SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Mike Coykendall : Presented by Sou’wester Arts
Veteran songwriter, producer and multi-instrumentalist Mike Coykendall has been amazingly prolific over the last three decades or so. Currently most well known for his duties as a sideman, producer, and recordist via his work with M Ward, Blitzen Trapper, She & Him, Annalisa Tornfelt, & Tin Hat Trio, to name a few, Coykendall has been making his own unique outsider records since the mid ’80s.
Coykendall (pronounced “Kirk-in-doll) was raised near the dead center of the contiguous 48 states of America in rural Norwich, Kansas. In early high school he began playing drums and guitar and went on to perform in mid-western regional cover bands during the early 80’s. In the mid 80’s he started writing and recording his own songs on cassette 4-track and soon formed Wichita, Kansas based prarie-psych popsters Klyde Konnor. Klyde was a prolific and daring band that self-released approximately nine cassette albums between ’86 and ’91.
In ’91, he moved to San Francisco where he and wife Jill formed The Old Joe Clarks. The Old Joes worked hard and made three nuanced, highly acclaimed Americana-esque records. 1996’s Town of Ten, 1999’s Metal Shed Blues, & 2003’s November.
In ’99 after relocating to Portland, Oregon, Coykendall was able to expand his home studio and begin working other artists. One of those artists was M Ward. Their first collaboration was Ward’s 2003 masterpiece Transfiguration of Vincent. Soon after, Coykendall became a member of Ward’s touring band (also with She & Him).
In 2012 Coykendall released his third solo record titled Chasing Away the Dots via Portland’s Fluff & Gravy Records. Dots is a widely varied, moody yet playful record with a lived-in feel and is the perfect vehicle for Coykendall’s unfurnished vocals. This tidy little diamond in the rough also contained guest appearances by some of Coykendall’s musical friends including M Ward, Zooey Deschanel, Eric Earley, & Ben Gibbard.
Translating Dots to a live setting was an undertaking, as the record itself was filled with guest performances and layers of studio psychedelia. Coykendall met that challenge by essentially turning the record inside-out and stripping it down to it’s basic elements. He took to rocking these songs out with an oversized Kay electric guitar while stomping a tin can kick drum and swishing away on a huge set of high-hat cymbals. He began calling it the “rig”, and it stuck. These spontaneous performances are often a thick mix of Coykendall’s own compositions and reinterpretations of other writer’s famous or not-so-famous gems. Not working from a set list and seemingly testing each situation to see what boundaries can be pushed.
In late 2015 Coykendall released Half Past, Present Pending, partnering again with Fluff & Gravy Records. On this record, Coykendall takes the listener closer to the live “rig” performances by mixing excellent new compositions (check out “Hard Landing”) with compositions from his back catalogue (check out “East of Cheney” or “Spacebaker Blues”) in with fresh interpretations of other writers songs (he covers Roger Miller, Syd Barrett, etc) to great effect.
He continues to write, perform, produce, engineer, and wander SE Portland.
Hanna Haas : Presented by Sou’wester Arts
Hanna Haas is a folk singer-songwriter based in Portland whose warm guitar and soft vocals carry songs that speak to the constant rising and falling of life and the eternal beauty of it all.
DJ Papi Fimbres : Presented by Sou’wester Arts
David “Papi” Fimbres creates sound out of thin air that feels familiar at first, but at a second thought, is nothing you’ve ever heard before. As a percussionist and multi-instrumen
In this workshop students will use transparent objects to create moving image cyanotypes without the use of traditional filmmaking equipment. This hands-on workshop will demonstrate how to clear coat 16mm film with cyanotype solution, compose creative film sequences with pre-coated stock, properly expose in the sun, and develop and tone images using household chemicals. At the end of the workshop, we will splice and project our sequences. Participants are encouraged to bring translucent fabrics, objects, 16mm negatives, transparencies and other materials to enhance their creative journey.
Stephanie Hough is an experimental filmmaker, production coordinator and director of photography whose work explores repetition, gender, relationships and emotional landscapes. Her films HOW TO FEEL (DV, 2010), HEART (16mm, 2013), SPOOKY ACTION AT A DISTANCE (Super 8, 2016) have screened in the NW Filmmaker’s Festival, Portland International Film Festival, Experimental Film Festival PDX, BendFilm, The Boathouse Microcinema, TriBeca Film Center and more. As an educator with the Northwest Film Center, Pacific University and the PNCA, Hough has a passion for sharing analog film techniques and making learning accessible for all.
