SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Led by local multimedia artist, Laura Brown, students will use various artistic properties and mediums to explore aspects of local ecology. Registration for the other After-school workshops is recommended but not required.
For youth ages 7 and up every T, W, Th 4-6PM April 12-June 9th. $75/week, includes all materials. Scholarships and bus transportation from OB schools is available. Email souwesterarts@gmail.com for more information
Led by local multimedia artist, Laura Brown, students will use various artistic properties and mediums to explore aspects of local ecology. Registration for the other After-school workshops is recommended but not required.
For youth ages 7 and up every T, W, Th 4-6PM April 12-June 9th. $75/week, includes all materials. Scholarships and bus transportation from OB schools is available. Email souwesterarts@gmail.com for more information
Led by local multimedia artist, Laura Brown, students will use various artistic properties and mediums to explore aspects of local ecology. Registration for the other After-school workshops is recommended but not required.
For youth ages 7 and up every T, W, Th 4-6PM April 12-June 9th. $75/week, includes all materials. Scholarships and bus transportation from OB schools is available. Email souwesterarts@gmail.com for more information
Led by local multimedia artist, Laura Brown, students will use various artistic properties and mediums to explore aspects of local ecology. Registration for the other After-school workshops is recommended but not required.
For youth ages 7 and up every T, W, Th 4-6PM April 12-June 9th. $75/week, includes all materials. Scholarships and bus transportation from OB schools is available. Email souwesterarts@gmail.com for more information
Matt Mitchell (album release show) with The Holy Broke: Presented by Sou’wester Arts
Let’s write some memoir! This workshop will help us move past resistance and start to unlock memories and develop them into stories. The key is to start to understand the events of your life into elements that you can use to tell the most effective story you can. Let’s get into some of the particulars of how memoir functions and do some writing in class to get momentum with our stories.
Nick Jaina is a writer and musician living with his family in Oakland, California. He was a finalist for the Oregon Book Award in 2015 for his memoir Get It While You Can. He has composed music for film and ballet, and toured the world playing a unique mixture of music soundscapes, songs, and readings.
Workshop cost $20
In this workshop students will use transparent objects to create moving image cyanotypes without the use of traditional filmmaking equipment. This hands-on workshop will demonstrate how to clear coat 16mm film with cyanotype solution, compose creative film sequences with pre-coated stock, properly expose in the sun, and develop and tone images using household chemicals. At the end of the workshop, we will splice and project our sequences. Participants are encouraged to bring translucent fabrics, objects, 16mm negatives, transparencies and other materials to enhance their creative journey.
Stephanie Hough is an experimental filmmaker, production coordinator and director of photography whose work explores repetition, gender, relationships and emotional landscapes. Her films HOW TO FEEL (DV, 2010), HEART (16mm, 2013), SPOOKY ACTION AT A DISTANCE (Super 8, 2016) have screened in the NW Filmmaker’s Festival, Portland International Film Festival, Experimental Film Festival PDX, BendFilm, The Boathouse Microcinema, TriBeca Film Center and more. As an educator with the Northwest Film Center, Pacific University and the PNCA, Hough has a passion for sharing analog film techniques and making learning accessible for all.
Workshop cost $70
Register for all three Analog Film Workshops for $150
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
In this workshop we will use plaiting and twining to create a small basket. We will be weaving with hand harvested and natural materials, including cedar bark, cherry bark, sea grass and iris leaf. We will be creating unique shapes and designs using these 2 techniques.
Rose Covert is a constant maker and an artist who creates in many directions. Her paintings, sculptures and woven works have been displayed throughout the Pacific Northwest. Most recently Rose has been engaged in woven sculptural work made of plants growing within a 30 mile radius of where she lives. Rose makes these very intricate and wild shapes by weaving one stick at a time, thus creating pathways to follow and build upon. As a member of the Columbia Basin Basketry Guild and a childhood educator Rose moves seamlessly between student and teacher, learning from the materials, the process and the people she works with.
As a teacher Rose is drawn to engagement and embodiment, beginning by exploring the mediums and materials we’ll be working with then using our senses and intuition to get a feel for what we’ll be making. Her teaching style has an emphasis on the magic and play of making, using questions and conversation as a way to encourage connection and imagination.
Workshop cost $80
In this workshop we’ll explore elemental printmaking techniques, creating multiples or one-of-a-kind prints with a rolling pin or tiny press. Monotypes are a painterly print, using Akua Non-toxic soy and honey based inks with brushes, brayers, stencils and templates, ferns, feathers or leaves. We’ll do Trace monotypes, Foil printing and Collograph to create fantastic textured surfaces. We’ll also explore Gyotaku, the Japanese art of fish printing, using rubber fish to transfer ink onto paper or fabric. Other elements addressed will be chine Colle’, making a stamp, relief printing, printing on fabric, everyday items you can use for art, Scratch Foam printing, Stamping with Easycut, Tape design plates and more! Workshop is 10AM-2PM and cost is $90.
Jane Pagliarulo received a BFA in Printmaking from University of Massachusetts at Amherst. She cut her teeth as a fine art printer at Hand Graphics in Santa Fe, New Mexico. From 1989 to 1996 she printed lithographs, woodcuts and etchings. As a monotype printer she has worked one-on-one in creative collaboration with artists having tremendously varied conceptual and technical approaches. As a result Jane strays beyond the traditional boundaries of printmaking. In 1996 Pagliarulo moved to Oregon, founding a printmaking workshop in Hood River. In 2007 she co-founded Atelier Meridian, a collaborative membership printmaking studio in Portland, where she teaches workshops and prints editions. In her own prints, Pagliarulo approaches the landscape with an abstract realist’s eye for the edges and shapes found in the expanses of the American West. Unique spacial tensions are created with the push and pull of brush strokes and erasures. Unpredictable marks and subtle veils of color are employed as the printmaking process delivers mysterious surfaces of ink in confluence with paper. She exhibits nationally and is represented in Portland by the Portland Art Museum Rental Sales Gallery and Print Arts Northwest.