SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
There is always a hint of menace and reservoirs of force haunting the corners of Eliza Rickman’s voice, whatever register it occupies. Her presence on stage: whether she wears flowers in her hair, or stuffed birds; whether she plays a toy piano or a grand piano; is an enveloping, soft darkness, impossible to ignore.
It has been three years between Rickman’s first album, O, You Sinners, and her newest effort, Footnotes for the Spring. In those intervening three years, Rickman added the autoharp to her repertoire, fought illness and heartbreak (and won), and turned 30. But mostly, she toured. She is a frequent featured musical act for the live rendition of the popular podcast Welcome to Night Vale, a regular opening act for cello rock band Rasputina, and has organized her own successful solo tours in the U.S. and abroad.
Rickman’s voice has the power to hold the smallest grain of sadness, an intimation that the longed-for innocence depicted in her lyrics has slipped just below the glow of the orchestra and out of sight.
www.elizarickman.com
Photo by Stevie Mada
Come celebrate Zia’s 43 Jamboree with Brush Prairie, Lindsie Feathers and special guests Rachael Rice and Thomas Mudrick on Friday, June 1st from 8pm-10pm. There will be a mixture of country, blues, and songwriters in the round. Gonna be a good’n! This event is Free, All ages, and Open to the Public!
Brush Prairie : https://m.facebook.com/brush
Lindsie Feathers:
Summer 2018 Workshop Series
Leatherworking Class: Mason Jar Coozie with Liz Wright
Learn how fun and easy it is to work with leather! Become familiar with how to stitch, rivet, and tool one of nature’s most durable and beautiful materials. You’ll leave with a unique thermal sleeve with your own design that will transform a standard mason jar into a personalized camp mug that’s perfect for hot and cold drinks! This class is designed for those with very little or no leatherworking experience. You’ll gain the basic skills and confidence you need to make all the leather goods your heart desires, such as wallets, belts, and jewelry.
Founded in 2016 by Liz and Brian Wright, Assembly (www.assemblypdx.com) hosts hands-on modern craft and DIY workshops in the Portland area. The workshops and classes, covering a wide variety of crafts, are perfect for beginners and designed to empower creativity and pique interest in potential new hobbies. Originally from Ohio, Liz Wright has a long history of creative projects and pursuits as a professional artist, clothing designer, video producer, small business owner, craft fair founder, and museum researcher. She holds a BFA from the Columbus College of Art and Design and a MA from the University of Washington. She considers herself a lifelong learner and enjoys the challenges and thrills of learning a new skill and supporting others to do the same. At Assembly Liz develops and teaches classes, runs daily operations, and steers the ship towards providing the most fun, accessible, and high quality creative educational experiences around.
COST: $30 plus a $15 material fee (Please pay material fee directly to instructor.)
BRING: All supplies provided as well as coffee and hot tea. This workshop is for students age 16 years and up, 15 students max, geared for beginners but all skill levels welcome.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Summer 2018 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/calendar to see the full schedule of artist-led workshops.
This show is a benefit for Sou’Wester Arts, a non-profit 501c3 organization that helps fund our art, music and wellness programming. Our mission is to be of service to the artist community at large by providing a space for folks to create, connect, restore and renew in order to experience transformation within themselves and their work.
Brooklyn based songwriter Mirah Yom Tov Zeitlyn has been creating incorruptible independent pop music since the late 1990’s. She has released over a dozen solo and collaborative recordings on K Records, Kill Rock Stars and various domestic and foreign independent labels.
She has performed with The Oregon Symphony, Contemporaneous Orchestra and The Portland Cello Project and has toured solo and with countless iterations of her own band in concert halls, music clubs and punk basements all across North America, Japan and Europe.
Mirah has always sought the creative company of unique collaborators, from multi-media artists and orchestral composers to dj’s, Baltic music enthusiasts, and entomologists. A partial list of some of her collaborators includes Phil Elverum (The Microphones/Mount Eerie), Susie Ibarra, Jherek Bischoff, Merrill Garbus (tUnE-yArDs), Thao Nguyen, Tara Jane O’Neil, Lori Goldston, Britta Johnson and Ginger Brooks Takahashi.
Mirah lived in the Pacific Northwest for 16 very formative years throughout the 90’s and early 2000’s and she LOVES coming back to visit.
www.mirahmusic.com
Summer 2018 Workshop Series
Writing Through the Cracks: self-forgiveness and compassion in memoir writing with instructors Cooper Lee Bombardier & Gina Senarighi
“Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.”
