SOU’WESTER EVENTS!

Bijoux Cone: Presented by Sou’wester Arts

Bijoux Cone (Formerly Bryson Cone) is a visual artist, filmmaker, musician and producer based out of Portland OR. Bijoux Cone’s debut album “Magnetism” was released February 19 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release.

Bijoux Cone’s music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves.

The live band includes/has included members such as:

Bijoux Cone (FKA Bryson Cone, Reptaliens, Gary Wilson & The Blind Dates),

Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse),

Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire),

Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).

Jed Crisologo : Presented by Sou’wester Arts

Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes.  His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs.  This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.

Nick Delffs : Presented by Sou’wester Arts

Nick Delffs grew up in Mendocino County, a lawless stretch of coastline that’s hard to get to and, for many, hard to escape. Nick did — emerging in the early aughts as the frontman for Portland band The Shaky Hands, whose sharp, jittery rock was anchored by Nick’s quavering vocals and questing lyrics. The Shaky Hands were mainstays of Portland on the verge of a major shift, and they rode that shift a while, signing to Kill Rock Stars and touring internationally with some of the bigger names in indie rock. But a hiatus in 2011 became indefinite and Nick Delffs was once again cast into the world: working as a sideman, releasing solo records, doing manual labor, going deeper into his spiritual practices, and, crucially, becoming a father.

Becoming a parent can affect different artists in different ways. Nick rode that change with surpassing grace and maturity. 2017’s Redesign, his first full-length under his own name, reflected the transition. In “Song for Aja”, Nick touched on other concerns familiar to those who follow his work: love of the natural world; longing for spiritual and physical connection; the desire to suffer with meaning and exult with abandon, to embrace somehow the world in its maddening contradictions and find the unity at the core.

Childhood Pastimes, his second release on Mama Bird Recording Co., is both more focused and, despite being technically an EP, more ambitious. It’s a four-song cycle — one song with many movements or four songs that bleed into one another, depending on how you hear it — that can be viewed either as a personal journey or an archetypal passage of a human being through four discrete stages: roughly, the movement from childhood innocence into adolescent adventure (The Escape); the sudden immersion into a life of discovery and excitement (The Dream); the first experience of romantic love, followed by the onset of heartbreak, dissolution, breakdown of self (The Affair); the emergence into a new way of thinking, a fresh perspective that encompasses all the suffering and joy into a balanced whole (The Outside).

Nick plays nearly all of the instruments here and the result is a unified aesthetic, born ultimately of his deep-seated love of rhythm: the thrum and throb of the acoustic guitars, the percussive melodic bang of the elegantly-crafted piano lines, and always, always the insistent, driving drums, propelling the record, and the listener, on this journey as the four tracks bleed into one another, one body, one blood, one beating heart. The concept of four songs that are really one suite of music requires a sure hand, and Nick’s never shakes: the way the songs blend together while retaining their distinctiveness — from the poppy exaltation of “The Escape” to the cold intensity, almost like an acoustic Kraftwerk, of “The Affair” — shows a songwriter and musician who has fully grown into his powers.

Those who have followed Nick’s career may see this as a culmination of years and years of honing and fine-tuning his bountiful gifts, and wonder with delight what might come next. For those who haven’t listened to Nick before, Childhood Pastimes is the perfect entry point, a distillation of what’s come before and the promise of a new beginning.