SOU’WESTER EVENTS!

Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!

Mar
31
Sat
The Sou’wester Presents: Harlowe @ Sou'wester
Mar 31 @ 8:00 pm – 10:00 pm
The Sou'wester Presents: Harlowe @  Sou'wester

Harlowe is the moniker for the songs of Mark Robertson, often with collaborators from the artist collective Sleepy Volcano in Portland, Oregon USA. The second full length recording titled “Curses” is a lo-fi collection of songs intermixed with eclectic instrumental soundscapes, released October 2017.

Home

Apr
14
Sat
Exhibit: Larry Yes
Apr 14 @ 5:00 pm – 7:00 pm

Opening Reception Saturday April 14th, 5pm-7pm

for exhibition

what the world needs now is LOVE

by Larry Yes

April 14 – June 24, 2018

This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.

 
Larry Yes is an artist, songwriter and musician whose focus is on positivity, humor and heartfelt emotion. He loves using art to turn strangers into friends. His social engagement projects include, “Free Art in the Park”, a public party/art therapy session; and Positive Words, a community-sourced installation of uplifting language. His visual art has been shown at PDX Contemporary Art Window Project and the Portland Building, and he has collaborated with the Portland Museum of Modern Art. In his nearly 30-year musical career, he has toured Europe, performed with Michael Hurley; Sonny and the Sunsets; and Elliot Smith; and has played the Quiet Music Festival and SXSW. He describes his current musical style as “positive cosmic folk.” A native Oregonian, he lives in Portland.
 
 
2014 to present Studio to School (Portland, Or.) various art collaborations with Julie Keefe and the Peninsula Elementary School Community, Including the Fruit Tree Project in collaboration with Caldera and the Artists of Fallen Fruit
2006 to 2016 Free Art in the Park (Portland, Or.) “Free Art in the Park” is an extension of artist and social practitioner Larry Yes’ long-term community engagement event series. Part block party and part creative free-for-all, this free, inclusive event invites people of all ages to paint, socialize and enjoy live music by local musicians. Intended for people from all walks of life, it aims to transcend the barriers that separate artist from audience, and to create human connection using art. Yes has facilitated this event at NoPo’s Albina Green Park, and recently at Pioneer Square in partnership with Portland Museum of Modern Art’s (PMOMA) Houseguest residency.
2006 to 2016 Art and Culture Curator at Cherry Sprout Produce (Portland, OR) With a focus on local community artists and musicians and universal freethinkers featuring installations and performances by Chris Johanson, Vanessa Renwick, Jefferson High school, Cynthia Star, Ural Thomas, Michael Hurley, Pierced Arrows, Edna Vazquez, Lonnie Holley, August Lipp, Victoria Williams….
2005 to 2008 Artist Assistant for Jacob Hashimoto (New York/Italy) Fabrication and installation for shows in New York and Italy including shows at Studio La Città Verona, IT; Rhona Hoffman Gallery, Chicago, IL; Mary Boone Gallery, New York, NY
2004 to 2005 The ArcTisTics (Taos, New Mexico) Acting and collaborative member of an amazing theater troupe that brought together artists from the community to perform along with adults with disabilities from Taos County Arc.
 