– Leonard Cohen
To write about pivotal events from our own lives requires a reckoning with our pasts. How do we interrogate ourselves to get at the truth of our stories when the details do not always shine a glamorous light upon us? Writing Through the Cracks will give you tools to get vulnerable in your writing, scrutinize the past from a place of compassion, and help you to discover the story beneath your stories. Join educator, coach, consultant, and professional shame slayer Gina Senarighi and nonfiction writer and educator Cooper Lee Bombardier for an engaging, accessible, and intensive writing workshop at the beautiful and historic Sou’wester Lodge. Writers of all levels are welcome!
Cooper Lee Bombardier is a writer and visual artist based in Portland, OR. His work appears in many publications and award-winning anthologies, most recently in The Kenyon Review, CutBank, Nailed Magazine, Original Plumbing, and The Rumpus, as well as the anthology The Remedy–Essays on Queer Health Issues. Cooper’s visual art was recently curated in an exhibition called “Intersectionality” at the Museum of Contemporary Art in North Miami. He’s taught writing at the University of Portland, Clark College, PSU, PNCA and at various Portland-area high schools as a writer-in-residence through Literary Art’s program Writers in The Schools. www.cooperleebombardier.com
Gina Senarighi, MS, MA, CPC is a communication consultant, sexuality counselor and certified relationship coach specializing in queer love polyamory, open relationships, jealousy, and infidelity. She’s been leading retreats to build courage and slay shame in LGBTQ community across Washington and Oregon since 2003. www.ginasenarighi.com
COST: $50
BRING: an open mind, a couple of pens and a notebook or paper to write in/on. A legal pad with a cardboard back is ideal! If people like to write on laptops, great, but we cannot guarantee access to outlets for everyone in the workshop space. Please bring a sack lunch and/or snacks. Hot tea and coffee provided. 1/2 hr lunchbreak and optional beach walk afterward This workshop is for students age 14 years and up, 20 students max.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Summer 2018 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/calendar to see the full schedule of artist-led workshops.
Summer 2018 Workshop Series
Hand Papermaking with Ivy & Joel Ricci
Saturday 10am-3pm, Sunday 11-12 (meet to collect and share paper)
Spend an enlightening, enlivening, and creative afternoon making your own homemade paper with Port Angeles/Portland-based papermakers Joel & Ivy Ross Ricci of Ricci Handmade Paper!
In this two day workshop, you will learn about sheet forming, sizing, adding inclusions such as flower petals or coffee chaff, watermarks, papermaking history, and traditional and modern “western” techniques, and be able to take home your very own stack of hand-formed stationery for personal notes, wishlists, magic spells, and superb letter writing stationery equally elegant and appropriate for missives to heads of state or loved ones.
In the first day, you will be granted access to the very same papermaking fibers, tools, equipment, and techniques that Joel & Ivy employ in their North Olympic mountain home-based stationery and book-paper making enterprise.
Day two will be spent trading paper with fellow attendees and a cursory discussion of folding, tearing, and basic binding of your own paper into a book!
Ricci Handmade Paper is a tree-free handmade paper mill and studio nestled in the northern foothills of the Olympic mountains. With rainwater caught from the cedar shake roof of our cabin, we quietly hand-form a variety of paper products including stationery, blank cards, book paper, artist paper, labels, containers and custom small batches of paper for weddings, celebrations, and artist collaborations. Our premium handmade historic ream wrapped “half quire” gift packages that we offered at last year’s handmade bazaar last year were a big hit! These gift packages include 12 sheets of fine stationery perfect for letter-writers, scrapbookers, artists, bookmakers, letterpress printers, and invitation and greeting card designers.
COST: $50
BRING: Wear clothes that can get a little bit wet. Please bring a sack lunch and/or snack (coffee and hot tea provided).
8 students max.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Summer 2018 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/calendar to see the full schedule of artist-led workshops.
BLACK BELT EAGLE SCOUT plus Floating Room & Gillian Frances
MOTHER OF MY CHILDREN
“Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.”
Katherine Paul is Black Belt Eagle Scout, and after releasing an EP in 2014 Paul has wrapped up the band’s first full-length. Recorded in the middle of winter near her hometown in Northwest Washington, the landscape’s eerie beauty and Paul’s
connection to it are palpable on Mother of My Children. Stemming from this place, the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like.
Growing up on a small Indian reservation, Paul’s family was focused on native drumming, singing, and arts. “Native American music is the foundation for all of my music,” Paul explains. With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar. In 2007, Paul moved to Portland, OR, to attend school and get involved with the Rock ’n’ Roll Camp for
Girls. Paul has switched between guitar and drums in an assortment of projects over the last decade, citing Forest Park as a particularly strong influence on how her songwriting has grown. “It was my introduction to post-rock,” Paul recalls, “From
there, I was able to develop my own sound and style more.”
