SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Opening Reception Saturday April 14th, 5pm-7pm
for exhibition
“what the world needs now is LOVE“
by Larry Yes
April 14 – June 24, 2018
This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.
Opening Reception Thursday July 19th, 6pm-9pm
for exhibition
“Pillow Talk”
July 3 – September 23, 2018
This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.
upper left photo credit Bruce Clayton Tom
Artist Statement:
My work revolves around drawing, specifically making marks with the body. It’s about the process and physicality involved in embroidering marks to make a statement that vacillates between the poles of vulgar, violent, gorgeous. The texts come from personal musings, found internet memes and aphorisms, fragments of forgotten poetry, or the banal, pithy, heartbroken musings of cultural icons and the unknown alike.
The practice of my drawing is largely intuitive and physically demanding. In drawings up to 30 feet long, text melts into a vibrating, hallucinatory design sourced from a 1885 French wallpaper sample, which harkens to Charlotte Perkins Gilman’s “The Yellow Wallpaper.” In creating them I invoke a similar physicality to the story’s protagonist, often on my hands and knees for hours and weeks at a time, using a 0.5 mm mechanical pencil to make marks. Drawings are smudged, worn and covered with fingerprints. Many drawings comprise a palimpsest of sketches where masked figures, erased words, or traces of knotted and tangled fabric bleed through.
In installations like “Pillow Talk”, fragments of text gleaned from found sources or original writings literally pile up in soft heaps offering immersive, intimate exploration by visitors who are invited to physically embed themselves amongst the murmurings of forgotten poets and others.
photo credit Linda Derschang
Artist Biography:
I am a self-taught artist and the daughter of a Charismatic Christian minister who grew up in rural Kansas and Texas before moving to Seattle in my early 20’s. I see my work as a task of both consciously and subliminally sorting out the experience of a female trying to make expressive marks—a task that has found uncanny resonance for me with the history of female hysteria. I am fascinated by history, art, the politics surrounding the female body, and by art that borders on obsessive, meditative devotion. I sometimes have a dirty sense of humor.
Manitach’s work has been exhibited at venues including Tacoma Art Museum, Frye Art Museum, Bellevue Arts Museum, Winston Wächter Gallery, Bryan Ohno Gallery, Roq la Rue and Lawrimore Project. She is represented by Winston Wächter Gallery. From 2012-2015 she served as curator of Hedreen Gallery at Seattle University. She co-founded and co-directed multiple mixed-use arts spaces in Seattle’s Capitol Hill neighborhood, including TMRW Party (2014) and The Factory (2015-16). She holds a BA in Literature (2001) from Oral Roberts University, Tulsa, OK. Her work is included in the permanent collection of Tacoma Art Museum.
Opening Reception Friday October 5th, 5pm-8pm
for exhibition
“Deep Skies“
October 5 – December 30, 2018
This show is installed in the Art Trailer Gallery, a vintage travel trailer, at The Sou’wester Lodge. Free and open to the public.
Please stay after the reception to enjoy live music in the lodge from 8pm-10pm by band Dizzy Nest as part of this opening celebration.
Artist Biography:
Heather McLaughlin was born next to the Chesapeake Bay in Baltimore Maryland and relocated to Red Lodge Montana, on the north border of Yellowstone Park, in 1991. After high school, she continued west to Portland Oregon and continued her studies at Pacific Northwest College of Art. Heather completed her Bachelors of Fine Art in Printmaking in 2005. She currently serves at the print studio Manager at PNCA while also teaching printmaking and youth arts as an adjunct instructor in PNCA’s Continuing Education Program. Heather also volunteers as an art instructor at Rock n’ Roll Camp for Girls and has served on the board for Flight 64 (a Member-run Print Studio). In addition to her art Heather is a musician, performer and production assistant.
4th Annual Handmade Bazaar at The Sou’wester
Kay Beizel
– wire weave jewelry
– wire weave & wrapped trees with gemstones
www.facebook.com/forestfoxastoria
– paper cards and stationary designs
www.lovebirdpaper.com
Nature Nell’s Sister
– eco printed journals
– handmade cards 100% recycled materials
www.etsy.com/shop/naturenellssister
– fairy furniture
– spirit dolls
– table-top shrines
The Adrift Hotel in Long Beach, WA is having a similar sale as well on this same day so swing by to visit them 10am-4pm on Saturday! (409 Sid Snyder Dr, Long Beach, Washington 98631, 360-642-2311) Here is a list of their event on FB: https://www.facebook.com/events/306163463322558/
Art Exhibit, Vertellen, by artist Andie Sterling
January 11 through February 24, 2019
A new art installation of collected sound, abstract waterscapes and drifting velella in a vintage travel trailer turned into a permanent art gallery, at The Sou’wester Lodge
OPENING RECEPTION on Friday January 11, 6pm-9pm.