2017 RACC Professional Development Grant
 
Curriculum Vitae
ART
At Paragon Gallery, Portland Community College, Cascade, “Making Change” May 2017
At Cascade Gallery, “What the World Needs Now is Love” September 2017
At Hello Goodmorning, “Pink Show” Group-Show January 2017
At Splendorporium, “For all the Creatures of the Universe” July 2016
At the Tall Skinny, “Radical Positivity” May 2016
At the Portland Building, “Positive Words” September 2015 At PDX Contemporary
At ROCA, “Positive Mountain and Positive Heart” 2016
At Marigold, “108 Positive Words” May 2015
At Cherry Sprout, “Positive Words For All the People” September 2014
At PMOMA, “SUN/LIGHT” group-show February 2013
At The Fresh Pot, “Ice Cream Ghosts and Other Fun Ideas” 2009
At Cherry Sprout, “24 Cones of Ice Cream and the Ghosts who Love Them” 2009
At Taos Diner, “Mind Flowers” 2006
MUSIC Solo and Band Albums
“Love Vibes For All the Creatures of the Universe” 2017
“The Next Wave of Omni Galactic Peace Warriors” 2012
“The New You” 2010
“Seal in the Sunshine” 2008
“Take Me to Your Spaceship” 2006
“Whole Lotta Skeletons” 2003
“Sad Silly Story” 2002
“Love Is” 2001
“All Numbers are Mystical”1999
“Alone in the House of Love” 1997
“Full on Toast” 1996
 
The Art Trailer Gallery lives in a 1960’s Aloha made in Aloha, Oregon! It was rescued from a neglected RV park in the northern part of the Long Beach Peninsula. After lots of TLC, it has transformed into a bright and beautiful open space to reflect a traditional gallery. It is now part of the Artist Residency Program and our non-profit organization, Sou’wester Arts.

SaveSave

SaveSave

The Sou’wester Presents: Planes on Paper @ The Sou'wester
Apr 14 @ 8:00 pm – 10:00 pm
The Sou'wester Presents: Planes on Paper @ The Sou'wester | Seaview | Washington | United States

“It’s easy to see why Planes on Paper is starting to attract serious attention on the neo- folkie scene.”
— Paul de Barros, The Seattle Times
“There has been no shortage of bands that sound like Planes on Paper in the last 10 years of Seattle music, which makes it simultaneously delightful and frustrating when one of them is clearly a full head taller than the others.
— Sean Nelson, The Stranger
“This is folk music at the highest level.” — Greg Jones, Ear to the Ground Music
“Planes on Paper expertly maneuvers dual vocals to produce this eerie, serene, beautiful aesthetic […] simultaneously mellow and powerful.”
— Fallon Schlossman, WNYC New York
As a one year-old project, Planes on Paper was already receiving high praise from a nearly endless list of media outlets across the country: The Seattle Times, American Songwriter Magazine, KEXP Seattle, WNYU New York, The Revue, Ear To The Ground, and The Stranger, to name just a few. Now 2.5 years into relentless touring, the praise continues, and the songwriting duo finds itself at home on both coasts of the US, and playing some noteworthy festivals… all without yet releasing an album; that unconventional path speaks volumes about the strength of Planes on Paper’s live show.

May
5
Sat
Eelgrass @ The Sou'wester
May 5 @ 8:00 pm – 10:00 pm
Eelgrass @ The Sou'wester | Seaview | Washington | United States

Eelgrass is an important coastal seagrass that helps store carbon, reduce erosion, and provide shelter and spawning areas for a host of marine wildlife in bays and estuaries across the globe, including right here in the pacific northwest. 
Eelgrass is also the name of a longtime musical collaboration between Lara Pacheco and Dan Swenson, along with new friends Bobby Hayden and Todd Summers. They play folky-tonk with psychedelic vibes and call Portland, Oregon home. 
https://soundcloud.com/eelgrass

May
12
Sat
Marisa Anderson @ The Sou'wester
May 12 @ 8:00 pm – 10:00 pm
Marisa Anderson @ The Sou'wester | Seaview | Washington | United States

Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz and gospel and country music, re-imagining the landscape of American music. Onstage, she is a master storyteller, bringing warmth, wit and insight to her virtuosic compositions and arrangements.

In 2017 Mississippi Records is re-issuing Anderson’s 2013 record, ‘Traditional and Public Domain Songs’. Anderson spent a year researching hymns, blues, murder ballads and American patriotic songs. The resulting record is an exploration of the relationship between evangelical Christianity and state sanctioned violence. Her next record, ‘Cloud Corner’ will be released June 15 on Thrill Jockey Records. 

