SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
http://www.mamabirdrecordingco.com/nick-delffs
Nick Delffs is a seeker. He’d never identify himself that way. He’s unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city’s cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find “seeker” a rather grandiose title.
https://www.laserslasersbirmingham.com
Mike Coykendall: Presented by Sou’wester Arts
Johnny Franco: Presented by Sou’wester Arts
Johnny Franco is a Brazilian rock n’ roll marauder who now resides in Portland, and who crafts inventive spaghetti western/folk-rock stompers. Armed with propulsive, spindly guitars, Dylanesque vocals, and adventurous vibes, Franco recently signed to label Blanket Fort.
“A sly blender of old-school country & western and modern Americana, “Treated Like Grass” thrives on its rollicking rhythms and catchy, twangy melodies” – Impose Magazine
Eleanor Elektra : Presented by Sou’wester Arts
Eleanor Elektra fuses elements of folk, jazz and classical music within the songwriter idiom to create unique cinematic songs. Largely a self taught guitarist, her playing is both technical and idiosyncratic, skillfully supporting songs that are rich in both composition and execution. Her latest project, Exquisite Corpse explores topics of declining social and environmental systems and evokes artists such as Joni Mitchell, Aoife O’Donovan and Jesca Hoop.
Eleanor has toured extensively throughout the United States and Canada. She is based in Boston, MA and is a mainstay of the local music scene, performing at such venues as the House of Blues, the Lilypad, and Club Passim and holding residencies at Bow Market, Grendle’s Den, and Union Street Restaurant & Bar.
“Exquisite Corpse is grander than Elektra’s debut full-length, “The Lumberjack,” a dynamic record that extracted maximum catharsis from just a pair of guitars and Elektra’s voice. On “Exquisite Corpse,” the complexity of her compositions, their sinuous melodies and unexpected cadences, deepens. A group of sensitive young musicians — drummer Ivanna Cuesta Gonzales, fiddler Zosha Warpeha, bassist Tyrone Allen, pianist Jacob Hiser and trumpet player Milena Casado — fill out the sound, merging with effortless liquidity.”
— Wbur The ARTery (Boston’s Local NPR)
terrehaunt (of Death Parade): Presented by Sou’wester Arts
Hayley Lynn : Presented by Sou’wester Arts
Hayley Lynn is a Portland based west coast indie rock artist with folk fashioned storytelling. Lynn has been quietly growing songs and albums from her hometown over the last five years. Now, with a new album on the horizon, Lynn unveils a twist in her sound with her single “Tail Lights,” a 90s indie-rock throwback that shows us that Lynn’s powerful pop-rock sensibility and bold lyricism is just beginning.
Palm Sunday : Presented by Sou’wester Arts
Palm Sunday is a genre bending Portland based band spearheaded by songwriter Merle Law. They started this project in Atlanta GA in 2018 where they recorded the debut EP “Wishful Thinking” later released in New Orleans LA. They are currently cooking up their first full length record in Portland, OR. The tropical rhythms overlap with personal reflective songwriting. These tunes pair well with walking in the morning or laying in a hammock by a lonely beach. The feeling of being elevated by something familiar or of swooning over hot air balloons. Each current member brings out the melodic rhythmic and southern elements that carry one another.
Weezy Ford & Brittain Ashford: Presented by Sou’wester Arts
“…There is a profound sense of artistic and spiritual liberation throughout Sugarcane; Ford’s talents for recognizing them and using them to her advantage make for an engaging follow-up to her debut EP.”
-Ryan Prado, Portland Mercury
“On “Shakey Knees,” Weezy Ford introduces herself to the world through a wall of distorted guitar and a shroud of vocal reverb. It’s a striking sound, reminiscent of the grimy rockabilly from her native North Carolina (think Flat Duo Jets with a hitch in its step). But the track isn’t without a few surprises, as Ford literally tap dances her way out of the song. It’s a risky and playful choice that ultimately pays off and leaves the listener wanting more.”
-Jerad Walker, OPB Music