SOU’WESTER EVENTS!

In this workshop we’ll explore elemental printmaking techniques, creating multiples or one-of-a-kind prints with a rolling pin or tiny press. Monotypes are a painterly print, using Akua Non-toxic soy and honey based inks with brushes, brayers, stencils and templates, ferns, feathers or leaves. We’ll do Trace monotypes, Foil printing and Collograph to create fantastic textured surfaces. We’ll also explore Gyotaku, the Japanese art of fish printing, using rubber fish to transfer ink onto paper or fabric. Other elements addressed will be chine Colle’, making a stamp, relief printing, printing on fabric, everyday items you can use for art, Scratch Foam printing, Stamping with Easycut, Tape design plates and more! Workshop is 10AM-2PM and cost is $90.

Jane Pagliarulo received a BFA in Printmaking from University of Massachusetts at Amherst. She cut her teeth as a fine art printer at Hand Graphics in Santa Fe, New Mexico. From 1989 to 1996 she printed lithographs, woodcuts and etchings. As a monotype printer she has worked one-on-one in creative collaboration with artists having tremendously varied conceptual and technical approaches. As a result Jane strays beyond the traditional boundaries of printmaking.  In 1996 Pagliarulo moved to Oregon, founding a printmaking workshop in Hood River. In 2007 she co-founded Atelier Meridian, a collaborative membership printmaking studio in Portland, where she teaches workshops and prints editions. In her own prints, Pagliarulo approaches the landscape with an abstract realist’s eye for the edges and shapes found in the expanses  of the American West. Unique spacial tensions are created with the push and pull of brush strokes and erasures. Unpredictable marks and subtle veils of color are employed as the printmaking process delivers mysterious surfaces  of ink in confluence with paper.  She exhibits nationally and is represented in Portland by the Portland Art Museum Rental Sales Gallery and Print Arts Northwest.

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In this workshop students will learn basic embroidery techniques (5 basic stitches) through stitching your favorite  plant, vegetable, or herb using recycled materials and/or through altering a piece of clothing: hats, jackets, patches, or bags (Please bring your own piece of clothing to alter). Participants will be guided through a process of choosing a plant you identify with, learning about its properties, then experimenting with multimedia techniques to create a piece of hangable or wearable art.

Chloe Jacobson grew up in the dry, oaky lands of Southern Oregon and headed north to the lush forests of the Pacific Northwest to pursue a major in Visual Arts and Psychology from The Evergreen State College. She chose to pursue the healing power of the art process professionally through getting graduate degree in Transpersonal Art Therapy at Naropa University, and now practice as full time art therapist with the LGBTQIA population in Portland, Oregon. She is a multimedia artist specializing in embroidery, painting, and collage to express sensations, feeling spaces, and to tell stories of empowerment and liberation. She walks the edge of fine art and craft to explore the natural world through my lens as a queer art therapist. She blends media to reframe and re-contextualize, while offering simple messages. She especially seeks narratives of natural perseverance, adaptation, justice, and resilience in the face of adversity or human constructs. Her background in art therapy informs my process as being a platform for healing self-reflection, through making the latent, blatant.

 

In this workshop students will be guided in making bath bombs from everyday household items and found materials from the surrounding natural landscape of the Sou’Wester. Using optional scents and/or herbs, students will create a personalized set of bath bombs filled with unique intentions and return home with a set of hand made bath bombs.

Hannon is a white, nb queer creative and care worker who’s been living for nine years in Portland, Or. on the occupied indigenous lands of the Cowlitz, Multnomah, and confederate Tribes of the Grand Ronde. Hannon is a facilitator of introspective space, and creator of Tender Tank, drawing baths meant to be in conversation with each bather’s internal tides. You can learn more on their website: hannonhannonhannon.com or instagram.com/tendertank

Workshop cost $77

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In this workshop students will learn to shoot in the classic, home movie, analog format and become part of a community of Super 8 and 16mm enthusiasts. Explore the “bucket method” of hand processing your film, and how to care for your negatives.

Stephanie Hough is an experimental filmmaker, production coordinator and director of photography whose work explores repetition, gender, relationships and emotional landscapes. Her films HOW TO FEEL (DV, 2010), HEART (16mm, 2013), SPOOKY ACTION AT A DISTANCE (Super 8, 2016) have screened in the NW Filmmaker’s Festival, Portland International Film Festival, Experimental Film Festival PDX, BendFilm, The Boathouse Microcinema, TriBeca Film Center and more. As an educator with the Northwest Film Center, Pacific University and the PNCA, Hough has a passion for sharing analog film techniques and making learning accessible for all. 

Workshop cost $70
Register for all three Analog Film Workshops for $150

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In this workshop we’ll explore the idea of personal identity through mixed media. Learn how to do packing tape image transfers, create your own collage papers, and then make a grungy mixed media piece of artwork.

Angie Ebba is a queer disabled writer, artist, educator, activist, and performer. She is a published poet and essayist, who teaches and performs across the US. She believes strongly in the power of words and art to help better understand ourselves, build connections and community, and make personal and social change. 