OPEN: Fri/Sat/Sun 9am-9pm (and by request: visit the lodge front desk and we’ll open the gallery for you)
Art Gallery & Opening Reception free and open to the public.
Andie Sterling is a “west Texas born and raised, westward wanderer” currently living in Astoria, Oregon. She received her MFA in Sculpture/Installation from the University of North Texas and recently completed her Residency via Astoria Visual Arts. Andie Sterling’s work includes site specific installation, space design, public art, murals and performance collaboration.
This trailer is a 1960’s Aloha made in Aloha, Oregon. It was rescued from a neglected RV park in the northern part of the Long Beach Peninsula. Now repaired and transformed into an art space, this art gallery is part of our Artist Residency Program and our non-profit organization, Sou’wester Arts.
The Sou’wester Lodge, 3728 J Place, Seaview, WA 98644
360-642-2542 9am-9pm, www.souwesterlodge.com, souwesterlodge@gmail.com
SPACENESS is a celebration of time, space and the unknown through experimental art, media and performance. Each year SPACENESS takes over the Sou’Wester Lodge in Seaview, WA, as well as the adjacent forest, seashore and wild spaces.
The next celebration of Spaceness is MARCH 1-3, 2019. Spaceness is FREE, open to the public, and welcoming to people of all ages.
Follow @spacenesss ( ⏎ 3 s’) on Instagram for updates and special information about the event.
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Spaceness was founded by Portland artists Julia Barbee, Matt Suplee, and Alison Jean Cole and has been awarded funding by the Precipice Fund, Calligram Foundation, the Andy Warhol Foundation for the Visual Arts, and the Portland chapter of the Awesome Foundation.
Art Exhibit
Treasure From
by artist Jillian Barthold
March 8 through June 2, 2019
A new art exhibit in a vintage travel trailer turned into a permanent art gallery, at The Sou’wester Lodge
‘Treasure From’ is a new series of illustrations by Portland-based artist Jillian Barthold that explores her relationship to the objects surrounding her and their worth – while removing the word worth from the context of monetary value. The series examines what constitutes treasure to an individual and finds that perhaps most often, treasure is less about the object itself and more about where it comes from.
OPENING RECEPTION on Friday March 8, 6pm-9pm.
OPEN: Fri/Sat/Sun 9am-9pm (and by request: visit the lodge front desk and we’ll open the gallery for you)
Art Gallery & Opening Reception free and open to the public.
Jillian Barthold is an illustrator, designer, and maker originally from nowhere, but currently living in Portland, OR. Her work is heavily inspired by the Japanese world view or aesthetic of wabi-sabi, travel, and child-like wonder. She creates and makes many things under the moniker Monster Songs. Other enjoyments include, but are not limited to, staring at the moon, sitting in the ocean, and playing fetch with her cats.
This trailer is a 1960’s Aloha made in Aloha, Oregon. It was rescued from a neglected RV park in the northern part of the Long Beach Peninsula. Now repaired and transformed into an art space, this art gallery is part of our Artist Residency Program and our non-profit organization, Sou’wester Arts.
Art Exhibit
Forget Me Not Taxidermy
by artist Lindsay Bones
June 9 through August 4, 2019
A new art exhibit in a vintage travel trailer turned into a permanent art gallery, at The Sou’wester Lodge
‘Forget Me Not Taxidermy’ is a sculptural exhibition using taxidermy with road kill, bringing back animals in a new light. So they are remembered forever and not forgotten as victims of the road.
OPENING RECEPTION on Sunday June 9, 6pm-9pm.
OPEN: Fri/Sat/Sun 9am-9pm (and by request: visit the lodge front desk and we’ll open the gallery for you)
Art Gallery & Opening Reception free and open to the public.
Lindsay Bones
Raised in Astoria, and resides there now. Finished taxidermy school in Thompson falls Montana the summer of 2016. After having her housemates complain of having no room for ice-cream in the freezer from her collection of roadkill. Working on only animals that have died of natural causes/roadkill/pets. Dressing up squirrels, rats, mink, and mice. With inspiration from books like red wall & wind in the willows. She aspires to one day have her own boutique of oddities and taxidermy in her home town.
This trailer is a 1960’s Aloha made in Aloha, Oregon. It was rescued from a neglected RV park in the northern part of the Long Beach Peninsula. Now repaired and transformed into an art space, this art gallery is part of our Artist Residency Program and our non-profit organization, Sou’wester Arts.