On Mother of My Children, Black Belt Eagle Scout tenderly blends post-rock with Paul’s earlier grunge influences and later, more confessional Pacific Northwest artists like Ô Paon and Mirah. The album begins with the singles “Soft Stud” and
“Indians Never Die”, and on the latter, Paul’s message is clear: “It’s a call out to colonizers and those who don’t respect the Earth; they don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous
people are the protectors of this land, and others need to wake up and get on the same page.” The songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the
lyrics don’t adhere to any format other than what feels right in the moment. “I don’t play music to write songs,” Paul explains, “I play music to process feelings, and sometimes what comes out of that is a song.” Paired with Paul’s clear and measured
voice, each song leaves the listener feeling as if they were there when the song was written, the immediate, candid emotion tangible. Mother of My Children is a life chapter gently preserved, and the access listeners have to such vulnerability feels special and generous. We are left wanting more, and
all signs point to Black Belt Eagle Scout just getting started. The album is out on Good Cheer Records in August 2017.
—Alex Hebler
https://blackbelteaglescout.bandcamp.co
Lindsay Clark finds balance between traditional folk, english folk, country, and her own version of experimental folk that seems to emanate from the depths of her soul. Exquisite and pitch perfect, her music speaks of quiet revelation, with a background of her own multi-tracked vocal arrangements. With influences ranging from the Beach Boys, Joni Mitchell, Elizabeth Cotton, appalachian folk, her classical upbringing, and her father’s record collection, she blends many worlds into a uniquely warm sound with lyrics indicative of a deep and thoughtful soul. She has carved out a unique and vibrant place as an artist with a penchant for rich harmony and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.
Originally from the small gold rush town of Nevada City, CA, she now resides in Portland, OR. Her sound has been described as “folk with angelic vocals washing over smooth edges” (1859 Magazine). She has shared the stage with musicians such as Casey Dienel (White Hinterland), Nat Baldwin (Dirty Projectors), Ryan Francesconi (Joanna Newsom), Laura Gibson, Alela Diane, and The Lumineers. Her most recent record “Begin” was self-released in 2014; her forthcoming full length record “Crystalline” was engineered and co-produced this year with San Francisco’s Jeremy Harris (guitar/vocals – Vetiver), with plans to be released in September 2018 via Oscarson.
photo by Myles Katherine
Summer 2018 Workshop Series
The Art of Wandering: A Writing and Walking Workshop with Erica Trabold
Where does the mind wander when you wander? This workshop encourages you to roam, embodying your writing practice and rooting your nonfiction in the physical world. Students will take a walk—on the beach, to town, or through the Sou’Wester property—to ground themselves in place and write about the experience. We’ll warm up the imagination with model essays and short prompts. Then, it’s feet to pavement and pen to the page.
Erica Trabold is the author of Five Plots (HWS Colleges Press, 2018), selected by John D’Agata as the winner of the inaugural Deborah Tall Lyric Essay Book Prize. Her essays appear in The Rumpus, Passages North, The Collagist, South Dakota Review, Seneca Review, Essay Daily, and elsewhere. A graduate of Oregon State University’s MFA program and the University of Nebraska at Omaha, Erica writes and teaches in Portland, Oregon.
photo credit Kimberly Dovi Photography
COST: $30
BRING: notebook, pen or pencil, shoes & anything else to keep you comfortable while walking
Please bring a sack lunch and/or snack (coffee and hot tea provided).
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Summer 2018 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/calendar to see the full schedule of artist-led workshops.
LDYCP is a six piece melodic rock/avant chamber pop project, highlighted by “angelic-yet-angular” three part vocal arrangements. Referenced as sirens of the sea on more than one occasion, LDYCP propels through melodized inner dialogues and external discoveries like a cosmic river of sound, holding a construed sense of where the ideas begin and end and begin again.
Based in Bloomington IN, as well as Portland OR.
“Stunningly angelic yet angular triple vocal arrangements dominate this chamber folk / post-rock hybrid. But piano sneaks in as a surprisingly weighty rhythmic friend to avant-garde guitar textures. This is a young band in their most protean and creative time- and we are stoked about it!” -Marmoset Music
“Sherman’s vocals float over a stunning bed of instrumentation that brings the piece to life. Her haunting lyricism echoes throughout as it swirls around the keys that are gently, but prominently placed.” – Paste Magazine
“Ethereal vocals, replete with reverb to make you feel like you’re floating on a cloud amidst the direct – and welcome – contrast of heavy electric guitar. It’s upbeat, and there are certain aspects that really drive home for several different genres.” – Impose Magazine