Workshop cost $70
Register for all three Analog Film Workshops for $150
Sunbathe is the devastatingly catchy, fuzzed-out pop band brought to you by songwriter Maggie Morris. Suffused with lyrical honesty and a raw performance style, Morris can command the stage coasting along on an abundance of hooks and lighthearted guitar. Sunbathe has quickly gained notoriety for their captivating live performances, touring with the likes of Typhoon and Built to Spill, all the while living and breathing a DIY ethos. Referring to themselves as the most punk pop band in Portland, Oregon– Sunbathe cites ABBA and The Ramones as two of their biggest influences yet they will remind you of neither. Their songs will leave you feeling nostalgic for something that you probably only experienced in a dream.
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
Chitra Subrahmanyam loved Portland well before they moved here. As a youngster in the East Bay with a cool older sister, they were handed down a mix CD that included some material by the late Elliott Smith. Hearing “Between The Bars” opened the door to other Portland acts like Smith’s former band Heatmiser and Sleater-Kinney. The allure was immediate.
“When you’re going through something, especially as an angsty teenager, it’s not really hard to find something that speaks to you in music from people like Elliott,” Subrahmanyam said. “And when I was starting to drum, finding bands that were so dynamic —that had this balance between quiet and loud, and this seething undertone that ran through even the quieter parts — appealed to me as someone that feels like people think I had nothing to say or offer but at home, I got to bang on shit and let that out.”
Moving to Portland felt, in some ways, inevitable, drawn here as Subrahmanyam was by the music and a promising post-graduate program in speech pathology. Since arriving, they have slowly worked their way into the artistic community, starting their journey drumming for artists like Mo Troper and Balloon Club.
But after taking a few introductory guitar lessons, Subrahmanyam began to write their own songs, amassing a collection of lowkey but powerful material that they have recorded and performed under the name Phone Voice.
Their debut release, 2021’s cradle tape, is a perfect blending of the confessional and the metaphorical, as Subrahmanyam unpacks broken relationships and inner torment. “I am the air that surrounds you,” they sing over agitated waves of distorted guitar on “river.” “River of shame, you flow within me / yet you are nowhere / not around me anymore.”
In this workshop we will use plaiting and twining to create a small basket. We will be weaving with hand harvested and natural materials, including cedar bark, cherry bark, sea grass and iris leaf. We will be creating unique shapes and designs using these 2 techniques.
Rose Covert is a constant maker and an artist who creates in many directions. Her paintings, sculptures and woven works have been displayed throughout the Pacific Northwest. Most recently Rose has been engaged in woven sculptural work made of plants growing within a 30 mile radius of where she lives. Rose makes these very intricate and wild shapes by weaving one stick at a time, thus creating pathways to follow and build upon. As a member of the Columbia Basin Basketry Guild and a childhood educator Rose moves seamlessly between student and teacher, learning from the materials, the process and the people she works with.
As a teacher Rose is drawn to engagement and embodiment, beginning by exploring the mediums and materials we’ll be working with then using our senses and intuition to get a feel for what we’ll be making. Her teaching style has an emphasis on the magic and play of making, using questions and conversation as a way to encourage connection and imagination.
Workshop cost $80
Coach Phillips Presented by Sou’wester Arts
Initially formed in 2017 as an acoustic duo of vocalists Wade Phillips and Jessica Kim, Coach Phillips is a 5-piece band including Chet Baughman (drums/saxophone), Joe Oakes (guitars/misc.) and Tom Moskal (bass). The Seattle-based project has produced one full-length record to date and two EPs— the most recent being ‘Three-Chord Songs, Vol. 1’ released in May 2022.
‘…in the same sandbox as Hovvdy or the like, breaking bread with old emo tendencies and dipping it in the wine cup of present bedroom pop.’ – Nathan Lankford, Austin Town Hall
!mindparade (unplugged) : Presented by Sou’wester Arts
!mindparade is a psychedelic/experimental project that formed in Bloomington, Indiana. Originally the solo bedroom project of Alex Arnold, the live show and recordings are fleshed out by a revolving cast of musicians utilizing electronics and orchestration. !mindparade’s beautiful cacophony of bombast is pleasantly bewildering. Wild flourishes of dreamy psychedelic instrumentation zoom past you in all directions like standing in the middle of a busy intersection.
Currently based in Portland, Oregon, USA.