SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Opening Reception Thursday July 19th, 6pm-9pm
for exhibition
“Pillow Talk”
July 3 – September 23, 2018
This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.
upper left photo credit Bruce Clayton Tom
Artist Statement:
My work revolves around drawing, specifically making marks with the body. It’s about the process and physicality involved in embroidering marks to make a statement that vacillates between the poles of vulgar, violent, gorgeous. The texts come from personal musings, found internet memes and aphorisms, fragments of forgotten poetry, or the banal, pithy, heartbroken musings of cultural icons and the unknown alike.
The practice of my drawing is largely intuitive and physically demanding. In drawings up to 30 feet long, text melts into a vibrating, hallucinatory design sourced from a 1885 French wallpaper sample, which harkens to Charlotte Perkins Gilman’s “The Yellow Wallpaper.” In creating them I invoke a similar physicality to the story’s protagonist, often on my hands and knees for hours and weeks at a time, using a 0.5 mm mechanical pencil to make marks. Drawings are smudged, worn and covered with fingerprints. Many drawings comprise a palimpsest of sketches where masked figures, erased words, or traces of knotted and tangled fabric bleed through.
In installations like “Pillow Talk”, fragments of text gleaned from found sources or original writings literally pile up in soft heaps offering immersive, intimate exploration by visitors who are invited to physically embed themselves amongst the murmurings of forgotten poets and others.
photo credit Linda Derschang
Artist Biography:
I am a self-taught artist and the daughter of a Charismatic Christian minister who grew up in rural Kansas and Texas before moving to Seattle in my early 20’s. I see my work as a task of both consciously and subliminally sorting out the experience of a female trying to make expressive marks—a task that has found uncanny resonance for me with the history of female hysteria. I am fascinated by history, art, the politics surrounding the female body, and by art that borders on obsessive, meditative devotion. I sometimes have a dirty sense of humor.
Manitach’s work has been exhibited at venues including Tacoma Art Museum, Frye Art Museum, Bellevue Arts Museum, Winston Wächter Gallery, Bryan Ohno Gallery, Roq la Rue and Lawrimore Project. She is represented by Winston Wächter Gallery. From 2012-2015 she served as curator of Hedreen Gallery at Seattle University. She co-founded and co-directed multiple mixed-use arts spaces in Seattle’s Capitol Hill neighborhood, including TMRW Party (2014) and The Factory (2015-16). She holds a BA in Literature (2001) from Oral Roberts University, Tulsa, OK. Her work is included in the permanent collection of Tacoma Art Museum.
When you hear the duo Heart Hunters harmonize, you might guess that Brianna Blackbird and Drew de Man were lovers. And you’d be right. Bri’s voice solos gorgeously and blends sweetly while she plays upright bass or guitar. If Drew’s voice has something twangy about it, he comes by it naturally, having grown up in the South. They blend in richly hued harmony, wrapping themselves around songs of love and loss, spiritual yearning and social justice. These are potent tunes – picked out on old guitars and upright bass, doused with pedal steel, sparkling with harmony. They’ve opened for Birds of Chicago, Gaelynn Lea and Richard Buckner.
Brianna and Drew met while studying music therapy in Portland, Oregon. They soon began writing songs together and recording, released a couple of EPs and later, their first full-length CD in 2015, all under the name “Pretend Sweethearts.” The duo played cafes, bars, and clubs all along the West Coast and also brought their music to homeless shelters, youth detention centers, prisons and rehab facilities.
As they were falling in love, Bri and Drew lived an adventurous life on the road–sleeping on moonlit beaches, in hidden caves, shitty hotels and under ancient redwoods. Their wanderlust – and their need to find affordable housing – led them deep into South America and finally to a mountainside in Bolivia. Bri and Drew immersed themselves in songwriting and Andean culture and had their son there. Their two kids travel with Heart Hunters, touring the US and Europe.
Growing up in Georgia, Drew’s soundtrack was country, blues, string band and southern rock, but he also went to lots of Grateful Dead shows, and never shied away from punk rock. Drew’s father is a poet with a penchant for quoting ancient mystical texts around the campfire. In this case, the apple fell not far from the tree. At age ten, Drew was given his first guitar and has never stopped playing. He founded his first band, No River City, in 2001 and spent the next several years making records, touring the country and sharing stages with such artists as Iron & Wine, Calexico and Alejandro Escobedo. On the west coast, he spent some years playing in Fast Rattler with Brendan Phillips, son of the late U. Utah Phillips, to whom the band pays tribute.
Brianna Blackbird was raised in Oregon and spent many a rainy day getting lost in cassettes of Celtic folk. The daughter of a music teacher, she was raised on classic rock and Beethoven, and sang in several choirs and studying various vocal techniques, piano and guitar. Bri studied performance and social activism at Naropa College in Boulder, Colorado before moving to Brooklyn, where she began songwriting in earnest. Her songs are political, spiritual and often pretty dark, borrowing equally from Celtic, 90’s alternative and songwriters like Kate Wolf, Patty Griffin and Neil Young. She picked up the upright after learning some bass basics from Joe Stevens of Coyote Grace.
Heart Hunters is currently based in Atlanta, Georgia. They teach music, work on houses, try to show up for marches, do session work and somehow manage to raise two awesome kids. Their new record, produced by Peter Case, is to be released in 2018. They’ll pack the babies among the guitars, smudge the van and hit the road.
https://hearthunters.love/home
This event is free and open to the public
Born on the gulf coast of Mississippi into a family of Dixieland jazz musicians, it came as no surprise to many that Matthew Fountain made his way back to music after an extended absence. After picking up a guitar at age 9 and playing in metal bands through his early teens, Fountain spent his twenties instead focused on screenwriting before making the move out west in 2008 to reconnect with his musical roots and start a band in Portland, OR.
http://www.matthewfountain.com
Ian Williams’ and Katie Mosehauer’s meticulous songwriting and production make up the centrifuge around which Glass Heart String Choir’s music spins.
