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BARNA HOWARD was born and raised in a quintessential Midwest town. His youth in Eureka, Missouri was pure Americana – the sort of childhood that inspired E.T.-era Spielberg – baseball cards in his bicycle spokes, flying freely down Main Street and through neighbors’ backyards.

However, much of Barna’s story is not unique to his hometown, and, like most of small town America, Eureka has lost some of that charm over time. Main Street has changed, kids don’t run around quite so carelessly, and in an almost laughably cruel twist, his childhood home was knocked down in favor of a Walmart parking lot.

After high school, Howard moved north to study animation in one cold and windy city and then east for love in another. Years later, he blindly followed two friends to the Northwest, crossing the Rockies for the first time, in search of inspiration, opportunity and a fresh start.

Barna’s self-titled debut chronicled these moves as he struggled with the contrast between his small town upbringing and these big city wanderings. The album was met with critical acclaim and underground success, partly thanks to an opportunely placed song in the hit indie film, Drinking Buddies. One critic even likened him to some “lost genius of the 60s.”

The songs on Barna Howard’s second album, Quite a Feelin’, ruminate on his relationship with home. Now entrenched in Portland, Oregon, many of the album’s tracks immortalize and reflect on the Eureka he once knew, while others focus on the relationships that define his new home out west. Small town life has long been celebrated in country and folk music, but Barna’s knack for capturing his own deeply personal nostalgia resonates in a rarely universal way.

** Currently, this is scheduled to not a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *

(Live Stream) Jeffrey Martin at The Sou’wester

Jeffrey Martin:
As a babe Jeffrey Martin sought out solitude as often as he could find it. He’s always been that way, and he has never understood the whole phenomenon of smiling in pictures, although he is a very happy guy. One night in middle school he stayed up under the covers with a flashlight and a DiscMan, listening to Reba McEntire’s ‘That’s the Night that the Lights Went Out in Georgia’ on repeat until the DiscMan ran out of batteries. That night he became a songwriter, although he didn’t actually write a song until years later. After high school he spent a few years distracting himself from having to gather up the courage to do what he knew he had to do.

Eventually he found his way to a writing degree, and then a teaching degree. He wrote most days like his life depended on it, all sorts of things, not just songs, but songs too. He fell in love with teaching high school English, which was fantastic because he never thought he’d actually come to truly love it. His students were fierce and unstoppable forces of noise and curiosity, and for all that they took from him in sleep and sense, they gave him a hundred times back in sparks and humility.

All the while he was also playing truckloads of music. There was one weekend where he flew to LA while grading essays on the plane, played two shows, and then flew back home, still grading essays, and woke up to teach at 5 am on Monday morning. It was around this time he started wondering if such a life was sustainable.

Alas, music, the tour life, was a constant raccoon scratching at the back door. Jeffrey spent nights on end sitting up in bed, and then sitting on the front porch, staring off into the dark, wondering if he could bear to leave teaching to go on tour full time. Eventually his brain caught up with what his guts had known for months. With tears in his eyes he announced to his students that he wouldn’t be back the following year, and that he didn’t feel right hollering at them to chase their dreams at all cost if he wasn’t going to do the same.

Jeffrey Martin tours full time now. He is always making music, and he is always coming through your town. He misses teaching like you might miss a good old friend who you know you’ll meet again.

Jeffrey has put out bunches of music since 2009, but he’s most proud of the more recent stuff. He’s fortunate to be a part of the great and loving family that is Fluff and Gravy Records in Portland, OR. “One Go Around,” which released in October 2017, is his 3rd full length album. At his luckiest, he’s shared shows with the likes of Sean Hayes, Gregory Alan Isakov, Courtney Marie Andrews, Jeffrey Foucault, Joe Pug, Peter Mulvey, Amanda Shires, Sean Rowe, Tracy Grammer, David Wilcox, and others.

He currently lives in Portland, OR but feels lately that it has become a secret that someone figured out how to monetize. And since he has no money of any kind, everything beautiful about the city is marred by the quiet ticking of a countdown toward the day that he’ll have to find somewhere to live that doesn’t require a steady bleeding fortune.

** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *

Mike Coykendall: Live Stream presented by Sou’wester Arts

(Live Stream) Mike Coykendall at The Sou’wester

Veteran songwriter, producer and multi-instrumentalist Mike Coykendall has been amazingly prolific over the last three decades or so. Currently most well known for his duties as a sideman, producer, and recordist via his work with M Ward, Blitzen Trapper, She & Him, Annalisa Tornfelt, & Tin Hat Trio, to name a few, Coykendall has been making his own unique outsider records since the mid ’80s.

Coykendall (pronounced “Kirk-in-doll) was raised near the dead center of the contiguous 48 states of America in rural Norwich, Kansas. In early high school he began playing drums and guitar and went on to perform in mid-western regional cover bands during the early 80’s. In the mid 80’s he started writing and recording his own songs on cassette 4-track and soon formed Wichita, Kansas based prarie-psych popsters Klyde Konnor. Klyde was a prolific and daring band that self-released approximately nine cassette albums between ’86 and ’91.

In ’91, he moved to San Francisco where he and wife Jill formed The Old Joe Clarks. The Old Joes worked hard and made three nuanced, highly acclaimed Americana-esque records. 1996’s Town of Ten, 1999’s Metal Shed Blues, & 2003’s November.

