2007 she co-founded Atelier Meridian, a collaborative membership printmaking studio in Portland, where she teaches workshops and prints editions. In her own prints, Pagliarulo approaches the landscape with an abstract realist’s eye for the edges and shapes found in the expanses of the American West. Unique spacial tensions are created with the push and pull of brush strokes and erasures. Unpredictable marks and subtle veils of color are employed as the printmaking process delivers mysterious surfaces of ink in confluence with paper. She exhibits nationally and is represented in Portland by the Portland Art Museum Rental Sales Gallery and Print Arts Northwest.