Originally from Northern California, Anderson dropped out of college at age nineteen to walk across the US and eventually landed in Portland, Oregon, where she currently lives. Classically trained, she honed her skills playing in country, jazz and circus bands. In 2011 she released her first solo guitar record, ‘The Golden Hour’ followed by ‘Mercury’ (2013) and ‘Into The Light’ (2016). She is in demand as a collaborator and composer, contributing to recent recordings by Beth Ditto, Sharon Van Etten and Circuit Des Yeux among others, as well as creating music for short films and soundtracks.

Anderson tours extensively throughout Europe and North America. Her work has been featured in Billboard, Rolling Stone, NPR, SPIN, Pitchfork and The Wire. Billboard magazine named ‘Into the Light’ one of the best records of 2016 and Pitchfork named Anderson’s 2015 split LP with Tashi Dorji one of the top experimental records of the year. Recent festival appearances include Le Guess Who, Moog Fest, Copenhagen Jazz Festival and the Winnipeg Folk Festival.
www.marisaandersonmusic.com

May
27
Sun
Eliza Rickman @ The Sou'wester
May 27 @ 8:00 pm – 10:00 pm
Eliza Rickman @ The Sou'wester | Seaview | Washington | United States

There is always a hint of menace and reservoirs of force haunting the corners of Eliza Rickman’s voice, whatever register it occupies. Her presence on stage: whether she wears flowers in her hair, or stuffed birds; whether she plays a toy piano or a grand piano; is an enveloping, soft darkness, impossible to ignore. 

It has been three years between Rickman’s first album, O, You Sinners, and her newest effort, Footnotes for the Spring. In those intervening three years, Rickman added the autoharp to her repertoire, fought illness and heartbreak (and won), and turned 30. But mostly, she toured. She is a frequent featured musical act for the live rendition of the popular podcast Welcome to Night Vale, a regular opening act for cello rock band Rasputina, and has organized her own successful solo tours in the U.S. and abroad.

Rickman’s voice has the power to hold the smallest grain of sadness, an intimation that the longed-for innocence depicted in her lyrics has slipped just below the glow of the orchestra and out of sight.
www.elizarickman.com
Photo by Stevie Mada

Jun
1
Fri
Zia’s 43 Jamboree @ Sou'wester
Jun 1 @ 8:00 pm – 10:00 pm
Zia’s 43 Jamboree @ Sou'wester

Come celebrate Zia’s 43 Jamboree with Brush Prairie, Lindsie Feathers and special guests Rachael Rice and Thomas Mudrick on Friday, June 1st from 8pm-10pm. There will be a mixture of country, blues, and songwriters in the round. Gonna be a good’n! This event is Free, All ages, and Open to the Public!

 

Brush Prairie : https://m.facebook.com/brushprairie/

Lindsie Feathers: 

https://www.neonrenaissance.com/

Jun
2
Sat
Mirah! @ Sou'wester
Jun 2 @ 8:00 pm – 10:00 pm
Mirah! @  Sou'wester

This show is a benefit for Sou’Wester Arts, a non-profit 501c3 organization that helps fund our art, music and wellness programming. Our mission is to be of service to the artist community at large by providing a space for folks to create, connect, restore and renew in order to experience transformation within themselves and their work.

Brooklyn based songwriter Mirah Yom Tov Zeitlyn has been creating incorruptible independent pop music since the late 1990’s. She has released over a dozen solo and collaborative recordings on K Records, Kill Rock Stars and various domestic and foreign independent labels.

She has performed with The Oregon Symphony, Contemporaneous Orchestra and The Portland Cello Project and has toured solo and with countless iterations of her own band in concert halls, music clubs and punk basements all across North America, Japan and Europe.

Mirah has always sought the creative company of unique collaborators, from multi-media artists and orchestral composers to dj’s, Baltic music enthusiasts, and entomologists. A partial list of some of her collaborators includes Phil Elverum (The Microphones/Mount Eerie), Susie Ibarra, Jherek Bischoff, Merrill Garbus (tUnE-yArDs), Thao Nguyen, Tara Jane O’Neil, Lori Goldston, Britta Johnson and Ginger Brooks Takahashi.

