“Portraits, Men in Ballgowns, Sound, We Will Be Heard” by Scott Braucht

Sou’Wester Arts is thrilled to welcome filmmaker Scott Braucht whose program Portraits / Men in Ballgowns // Sound / We Will Be Heard will be featured in a special exhibition celebrating Pacific County Pride in our Red Bus Microcinema.

On view at The Sou’Wester’s Red Bus Theatre

May 29 – July 14, 2023.

Opening reception Monday, May 29 6-8p with a special acoustic performance from musician Khaelo Dé.

Jeremy Ferrara: Presented by Sou’wester Arts

There is an innate tenderness about Jeremy Ferrara. His good nature is inescapable, and anyone within earshot of his quavering voice and quiet guitar is likely to swoon in sympathetic reaction. He’s a folksinger, and a song-diviner. His music is as fun as it is finely detailed. His new album Everything I Hold is exemplary of this style. Produced by Mike Coykendall, the LP features just Jeremy, his guitar, and voice, on eight songs that fill the listener with wonder, empathy, and joy.

Divorce Care: Presented by Sou’wester Arts

Seattle independent rock band Divorce Care’s catchy guitar hooks and emotionally wrought lyrics are expertly hand-crafted for fans of pre-myspace-era emo. Bringing effortlessly nostalgic arrangements with a post-modern twinkle in her eye, singer/songwriter Bri Bloemendaal’s quietly powerful delivery simultaneously demands your attention while making you feel at home. Themes of love and loss are immediately apparent when you listen to Divorce Care’s debut album “Ladylike” (Produced by Andy Park), but scratch any deeper than the surface and you’ll observe Bloemendaal artfully wrestling with complexities of morality, feminism, and self-awareness. Underpinned by Seattle music scene veterans Matt Batey, Sean Lane and CJ Stout, Divorce Care’s powerhouse performance belie their new-kids-on-the-scene status, already making waves in the notoriously restless pool of PNW talent. 

Ida Jane has an eclectic style. Her music is Influenced largely by folk, alternative rock, and indie musicians such as: Fruition, Lucinda Williams, Mazzy Star, Jessica Lea Mayfield, Niel Young, Kacy & Clayton. Ida provides a mix of pensive, thoughtful songs as well as more upbeat, friendly, folk rock.

Kelli Schaefer: Presented by Sou’wester Arts

A few years disappeared into the forest of a global pandemic, but Kelli Schaefer and her brand new band trod through a new record this year, and it is expected to leap from the woods in 2023. With two full-length records and two EP’s already under her belt, her new record is another pivot in stylistic choice. This time, with a fresh take on the age-old singer-songwriter trope, Schaefer delivers haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass. These songs could be the soundtrack to a modern gothic, a playlist for a trudge through the forest, the accompaniment to a subconscious mantra. As expected, Schaefer again demonstrates her refusal to confine herself to a single genre. Along with her bandmates Andrew Jones (bass), Ayal Alvez (piano, keys), Joey Binhammer (guitar), Schaefer is working to finish the record and planning tour steadily in the foreseeable future. The record was recorded live at Color Therapy with Ryan Oxford (Y La Bamba) and mixed by Alex Bush (Damien Jurado).

Crowey: Presented by Sou’wester Arts

What began as the solo project of Joey Binhammer (Die Geister Beschwören, Elektrokraken, Meeping, Whales Wailing), Crowey has grown into a psychedelic/folk soundscape project and collaboration between Joey and Kate Kilbourne (Mordecai, June Rose Band, Sweeping
Exits). Both multi-instrumentalists from Portland, OR, the duo crafts sweeping vistas of finger-style guitar, strings and vocal harmonies, exploring the deep well of human emotion and finding beauty in its darkest crevices. Layers of intricate orchestration evoke the sound of moving clouds. 

Brad Parsons: Presented by Sou’wester Arts

Brad Parsons is a singer-songwriter/multi-instrumentalist from Astoria, OR. His career collaborators include John Craigie, Bart Budwig, Horse Feathers, Cabinet, Fruition, TK & The Holy Know Nothings. In 2017, he released his debut album “Hold True,” followed by an EP, “The Starbird Sessions,” in 2020. Parsons has toured nationally and been a mainstay at festivals such as Northwest String Summit and Sawtooth Valley Gathering. 

JOHN & JULIE
“We Do”

An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023

Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.

John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.

Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.

curated by Nikki Cormaci

monica: Presented by Sou’wester Arts

‘monica’ is songwriter Caitlyn Faircloth’s melancholy dream of electric guitars and dusty amplifiers. This project lingers in sleepy, asymmetrical indie rock using soft, lonely melodies to create a nostalgic soundscape for listeners. Caitlyn lives in Quilcene, WA on the Olympic Peninsula.

Lou Trove is the nom de plume for Adam Torres’ new experimental electronic music project, which prominently features the sounds and textures of digital mellotron flute to narrative incisive compositions inspired by precious geologic formations from the Earth’s core. Aesthetically and thematically sparkly, Lou Trove makes music for meditation, hearing as seeing, and as a portal to depart upon adventures of the imagination.

“Barn Rave, 2011” by Tori Wheeler

ON VIEW
JULY 27 2023 – OCTOBER 12 2023

Tufted, and interactive artwork, Barn Rave, 2011 encapsulates the frenetic, feral exchange of energy found in a packed dance floor. The modular work recalls a night in a remote barn outside of Cedar Rapids, Iowa. Its tessellated pieces intertwine, forming a hazy, abstracted scene of kids drenched in sweat, a barn filled with fog, hay, pulsating music, and a mix of suspicious substances. This ephemeral experience imprints neural pathways.

The puzzle-like components and imagery pay homage to a transformative and hedonistic celebration of youthful exuberance. The liberated sensuality and sometimes-brainlessness of infectious bassy beats become the unyielding desires to relinquish the burdens and constraints of adolescence in small town surroundings. The pieces move and connect, at times surpassing a perfect fit. Capturing the raw energy of dancing amidst others. Capturing unbridled energy. Their arrangement allows for infinite reconfigurations—a reflection of the ever-shifting nature of the dance floor.

Tori Wheeler is an artist, designer, and dancer whose work is influenced by ecstatic human exchange, touch and tactility, music-and-nature-induced-trance-states, and a dash of trickster humor. Their creative practice mirrors that of a desire path.

Tori holds a Bachelor of Fine Arts in Design from the Kansas City Art Institute and works as a textile artist, gold leaf gilder, and fairweather graphic designer.

Curated by Nikki Cormaci