The roles have been established over ten years of collaboration: Ian writes the lyrics, assembling songs into rawbone skeletons. He sends them to Katie, who adds flavor and layering. The song bounces back and forth, back and forth: Ian, the messenger, Katie the interpreter. Eventually, all the pieces are in place. Having built their own studio four years ago in hopes of creating a space where they could freely experiment with technique and sound layering, The Thoughts are able to take their time engineering and mixing, capturing every feature flawlessly.
New EP Light – engineered to perfection – deals in many ways with insecurity. Threaded primarily around uncertainty, anxiety, and the feelings of inability that come alongside not being able to capture beauty in a way that does it justice, The Thoughts’ nonetheless gorgeous EP is lush and layered, playing with surging vocals over baroque musical sheets, weaving together intricate stories that express leveling doubt. Pieced together meticulously by two classically trained composers, it’s a testament to the band’s sensitivity and work ethic: a tonal masterpiece that grounds listeners in reality as it flies them away with wonderment.
This event is free and open to the public.
Talia Keys is a genre crossing multi-instrumental “musical powerhouse” bringing you her brand of Soul-Funk-Rock n’ Roll, with unique vocal stylings and a storytelling flow.
Sourcing energies largely compared to the bluesy rawness of Janis Joplin and the fire of Jimi Hendrix. Synergizing that old soul vibe with new school sounds, best described by Katie Bain as “blistering.” Having been “struck by her talent, stage presence and refreshing candor.” – Insomniac: 2014 Best of Electric Forest.
This event is free and open to the public.
http://www.taliakeys.com/solo.html
Dustin Hamman is the front man for Run On Sentence. His musical tastes span many genres but have always been rooted in American folk music. He had an early fascination with American Indian singing and early punk rock but has recently been dabbling in marriages of a variety of genres including soul, psychedelic country and noise/ambient. Dustin has toured the United States and Western Europe extensively and continues to surprise audiences with his diversity as a performer.
This event is free and open to the public.
Tsar Anise is the Pacific Northwest-based, dreamy bedroom-pop recording project of Sarah Van Horn, turned live two-piece with the addition of Tasha Trasher. The two, sharing a love of things lush and beautiful, create unique and emotional recordings while seeking to connect through their genuine and dynamic live shows.
Sarah (pdx locals Vibrissae, Visiting Diplomats, So Long Forever, Larrabee) began writing and recording for the project in 2015 while in various states of life and locale transition. The songs, materializing out of her ruminations on womanhood, lost love and faith, mental illness, and familial estrangement resulted in the Leisure/Love Demo (Nov.2016). Her style of dreamy, pop-inspired music weaves through genres and shows little concern for traditional structure or rules; relying more on feeling and story to guide the outcome. Tasha (Violaine, Magic Mansion, Kim Baxter, Hope and Anchor, and innumerable other well-loved PDX bands) joined in late 2017. With Tasha bringing her experience as a seasoned multi-instrumentalist and song writer to the creative process, the two are working on new songs and recordings. Their live sound has been compared to Low, Neko Case and The Cocteau Twins.
Tsar Anise is the ‘verby soundtrack to your quotidian-escapist daydreams and the radio playing while you make french toast on the weekend. Tsar Anise is sincere, self-indulgent survival in a space suit.
This event is free and open to the public.
http://tsaranise.com/
Photo credit : Christina Carlsson
Blue Flags & Black Grass is a combination of many flavors of acoustic American Roots Music. With the instrumentation of Banjo, Res-o-phonic Guitar, Fiddle, Washboard, Kazoo and Upright Bass, Blue Flags emulates the String Bands of the 1920s and ‘30s. Their typical gig will blend Ragtime, Viper Jazz, Country Blues, Old-Time, Jug Band and Bluegrass. As well as performing classic standards and dusting off hidden gems, Blue Flags also features original songs by Flip ‘Fats’ McGuire.
This event is free and open to the public.
Opening Reception Friday October 5th, 5pm-8pm
for exhibition
“Deep Skies“
October 5 – December 30, 2018
This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.
Please stay after the reception to enjoy live music in the lodge from 8pm-10pm by band Dizzy Nest as part of this opening celebration.
Artist Biography:
Heather McLaughlin was born next to the Chesapeake Bay in Baltimore Maryland and relocated to Red Lodge Montana, on the north border of Yellowstone Park, in 1991. After high school, she continued west to Portland Oregon and continued her studies at Pacific Northwest College of Art. Heather completed her Bachelors of Fine Art in Printmaking in 2005. She currently serves at the print studio Manager at PNCA while also teaching printmaking and youth arts as an adjunct instructor in PNCA’s Continuing Education Program. Heather also volunteers as an art instructor at Rock n’ Roll Camp for Girls and has served on the board for Flight 64 (a Member-run Print Studio). In addition to her art Heather is a musician, performer and production assistant.
“Dizzynest” is Ron Rutter who sings his typewriter driven songs in the blues, folk and jazzy vein. With his the kalamazoo Guitar all strung up and the Willamette on his mind. Then there’s Doug “Rezonator” Kelly who hammers out the dents in the Chords & Daniyel “the pepper-grinder” with his Suitcase Bass and DJ “Mountain” with the sneaky Snare & Ukulele.