Mirah lived in the Pacific Northwest for 16 very formative years throughout the 90’s and early 2000’s and she LOVES coming back to visit.
www.mirahmusic.com

Jun
16
Sat
Black Belt Eagle Scout @ Sou'wester
Jun 16 @ 8:00 pm – 10:00 pm
Black Belt Eagle Scout @  Sou'wester

BLACK BELT EAGLE SCOUT plus Floating Room & Gillian Frances

MOTHER OF MY CHILDREN
“Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.”

Katherine Paul is Black Belt Eagle Scout, and after releasing an EP in 2014 Paul has wrapped up the band’s first full-length. Recorded in the middle of winter near her hometown in Northwest Washington, the landscape’s eerie beauty and Paul’s
connection to it are palpable on Mother of My Children. Stemming from this place, the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like.
Growing up on a small Indian reservation, Paul’s family was focused on native drumming, singing, and arts. “Native American music is the foundation for all of my music,” Paul explains. With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar. In 2007, Paul moved to Portland, OR, to attend school and get involved with the Rock ’n’ Roll Camp for
Girls. Paul has switched between guitar and drums in an assortment of projects over the last decade, citing Forest Park as a particularly strong influence on how her songwriting has grown. “It was my introduction to post-rock,” Paul recalls, “From
there, I was able to develop my own sound and style more.”
On Mother of My Children, Black Belt Eagle Scout tenderly blends post-rock with Paul’s earlier grunge influences and later, more confessional Pacific Northwest artists like Ô Paon and Mirah. The album begins with the singles “Soft Stud” and
“Indians Never Die”, and on the latter, Paul’s message is clear: “It’s a call out to colonizers and those who don’t respect the Earth; they don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous
people are the protectors of this land, and others need to wake up and get on the same page.” The songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the
lyrics don’t adhere to any format other than what feels right in the moment. “I don’t play music to write songs,” Paul explains, “I play music to process feelings, and sometimes what comes out of that is a song.” Paired with Paul’s clear and measured
voice, each song leaves the listener feeling as if they were there when the song was written, the immediate, candid emotion tangible. Mother of My Children is a life chapter gently preserved, and the access listeners have to such vulnerability feels special and generous. We are left wanting more, and
all signs point to Black Belt Eagle Scout just getting started. The album is out on Good Cheer Records in August 2017.
—Alex Hebler
https://blackbelteaglescout.bandcamp.co

Jun
23
Sat
Lindsay Clark @ Sou'wester Lodge
Jun 23 @ 8:00 pm – 10:00 pm

Lindsay Clark finds balance between traditional folk, english folk, country, and her own version of experimental folk that seems to emanate from the depths of her soul. Exquisite and pitch perfect, her music speaks of quiet revelation, with a background of her own multi-tracked vocal arrangements. With influences ranging from the Beach Boys, Joni Mitchell, Elizabeth Cotton, appalachian folk, her classical upbringing, and her father’s record collection, she blends many worlds into a uniquely warm sound with lyrics indicative of a deep and thoughtful soul. She has carved out a unique and vibrant place as an artist with a penchant for rich harmony and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.

Originally from the small gold rush town of Nevada City, CA, she now resides in Portland, OR. Her sound has been described as “folk with angelic vocals washing over smooth edges” (1859 Magazine). She has shared the stage with musicians such as Casey Dienel (White Hinterland), Nat Baldwin (Dirty Projectors), Ryan Francesconi (Joanna Newsom), Laura Gibson, Alela Diane, and The Lumineers. Her most recent record “Begin” was self-released in 2014; her forthcoming full length record “Crystalline” was engineered and co-produced this year with San Francisco’s Jeremy Harris (guitar/vocals – Vetiver), with plans to be released in September 2018 via Oscarson. 

photo by Myles Katherine