In ’99 after relocating to Portland, Oregon, Coykendall was able to expand his home studio and begin working other artists. One of those artists was M Ward. Their first collaboration was Ward’s 2003 masterpiece Transfiguration of Vincent. Soon after, Coykendall became a member of Ward’s touring band (also with She & Him).

In 2012 Coykendall released his third solo record titled Chasing Away the Dots via Portland’s Fluff & Gravy Records. Dots is a widely varied, moody yet playful record with a lived-in feel and is the perfect vehicle for Coykendall’s unfurnished vocals.  This tidy little diamond in the rough also contained guest appearances by some of Coykendall’s musical friends including M Ward, Zooey Deschanel, Eric Earley, & Ben Gibbard.

Translating Dots to a live setting was an undertaking, as the record itself was filled with guest performances and layers of studio psychedelia. Coykendall met that challenge by essentially turning the record inside-out and stripping it down to it’s basic elements. He took to rocking these songs out with an oversized Kay electric guitar while stomping a tin can kick drum and swishing away on a huge set of high-hat cymbals. He began calling it the “rig”, and it stuck. These spontaneous performances are often a thick mix of Coykendall’s own compositions and reinterpretations of other writer’s famous or not-so-famous gems. Not working from a set list and seemingly testing each situation to see what boundaries can be pushed.

In late 2015 Coykendall released Half Past, Present Pending, partnering again with Fluff & Gravy Records. On this record, Coykendall takes the listener closer to the live “rig” performances by mixing excellent new compositions (check out “Hard Landing”) with compositions from his back catalogue (check out “East of Cheney” or “Spacebaker Blues”) in with fresh interpretations of other writers songs (he covers Roger Miller, Syd Barrett, etc) to great effect. 

He continues to write, perform, produce, engineer, and wander SE Portland.

** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *

(Live Stream) Paleo + Lucas Benoit at The Sou’wester

Paleo, aka David Strackany, is an American singer of folk music who is notable for writing a song every day for 365 days using a “half-size children’s guitar” while living out of his car and being essentially homeless.^[3] He plays acoustic guitar and sings and in 2005 began touring the United States. He has a recording arrangement with an indie music label named Partisan Records.

Lucas Benoit: Born in McMinnville to an extended family of blue-collar musicians, Lucas Benoit is an inveterate song-maker and a founding member of the NW folk-rock favorites, The Hill Dogs.

Troubadour to the life sick, sidewalk prince of an invisible garden. Peter Pan meets Bob Dylan, they split a Mountain Dew. Donnie falls for Tina and it’s happily hardly after. Artful Dodger, a Midwest wanderer, stealing moments from a day, Lucas’s sing along choruses, jangling melodies and lyrics are junk drawers of metaphor and sweet treasures from the pockets of careless lovers. Tokens of wisdom scratched onto napkins by old friends. Lucas is at home with his arms wrapped round an old wood guitar and with paint and engine oil under his nails. His crooked smile and honest voice are doors and windows to the world.

** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *

(Live Stream) Lewi Longmire at The Sou’wester

Lewi Longmire has built a reputation as Portland’s multi-instrumentalist “go to guy.” In the years since relocating to Portland from Albuquerque, New Mexico, he’s been included on shows and recordings by many of the Northwest’s finest bands and songwriters. He’s played with national acts Michael Hurley, Victoria Williams, Dolorean, AgesandAges, Sallie Ford & the Sound Outside, Blue Giant/Viva Voce/The Robinsons, Dolorean, the Minus 5, Breathe Owl Breathe and Tara Jane O’Neill as well as local luminaries Denver, The Portland Country Underground, Midlo/Pancake Breakfast, Quiet Life, Fernando, James Low, Perhapst, Electric Ill, Little Sue, Casey Neill, Michael Jodell, the Freak Mountain Ramblers, and is an anchor member of Portland’s all-star tribute to the Allman Brothers, Brothers and Sister.

Recently, though, Lewi has taken all the things he learned from working with these fine performers and has been spending his time leading a roots rock/americana band of his own, singing his own original compositions. This group owes much to the American tradition of good songs played with high energy, deep roots, and an unpretentious sense of fun. Their sound finds the connection between the basement feel of The Band, the raspy blue-eyed soul of Joe Cocker, the desert space of Giant Sand, the “without a net” deep space improvisations of the San Francisco ballrooms, the punk abandon of The Stooges and the quiet contemplation of Neil Young playing solo.

Helping achieve this are THE LEFT COAST ROASTERS, a band of stalwart Portland musicians. Bill Rudolph (bass and vocals) played with the Crackpots and Little Sue for years, driving their home crowd into an energetic frenzy with his low tones. Ned Folkerth (drums) has toured the world over with many groups, including the midwest’s Pinetop Seven and Portland’s own Caleb Klauder Band, always laying down the perfect groove to cure whatever ails ya. Newest addition Dan Eccles (guitar) has most often been seen in the band Richmond Fontaine or backing up local rock legend Fernando.

Often the core band is augmented by some of the other fine players in Portland’s rich musical family: Bingo a.k.a. Kevin Richey (guitar), Edward Connell (keyboards), David Lipkind (harmonica), Jenny Conlee (keyboards), Paul Brainard (steel guitar, trumpet), Eddie Lakaden (percussion), or even Annalisa Tornfelt (violin, vocals).

Aside from that, Mr. Longmire can be found playing music out and about as a support player for quite a few local and national artists. Check out the Side Man page for more info on some of those projects.

** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *