SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Owen Ashworth’s albums have always been about the human condition, and his latest is no exception. That may sound strange, given that it’s called Animal Companionship, but it’s as human as anything he’s done before.
After hearing problems forced the end of his electronic pop project Casiotone for the Painfully Alone in 2010, Ashworth started making quieter music as Advance Base, releasing A Shut-In’s Prayer in 2012, Nephew In The Wild in 2015 and a slew of tapes and 7” EPs in between. After releasing a 2016 live album, In Bloomington, the prodigious songwriter shifted his focus to his label, Orindal Records, and put his efforts into helping other artists release their music.
This break from songwriting gave him time to explore not just how he makes music, but why he’s driven to do so. “I spent a lot of time thinking about why I write songs and what I get out of writing songs,” he said. “It took a while to get back to writing for myself, unselfconsciously.
“The reason I’ve always made music is because it’s therapeutic for me,” he said. “It’s a way of processing my feelings and understanding my subconscious. I love the ritual of writing a song and performing it over and over again until its meaning reveals itself. It’s the closest I get to meditation.”
The meditative nature of Ashworth’s new songwriting process can be heard in Animal Companionship’s spacious arrangements. Blissful drones and lush synthesizer textures envelop soft electric piano arpeggiations and spare drum programming, creating an almost hypnotic backdrop for Ashworth’s lyrical narratives. And the lyrics themselves have found a new focus: dogs.
“There was a while last year when a bunch of different friends of mine were having problems with their dogs,” said Ashworth, “and even though I don’t have a dog, suddenly I was giving all of this dog advice. I was just thinking and worrying about these friends and their dogs all of the time, and dogs just started showing up in my songs.
“When you explain the relationship you have with a pet, it can sound crazy. We all tend to anthropomorphize the animals we love, talking about them as if they’re children, siblings, even spouses,” said Ashworth. “I wrote these songs to help myself understand what pets mean to their owners, how those animal relationships affect our human relationships, and vice versa.”
Unlike the previous Advance Base albums, which were made at home on Ashworth’s trusty 4-track tape machine, Animal Companionship was mostly recorded at Palmetto Studios in Los Angeles with Ashworth’s old friend and former Casiotone for the Painfully Alone collaborator Jason Quever. Animal Companionship still sounds like Ashworth, but Quever’s production adds more depth and clarity than you’ve ever heard from an Advance Base or Casiotone album. The album opener, “True Love Death Dream,” is full of warm synthesizer textures and lush drum machine tones, the kind that sink deep into your soul and take root there. It shows how much time and consideration Ashworth put into Animal Companionship, and how Quever knew exactly how to capture it. From the pedal steel atmospherics of “Dolores & Kimberly” to the densely layered oscillations of “Rabbits,” every movement beautifully frames each song’s narrative. Animal Companionship’s production is expansive but always deliberate, allowing Ashworth to speak volumes through subtle, emotional gestures.
Taken as a whole, Animal Companionship is not just a step forward for Advance Base—it’s the culmination of everything Ashworth has been building for the past two decades. It’s a record that’s gentle in approach and endearing in practice, the kind of thing that only Ashworth could create.
Animal Companionship was co-released by Run For Cover Records & Orindal Records on September 21, 2018
Advance Base: http://www.advancebasemusic.com
Claire Cronin: http://www.overandthrough.com/
Ruth Garbus: https://ruthgarbus.bandcamp.com/
This event is free, all ages, and open to the public!
Winter 2020 Workshop Series
How the Light Gets In with instructor Suzie Kassouf
canceled – It can feel unbearable to carry the pain of our world in this unprecedented era of social upheaval and ecological destruction. Luckily, the task of tending to our broken world can infuse us with life-affirming purpose, connection and joy. Through vinyasa, meditation, group activities and time spent in nature, we will learn to honor our pain as a precious signifier of our compassion and care for our world. Most importantly, we will develop in ourselves a robust and muscular hope, rooted in the very unpredictability of these times. Leonard Cohen implores us, “ring the bells that still can ring/ forget your perfect offering/ there is a crack in everything/ that’s how the light gets in.” I look forward to sharing this with you.
Suzanna Kassouf is an educator, yoga instructor and climate justice activist. After 10 years of personal practice, she completed a 200-hour yoga teacher training at The People’s Yoga with Suniti Dernovsek in 2018. She is an organizer with the climate justice group Sunrise PDX and is student teaching Environmental Justice and Ethnic Studies at Lincoln High School in Portland. Suzie believes strongly that our world is desperate for healing on multiple levels, and that true liberation can be found in community and service to others. She is passionate about marrying activism and spirituality and strives to courageously live the path of nonviolence in her life and work.
COST: sliding scale $40, $30, or $20
BRING:Pen, paper, yoga mat and a reusable bag. Please wear clothes comfortable for practicing yoga, walking on the beach and in the woods, and sitting for meditation. *optional: meditation cushion, blanket, yoga props. Sharing food is a powerful tool for deepening connection and building community. Please bring a dish to share as you are willing and able as well as an individual plate/bowl and utensils. Coffee provided.
No age limit but this class deals with deep emotions. 16 students max.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Winter 2020 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/art/workshops to see the full schedule of artist-led workshops.
“It’s not as if Tommy disrespects genre lines. It’s as if he doesn’t know (or care) that they exist. They’re not pertinent to his survival. He’s a cross between poet, arena rocker, and dive bar star. His voice plunges deeply, then rises high, and the band follows him faithfully through tempo changes, and wall of sound string movements, adding electric guitar and in-pocket backbeat to his work. The songs cruise through switchbacks from earnest folk to early new-age-rock histrionics.
– Sean Jewell at American Standard Time
This event is free, all ages, and open to the public!!
Tickets now available for this special show!!!
https://www.brownpapertickets.com/event/4520384
Sonny & the Sunsets are a beautiful west coast thing. Birthed from the sand, the surf, and twilight campfires down in Ocean Beach, Sonny & the Sunsets busted beach-pop songs spark recollections of doo wop’s otherworldly despair, a dose of goofball humor from the Michael Hurley school, and positive possibilities exuded by Jonathan Richman.
https://sonnyandthesunsets.bandcamp.com/
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The Gonks is an indie rock band made up of Sami of The Shes and Sonny & Ava of Sonny & The Sunsets. As Smith says, In the shortest description it has a kind of Shangri Las meets Tronics thing. Voila, and were sold. Im A Lonely Night Driver is a sweet showcase of Lynchs vocals and track My Glamorous Mother has a solid Kinks feel were digging on pretty hard.
https://rockshead.bandcamp.com/album/five-things-you-didnt-know-about-the-gonks
Photo by Arvel Hernandez
This event is an all ages show!
Drinks are served in our Library Bar, open every Saturday night for shows.
J. Graves is Portland’s most passionate post-punk trio. For fans of Yeah Yeah Yeahs, Sleater-Kinney, and Joy Division, this highly charged and agonizing garage rock lures listeners towards angular guitar work, skittering disco beats, and thudding bass. Front woman Jessa Graves, who takes her cues from Karen O, Corin Tucker, and Kathleen Hanna, is joined by Aaron MacDonald on the drums and Kelly Clifton on the bass. Their debut LP, Marathon, is out in the world for all to hear as a new fall release fast approaches.
Photo by Sleeper Studios
https://www.jgraves.xyz/
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Jason McCue is an alternative folk musician based out of Seattle.
“He had filled up the entirety of the Sky Church with a banquet of characters and emotions and, I believe, the soft buzz that emanates from a group of people trying to hold onto a moment.” – Seattle Weekly
His intricate finger-picking and soaring hypnotizing vocals were undeniable, reverberating throughout the hushed room.” – KEXP Blog
https://jasonmccue1.bandcamp.com
This event is free, all ages, and open to the public!
Drinks are served in our Library Bar, open every Saturday night for shows.
Workshop Series Winter 2020
Green Woodworking Basics: A 2-day Woodcarving Immersion with instructor Leslie Andrew Wolf Walters
11am-4pm class each day: Mon, Tues March 30, 31
canceled – Green Woodworking (noun): the process of carving and shaping wood before it has cured. Greenwood is easy to carve and offers a wide range of possibilities that cured wood does not.
Green woodworking is an immensely satisfying and inexpensive hobby. This two days workshop will teach you how to get started in this popular craft. The class blends demo time and work time in order to maximize learning. We take regular breaks for snacks and show-and-tell. You’ll leave the class with a head full of knowledge and a unique wooden spoon. All materials and tools are included with the material fee, with the option to purchase tools to take home at the end of class.
Day 1: Carving basics. Students will learn the basics of the green woodworking process: from log to finished product, while learning how to safely use a saw, hook knife and straight knife. We will discuss technique, tools and history, and why spoon carving? We will start by making chopsticks (a deceptively challenging project) and as time allows small stirring spoons.
Day 2: Hatchet skills and finishing projects. We will finish projects from yesterday, axe demo and eating spoons, we will discuss finishing techniques and decoration. We will also cover important topics such as where to source tools and wood.
Leslie Andrew Wolf Walters lives in Portland, Oregon and is a hand tool woodworker specializing in greenwood spoon carving. “I am inspired by Scandinavian folk art and the tools and skills used by people who once and still live in northern forests around the world. I have been obsessively carving for 7+ years, traveling around the country studying, learning and teaching spoon carving and traditional hand tool skills. I am also a founding member of the Portland Spoon Club a monthly get together giving spoon carvers and green woodworkers access to community and resources.”
COST: $100 plus $20 materials fee (Please pay material fee directly to instructor)
BRING: notebook and writing utensil, water bottle and snacks, work gloves (optional), whatever tools that you have that you want to talk about (optional). Please bring a sack lunch. Coffee provided.
This class is for students age 14 and up. 16 students max.
RSVP via souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Winter 2020 Workshop Series at The Sou’wester. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/art/workshops to see the full schedule of artist-led workshops.
The Cowtown Serenaders create collage-like performances blending song, story, and performance art, using puppets, props, accordion, musical saw, and more. The current show, called “A Trip to Cowtown,” features their Incredible Collapsible Magical Marionette Music Box, and was first performed as part of the Eureka Fringe Festival in 2019. It tells the story of Peggy Pilgrim and Toe-Tapping Tommy, two wandering spirits who become friends in a world where all travel and spontaneity has been banned by the Good Government.
Daniel Nickerson and Tayloranne Finch create work as the Cowtown Serenaders to combine their interests in music, art, storytelling and performance. Their recordings and shows are characterized by acoustic sounds, natural materials, and fable-like stories, woven together to create a living tapestry of alternative Americana. Based in Arcata, CA, the group produces their work at the Sanctuary, a community art studio and residency.
https://www.thecowtownserenaders.com/
http://thesanctuaryarcata.org/
This event is free, all ages, and open to the public!
Drinks are available during the show in our Library Bar.
Join us at the Sou’wester for a special multi-media release show for Nick Jaina’s first-ever novel, Hitomi.
Nick Jaina was a finalist for the 2016 Oregon Book Award for his memoir Get It While You Can.
Now he has returned with a disarming work of fiction exploring the world of music and love and failure.
His live show mixes looped electric guitar and melodic solos using these as a backdrop for his captivating readings. It’s like if Thom Yorke and Jonathan Safran Foer were to compose a podcast right in front of you. The shows are hilarious, thrilling, and emotionally honest. Hitomi is a novel about a band touring the country while trying to understand what the point of it all is, and if they are ever going to find the elusive whale, or if there even is a whale.
Can you grieve someone without confirmation of loss? Can you love someone without possessing them?
All will be explored in this one-of-a-kind show on Easter Sunday.
Nick will be joined by drummer Daniel Charles Hunt who will play an opening set of improvised percussion before accompanying Nick on his songs.
This event is free, all ages, and open to the public!
Drinks are available during the show in our Library Bar.
Spring 2020 Workshop Series
Traditional Rug Hooking Workshop: Basics plus Embellishments with Heidi Grevstad
Join Heidi to get started on a stylized sunflower pattern. In traditional rug hooking (it’s different that the latch hooking you might remember from the 70’s), strips of wool fabric are “hooked” into cloth such as loosely woven linen or cotton. It’s a wildly creative craft. You don’t have to follow a complex written pattern, mistakes are easily fixed, there are no knots, and you can up-cycle woolen clothing into art.
While this workshop is suitable for beginners, those with experience will enjoy our exploration of color planning, how to hook letters effectively, use of creative stitches and embellishments, and how to turn a yardstick into a frame! If you already have a hook, small scissors and a hoop or frame, bring them to class. If you don’t have them, no worries! Heidi will have supplies for you to use in class. You’ll leave the class with the skills you need to complete this project at home.
Heidi has been creating hand-hooked rugs since 2004. Her work has been published in Rug Hooking Magazine’s Celebrations editions, and WoolWorks Magazine. She enjoys teaching new rug hookers. Her website is: www.portlandcottagewool.com
COST: $35 plus a $40 materials fee (Please pay material fee directly to instructor.)
BRING: All supplies provided. If students have a rug hook and/or frame, they should bring them to class. Small scissors are also helpful. If students do have hooks or frames, Heidi will have them available to use in the class. Students may also purchase a hook and/or frame if they would like to. Please bring a sack lunch and/or snack. Coffee provided.
12 students max.
The class is very suitable for beginning students, but those who have taken a prior class will have an opportunity to learn some embellishment stitching techniques.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Spring 2020 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/art/workshops to see the full schedule of artist-led workshops.