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We often think of the poem, essay, or story as a device that delivers great knowledge, wisdom, or emotional insight, and the writer as an expert craftsman, who, with great skill and complete intention, willfully inscribes those messages onto the page. In contrast, the late (great) author Donald Barthelme defines the writer as “one who, embarking on a task, does not know what to do”.  This workshop takes Barthelme’s definition as its starting point, and is designed to give students hands-on experience in writing without any predetermined outcome in mind–in writing with an eye towards uncertainty, chance, experiment, play, and discovery.  This will be a playful, exercise based workshop and seasoned writers as well as students with little to no experience are equally welcome to participate.

Quinn Gancedo is a writer and educator based in Portland, Oregon.  He is the author of The Nouns (The Cupboard Pamphlet, 2022) and his work has appeared or is forthcoming in Fence, Diagram, Tammy, New Delta Review, and elsewhere.  He has taught creative writing, literature, and DIY bookmaking at the California Institute of the Arts and in various community and youth education settings.  He is a co-founder of Elbow Room, a non-profit arts organization focused on providing material support, mentorship, representation, and space to work, collaborate, and experiment for artists experiencing intellectual and developmental disabilities in Portland.  

Katie Savastano is an artist, educator, and designer out of Portland, Oregon.  From 2011 to 2015 she booked and promoted countless DIY shows in Portland and Eugene under the moniker Small Howl.  Since then she has done design work making merch, album art, and promotional materials for Rock and Roll Camp for Girls, Mississippi Studios, Revolution Hall, Antiquated Future, Black Belt Eagle Scout, and others.  In 2020, she co-founded Elbow Room, a non-profit arts organization dedicated to providing material resources, mentorship, representation, and space to work, collaborate, and experiment for artists experiencing intellectual and developmental disabilities in Portland.

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Ever wondered about the beautiful Japanese prints you find all over the world?  This course is designed to show you the basics of Moku Hanga (Japanese woodblock). Though a more complicated printing technique, this class will take you through a quick crash course covering all the major points, and allow you to pull a few prints yourself. Charles Spitzack (American, Pacific Northwest) was born in 1987 in Minnesota and raised in the Twin Cities. He received a BFA with a focus in Print Arts and Drawing from Cornish College of the Arts and has participated in residencies at Rockland Woods and Mokuhanga Project space. As a Pacific Northwest-based artist, he teaches woodblock printmaking at  Pratt Fine Arts Center and also works as a carpenter, a process that reflects his interest in the physicality of woodblock prints and his ability to find inspiration anywhere. His work has been shown extensively in the Pacific Northwest and internationally. Spitzack is known for his bold, energetic, Mokuhanga-inspired woodblock prints of the human figure, animals, landscapes, urban scenes, and more. His work commonly addresses the plight of the working class, hopelessness in the face of destruction, and humanistic experiences.  Register

Learn about how to use a mixture of concrete to make lightweight and durable jewelry. Students will learn how to make a one part mold and pour the concrete as a casting technique. Afterwards students will sand their concrete and seal them. Students will leave with one finished piece of jewelry!

Arielle Brackett is a metalsmith and educator based in Portland, Oregon. She received her BFA in metals at the Oregon College of Art and Craft in 2017. She has shown nationally and internationally, including Canada, Romania and Russia. Brackett was awarded best in metals at the Colorado Gallery of the Arts and the Art Center of Estes Park and Juror’s Choice Award in Jewelry from CraftForms 2021. She received two scholarships to paint in Le Barroux, France and Grand Junction, Colorado. In May 2016, Brackett was granted a full ride scholarship to attend a two-week glass workshop at the Penland School of Craft. Brackett is published in Society of North American Goldsmiths (SNAG), Jams 2018 and How Art Heals, by Andra Stanton. In 2019, she had a piece in a runway show, Shift in Portland, Oregon. Brackett showed work in SNAG’s Exhibition in Motion in 2019 and 2021.

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Workshop includes relief printmaking demo (linocut), time for sketching and discussion during interactive presentation that situates us on the timeline of activist printmaking from Martin Luther 16th Century to Mexico 20th century to the present. Building upon a 30 year history as stage performer and rock singer, Karim Shuquem creates installations, sculptures, and prints that have relationship with staging, temporality, and process. Shuquem has recently completed the Otis College MFA program and works as an art teacher. Register

Participants will learn the basics of block printing on fabric including designing, carving, and printing. You will troubleshoot common problems in relief printmaking, learn about brands and tools, and leave with finished prints on fabric. Please bring your own fabric item which can include yardage, tshirts, scarves, or anything else that is relatively smooth. Avoid fabrics such as burlap.

Ashley Quick is a visual artist based in the mountain west. Her graphic and often illustrative work represents personal experience and place-based reflections on nature in mediums such as printmaking, illustration, and more recently mural. She shows regularly in Wyoming and Colorado, and has been featured in shows across the country.