SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Lindsay Clark : Presented by Sou’wester Arts
“A rare exhibition of the weight that minimalism can bear in contemporary, reflective folk music. ”
Lindsay Clark finds balance between traditional and english folk, country, and her own version of experimental folk that seems to come from within. Exquisite and pitch perfect, her music speaks of quiet revelation, with a background of (usually her own) multi-tracked vocal arrangements. With influences ranging from the Beach Boys, Elizabeth Cotton, Joni Mitchell, Appalachian folk, her classical upbringing, and her father’s record collection, she blends many worlds into a uniquely warm sound. She has carved out a vibrant place as an artist with a penchant for poetry, rich harmony, and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.
Originally from the small gold rush town of Nevada City, CA, she now resides in Portland, OR. Her sound has been described as “folk with angelic vocals washing over smooth edges” (1859 Magazine). She has shared the stage with musicians such as Alela Diane, Adam Torres, Nat Baldwin (Dirty Projectors), Ryan Francesconi (Joanna Newsom), Kaitlyn Aurelia Smith and Michael Hurley. “Crystalline” was released in 2018 via boutique German label Oscarson.
Her forthcoming full-length album (which she wrote, produced and co-arranged), Carpe Noctem, features guitarist William Tyler, Alela Diane, Sage Fisher (Dolphin Midwives), Alexis Mahler (Shook Twins) & Andy Rayborn (Paper Gates). It was engineered and arranged with Jeremy Harris (Vetiver, Adrienne Lenker, Hand Habits), and is out 6/24/22 with Audiosport Records (NL). She has also recently collaborated on Michael Hurley’s latest release, Time of the Foxgloves (No Quarter Records). She is currently at work on her first collection of lyric memoir-in-essays. PRE-ORDER CARPE NOCTEM
Peter Donovan : Presented by Sou’wester Arts
Peter Donovan is an astute musical storyteller. His perceptive songs span genres and feature narratives based on both real-life and fictitious characters, written with a contemplative heart. After finding success and a dedicated fanbase with Seattle’s All The Real Girls and his side project The Rose Petals (alongside Elijah Ocean), Donovan returns in 2022 with his first proper solo album, This Better Be Good.
His previous releases spun expertly-crafted character sketches that earned plaudits from Paste Magazine, Consequence of Sound, American Songwriter, and more. With This Better Be Good, Donovan spreads his wings, combining the plaintive soul of indie rock, the heartfelt sincerity of Americana, and the stirring studio pageantry of ‘70s singer-songwriters, drawing them together to explore more intimate depths.
This Better Be Good is Donovan’s most personal effort yet; a loose concept record about the ups and downs of an ultimately doomed romance between two people. The songs are more reflective than bitter; more nostalgic than sad. It’s an album about learning and growing from lived experiences and reflecting on past failures in the interest of future successes. Donovan has managed to create an album that is sonically nostalgic and modern at once, both soul-stirring and dripping with heartache. It’s a roadmap of his past seen through fresh eyes, and a triumphant first step in this new chapter.
New Victorian : Presented by Sou’wester Arts
New Victorian is the ethereal, small-rock project from Portlander Scott Taylor.
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
!mindparade (unplugged) : Presented by Sou’wester Arts
!mindparade is a psychedelic/experimental project that formed in Bloomington, Indiana. Originally the solo bedroom project of Alex Arnold, the live show and recordings are fleshed out by a revolving cast of musicians utilizing electronics and orchestration. !mindparade’s beautiful cacophony of bombast is pleasantly bewildering. Wild flourishes of dreamy psychedelic instrumentation zoom past you in all directions like standing in the middle of a busy intersection.
Currently based in Portland, Oregon, USA.
Jeremy James Meyer: Presented by Sou’wester Arts
Jeremy James Meyer is an artificer of song. A songwriter’s songwriter. He crafts redemptive songs full of woody rock ‘n’ roll tones. His deep, penetrating voice has a wide range, and is especially captivating in his droning, lower register. He spent the last decade drifting around, a tool belt troubadour, working carpentry by day, bringing folk music to the people at night. As with most well traveled songwriters it’s hard to tell where the road ends and Jeremy James Meyer begins. His songs seamlessly blend plain-language and poetic lyricism. They wander from personal truth to outlaw legends. He’s capable of cathartic protest songs, cosmic country canticles, and dive bar sing-a-longs. Whenever, and however your path crosses with Jeremy James Meyer’s (and it will) prepare for an enchanting, psychedelic trip through cosmic American music.
“Alive and OK by Jeremy James Meyer is a lesson in what country music can be. This is not the pop country of Nashville. This is real country music with stories and melodies that keep the listener engaged. Whether it’s a foot stomper or a song made for slow dancing, Meyer delivers songs that will get you moving.”
“Last year was a devastating time for fans of Americana, country, and pretty much anyone who loved a well-written song with the passing of Walker, Prine and Billy Joe Shaver all in the span of six months. It’s heartening though to know there is another generation of talented singers and songwriters eschewing current trends and fads and focusing simply on writing timeless, relatable music agnostic of specific genres. Meyer is certainly one of those acolytes to the greats, alongside peers like Todd Snider and Hayes Carll carrying that tradition into the future.”
Bijoux Cone: Presented by Sou’wester Arts
Bijoux Cone (Formerly Bryson Cone) is a visual artist, filmmaker, musician and producer based out of Portland OR. Bijoux Cone’s debut album “Magnetism” was released February 19 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release.
Bijoux Cone’s music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves.
The live band includes/has included members such as:
Bijoux Cone (FKA Bryson Cone, Reptaliens, Gary Wilson & The Blind Dates),
Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse),
Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire),
Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).
Jed Crisologo : Presented by Sou’wester Arts
Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes. His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs. This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.
Nick Delffs : Presented by Sou’wester Arts
Nick Delffs grew up in Mendocino County, a lawless stretch of coastline that’s hard to get to and, for many, hard to escape. Nick did — emerging in the early aughts as the frontman for Portland band The Shaky Hands, whose sharp, jittery rock was anchored by Nick’s quavering vocals and questing lyrics. The Shaky Hands were mainstays of Portland on the verge of a major shift, and they rode that shift a while, signing to Kill Rock Stars and touring internationally with some of the bigger names in indie rock. But a hiatus in 2011 became indefinite and Nick Delffs was once again cast into the world: working as a sideman, releasing solo records, doing manual labor, going deeper into his spiritual practices, and, crucially, becoming a father.
Becoming a parent can affect different artists in different ways. Nick rode that change with surpassing grace and maturity. 2017’s Redesign, his first full-length under his own name, reflected the transition. In “Song for Aja”, Nick touched on other concerns familiar to those who follow his work: love of the natural world; longing for spiritual and physical connection; the desire to suffer with meaning and exult with abandon, to embrace somehow the world in its maddening contradictions and find the unity at the core.
Childhood Pastimes, his second release on Mama Bird Recording Co., is both more focused and, despite being technically an EP, more ambitious. It’s a four-song cycle — one song with many movements or four songs that bleed into one another, depending on how you hear it — that can be viewed either as a personal journey or an archetypal passage of a human being through four discrete stages: roughly, the movement from childhood innocence into adolescent adventure (The Escape); the sudden immersion into a life of discovery and excitement (The Dream); the first experience of romantic love, followed by the onset of heartbreak, dissolution, breakdown of self (The Affair); the emergence into a new way of thinking, a fresh perspective that encompasses all the suffering and joy into a balanced whole (The Outside).
Nick plays nearly all of the instruments here and the result is a unified aesthetic, born ultimately of his deep-seated love of rhythm: the thrum and throb of the acoustic guitars, the percussive melodic bang of the elegantly-crafted piano lines, and always, always the insistent, driving drums, propelling the record, and the listener, on this journey as the four tracks bleed into one another, one body, one blood, one beating heart. The concept of four songs that are really one suite of music requires a sure hand, and Nick’s never shakes: the way the songs blend together while retaining their distinctiveness — from the poppy exaltation of “The Escape” to the cold intensity, almost like an acoustic Kraftwerk, of “The Affair” — shows a songwriter and musician who has fully grown into his powers.
Those who have followed Nick’s career may see this as a culmination of years and years of honing and fine-tuning his bountiful gifts, and wonder with delight what might come next. For those who haven’t listened to Nick before, Childhood Pastimes is the perfect entry point, a distillation of what’s come before and the promise of a new beginning.
4th Annual ARTS WEEK!
During Arts Week The Sou’wester hosts 30-35 artists and art collectives for a week of residency work culminating in a weekend (Friday and Saturday) of music, studio tours, performances and installations.
Over the past 9 years we have held an event around this time of year to highlight the creative process and the experiential nature of the Sou’wester Residency Program. Each year this event brings amazing artists to this neck of the woods and shines creative light into the darkest heart of winter.
The focus of Arts Week 2023 is SHIFTING CYCLES:
“Our reliance on a known occurrence has been disrupted. This shift is replacing existing patterns and problems. Collective action and individual insight paving our path forward.”
On the weekend, Friday and Saturday March 17th and 18th, 2023 the public will be invited, free and open to all, to tour the grounds and surrounding areas for a weekend full of installations, music, performances and open studios.
(The Sou’wester has regular residencies offered year-round in addition to residency events such as the annual ARTS WEEK. Applications for the Sou’wester Standard Residency are separate from ARTS WEEK and accepted on a rolling basis.)
Thank you to our Arts Week 2023 Sponsors!
