SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
In this workshop we will use plaiting and twining to create a small basket. We will be weaving with hand harvested and natural materials, including cedar bark, cherry bark, sea grass and iris leaf. We will be creating unique shapes and designs using these 2 techniques.
Rose Covert is a constant maker and an artist who creates in many directions. Her paintings, sculptures and woven works have been displayed throughout the Pacific Northwest. Most recently Rose has been engaged in woven sculptural work made of plants growing within a 30 mile radius of where she lives. Rose makes these very intricate and wild shapes by weaving one stick at a time, thus creating pathways to follow and build upon. As a member of the Columbia Basin Basketry Guild and a childhood educator Rose moves seamlessly between student and teacher, learning from the materials, the process and the people she works with.
As a teacher Rose is drawn to engagement and embodiment, beginning by exploring the mediums and materials we’ll be working with then using our senses and intuition to get a feel for what we’ll be making. Her teaching style has an emphasis on the magic and play of making, using questions and conversation as a way to encourage connection and imagination.
Workshop cost $80
!mindparade (unplugged) : Presented by Sou’wester Arts
!mindparade is a psychedelic/experimental project that formed in Bloomington, Indiana. Originally the solo bedroom project of Alex Arnold, the live show and recordings are fleshed out by a revolving cast of musicians utilizing electronics and orchestration. !mindparade’s beautiful cacophony of bombast is pleasantly bewildering. Wild flourishes of dreamy psychedelic instrumentation zoom past you in all directions like standing in the middle of a busy intersection.
Currently based in Portland, Oregon, USA.
Jeremy James Meyer: Presented by Sou’wester Arts
Jeremy James Meyer is an artificer of song. A songwriter’s songwriter. He crafts redemptive songs full of woody rock ‘n’ roll tones. His deep, penetrating voice has a wide range, and is especially captivating in his droning, lower register. He spent the last decade drifting around, a tool belt troubadour, working carpentry by day, bringing folk music to the people at night. As with most well traveled songwriters it’s hard to tell where the road ends and Jeremy James Meyer begins. His songs seamlessly blend plain-language and poetic lyricism. They wander from personal truth to outlaw legends. He’s capable of cathartic protest songs, cosmic country canticles, and dive bar sing-a-longs. Whenever, and however your path crosses with Jeremy James Meyer’s (and it will) prepare for an enchanting, psychedelic trip through cosmic American music.
“Alive and OK by Jeremy James Meyer is a lesson in what country music can be. This is not the pop country of Nashville. This is real country music with stories and melodies that keep the listener engaged. Whether it’s a foot stomper or a song made for slow dancing, Meyer delivers songs that will get you moving.”
“Last year was a devastating time for fans of Americana, country, and pretty much anyone who loved a well-written song with the passing of Walker, Prine and Billy Joe Shaver all in the span of six months. It’s heartening though to know there is another generation of talented singers and songwriters eschewing current trends and fads and focusing simply on writing timeless, relatable music agnostic of specific genres. Meyer is certainly one of those acolytes to the greats, alongside peers like Todd Snider and Hayes Carll carrying that tradition into the future.”
In this workshop we’ll explore elemental printmaking techniques, creating multiples or one-of-a-kind prints with a rolling pin or tiny press. Monotypes are a painterly print, using Akua Non-toxic soy and honey based inks with brushes, brayers, stencils and templates, ferns, feathers or leaves. We’ll do Trace monotypes, Foil printing and Collograph to create fantastic textured surfaces. We’ll also explore Gyotaku, the Japanese art of fish printing, using rubber fish to transfer ink onto paper or fabric. Other elements addressed will be chine Colle’, making a stamp, relief printing, printing on fabric, everyday items you can use for art, Scratch Foam printing, Stamping with Easycut, Tape design plates and more! Workshop is 10AM-2PM and cost is $90.
Jane Pagliarulo received a BFA in Printmaking from University of Massachusetts at Amherst. She cut her teeth as a fine art printer at Hand Graphics in Santa Fe, New Mexico. From 1989 to 1996 she printed lithographs, woodcuts and etchings. As a monotype printer she has worked one-on-one in creative collaboration with artists having tremendously varied conceptual and technical approaches. As a result Jane strays beyond the traditional boundaries of printmaking. In 1996 Pagliarulo moved to Oregon, founding a printmaking workshop in Hood River. In 2007 she co-founded Atelier Meridian, a collaborative membership printmaking studio in Portland, where she teaches workshops and prints editions. In her own prints, Pagliarulo approaches the landscape with an abstract realist’s eye for the edges and shapes found in the expanses of the American West. Unique spacial tensions are created with the push and pull of brush strokes and erasures. Unpredictable marks and subtle veils of color are employed as the printmaking process delivers mysterious surfaces of ink in confluence with paper. She exhibits nationally and is represented in Portland by the Portland Art Museum Rental Sales Gallery and Print Arts Northwest.
Bijoux Cone: Presented by Sou’wester Arts
Bijoux Cone (Formerly Bryson Cone) is a visual artist, filmmaker, musician and producer based out of Portland OR. Bijoux Cone’s debut album “Magnetism” was released February 19 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release.
Bijoux Cone’s music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves.
The live band includes/has included members such as:
Bijoux Cone (FKA Bryson Cone, Reptaliens, Gary Wilson & The Blind Dates),
Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse),
Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire),
Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).
In this workshop students will learn basic embroidery techniques (5 basic stitches) through stitching your favorite plant, vegetable, or herb using recycled materials and/or through altering a piece of clothing: hats, jackets, patches, or bags (Please bring your own piece of clothing to alter). Participants will be guided through a process of choosing a plant you identify with, learning about its properties, then experimenting with multimedia techniques to create a piece of hangable or wearable art.
Chloe Jacobson grew up in the dry, oaky lands of Southern Oregon and headed north to the lush forests of the Pacific Northwest to pursue a major in Visual Arts and Psychology from The Evergreen State College. She chose to pursue the healing power of the art process professionally through getting graduate degree in Transpersonal Art Therapy at Naropa University, and now practice as full time art therapist with the LGBTQIA population in Portland, Oregon. She is a multimedia artist specializing in embroidery, painting, and collage to express sensations, feeling spaces, and to tell stories of empowerment and liberation. She walks the edge of fine art and craft to explore the natural world through my lens as a queer art therapist. She blends media to reframe and re-contextualize, while offering simple messages. She especially seeks narratives of natural perseverance, adaptation, justice, and resilience in the face of adversity or human constructs. Her background in art therapy informs my process as being a platform for healing self-reflection, through making the latent, blatant.
Jed Crisologo : Presented by Sou’wester Arts
Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes. His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs. This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.
In this workshop students will be guided in making bath bombs from everyday household items and found materials from the surrounding natural landscape of the Sou’Wester. Using optional scents and/or herbs, students will create a personalized set of bath bombs filled with unique intentions and return home with a set of hand made bath bombs.
Hannon is a white, nb queer creative and care worker who’s been living for nine years in Portland, Or. on the occupied indigenous lands of the Cowlitz, Multnomah, and confederate Tribes of the Grand Ronde. Hannon is a facilitator of introspective space, and creator of Tender Tank, drawing baths meant to be in conversation with each bather’s internal tides. You can learn more on their website: hannonhannonhannon.com or instagram.com/tendertank
Workshop cost $77
Nick Delffs : Presented by Sou’wester Arts
Nick Delffs grew up in Mendocino County, a lawless stretch of coastline that’s hard to get to and, for many, hard to escape. Nick did — emerging in the early aughts as the frontman for Portland band The Shaky Hands, whose sharp, jittery rock was anchored by Nick’s quavering vocals and questing lyrics. The Shaky Hands were mainstays of Portland on the verge of a major shift, and they rode that shift a while, signing to Kill Rock Stars and touring internationally with some of the bigger names in indie rock. But a hiatus in 2011 became indefinite and Nick Delffs was once again cast into the world: working as a sideman, releasing solo records, doing manual labor, going deeper into his spiritual practices, and, crucially, becoming a father.
Becoming a parent can affect different artists in different ways. Nick rode that change with surpassing grace and maturity. 2017’s Redesign, his first full-length under his own name, reflected the transition. In “Song for Aja”, Nick touched on other concerns familiar to those who follow his work: love of the natural world; longing for spiritual and physical connection; the desire to suffer with meaning and exult with abandon, to embrace somehow the world in its maddening contradictions and find the unity at the core.
Childhood Pastimes, his second release on Mama Bird Recording Co., is both more focused and, despite being technically an EP, more ambitious. It’s a four-song cycle — one song with many movements or four songs that bleed into one another, depending on how you hear it — that can be viewed either as a personal journey or an archetypal passage of a human being through four discrete stages: roughly, the movement from childhood innocence into adolescent adventure (The Escape); the sudden immersion into a life of discovery and excitement (The Dream); the first experience of romantic love, followed by the onset of heartbreak, dissolution, breakdown of self (The Affair); the emergence into a new way of thinking, a fresh perspective that encompasses all the suffering and joy into a balanced whole (The Outside).
Nick plays nearly all of the instruments here and the result is a unified aesthetic, born ultimately of his deep-seated love of rhythm: the thrum and throb of the acoustic guitars, the percussive melodic bang of the elegantly-crafted piano lines, and always, always the insistent, driving drums, propelling the record, and the listener, on this journey as the four tracks bleed into one another, one body, one blood, one beating heart. The concept of four songs that are really one suite of music requires a sure hand, and Nick’s never shakes: the way the songs blend together while retaining their distinctiveness — from the poppy exaltation of “The Escape” to the cold intensity, almost like an acoustic Kraftwerk, of “The Affair” — shows a songwriter and musician who has fully grown into his powers.
Those who have followed Nick’s career may see this as a culmination of years and years of honing and fine-tuning his bountiful gifts, and wonder with delight what might come next. For those who haven’t listened to Nick before, Childhood Pastimes is the perfect entry point, a distillation of what’s come before and the promise of a new beginning.