Art Exhibit
We’ve Never Met Before Today
by artists Becca Van K and Andrew Cortes
August 9 through November 3, 2019
A new art exhibit in a vintage travel trailer turned into a permanent art gallery, at The Sou’wester Lodge
‘We’ve Never Met Before Today’ is an exhibition featuring sensory textiles and fiber landscapes by east coast artist Becca Van K and sculpture-like mosaic-based work by west coast artist Andrew Cortes. This show will also include collaborations in needlepoint and mosaics between these two artists who share similar themes and were brought together by residencies at the Sou’wester that spurred them to become creative partners in this exhibition.
“We’ve Never Met Before Today is the result of two Sou’wester artists-in-residence’s Instagram connection in the immediate aftermath of their respective times at the Lodge in the winter of 2018. Like ships in the night (Cortes one week, Van K the next), the artists never had the opportunity to meet in person, but serendipitously found each other on social media through Sou’wester posts. The two have formed a kinship and collaborative relationship through their mutual reverence for each other’s work. Until the show’s installation, they have never met in person, as Cortes is a resident of Los Angeles, CA, and Van K is from New York’s Hudson Valley. Shipping works from coast to coast, they work together to create elaborate studies in spiritual, meditative repetition and love for the natural world. Each piece contains mosaic mementos from Cortes’s travels and each Van K needlepoint is directly inspired by a landscape that she has visited. This exhibition is a combination of individual works and collaborations.”
OPENING RECEPTION on Friday August 9, 6pm-9pm.
OPEN: Fri/Sat/Sun 9am-9pm (and by request: visit the lodge front desk and we’ll open the gallery for you)
Art Gallery & Opening Reception free and open to the public.
Becca Van K (b. 1991, Chicago) is a mixed media artist based in New York’s Hudson Valley. Her work is highly sensory, with a strong focus on tactile comfort, the sounds of house & techno music, and vibrant colors & patterns which she explores through various handcraft and fiber art methods. Listening exclusively to dance music mixes when working puts her in a repetitious, meditative rhythm through which she transcribes her sensorial experiences. Her work has most recently been exhibited at Basilica Hudson’s 24-HOUR DRONE (Hudson, NY), Trestle Gallery (Brooklyn, NY), Geoffrey Young Gallery (Great Barrington, MA), Hastings College (Hastings, NE), and Paradice Palase (Brooklyn, NY). Torn between city nightlife and the woods of the Catskill Mountains, she’d only leave New York if there were techno clubs in the desert.
Andrew Philip Cortes is a first generation Southern California Native, who in growing up split his time between the rural suburbs near rolling cow pasture hills where his parents settled and the city of Los Angeles. He attended University at California State Long Beach followed by a move to New York City where he lived and worked in Gowanus, Brooklyn for several years expanding his creative vision into woodwork, installation, and sound art. Upon his return to Los Angeles, he came full circle settling in the neighborhood of Cypress Park, where his family had immigrated to in the 60’s. His practice was re-imagined in his grandfathers old workshed and does not shy away from a deep often spiritual like connection to his past and its entanglement with the natural world. A marriage of painting, sculpture, mosaic, and textile materials, his reference points for his work grows from ongoing travels through the west coast of America, the deserts, mountains, and forests he explores collecting stones, driftwood, and taking photographs as he travels. He has developed a system in which he is even able to work on sculpture while on the road to directly be able to connect with his surroundings on site. Ultimately though, his traveling ideas materialize fully when they make their way back to his studio and abode where their energies find a new home to live. Andrew lives and works in Los Angeles, California with his two cats Mosh and Peatree. He spends his time surfing and rock climbing when he’s not in his studio always adhering to a strict code of pursuing the fleeting moment.
This trailer is a 1960’s Aloha made in Aloha, Oregon. It was rescued from a neglected RV park in the northern part of the Long Beach Peninsula. Now repaired and transformed into an art space, this art gallery is part of our Artist Residency Program and our non-profit organization, Sou’wester Arts.
Clay Wheels & Striped Shirts: Skateboarding Films from the 1960s
Stephen Slappe is an artist and professor based in Portland, Oregon. Slappe’s work has exhibited and screened internationally in venues such as Centre Pompidou-Metz (France), Portland Institute for Contemporary Art’s TBA Festival, The Horse Hospital (London), The Sarai Media Lab (New Delhi), Centre for Contemporary Art (Glasgow), and The Karachi Biennial (Pakistan). Slappe is an Associate Professor at Pacific Northwest College of Art where he created a Video & Sound department that focuses on experimental media production. He also operates an ongoing archival media project called Dead Media Hour, connecting neglected recordings of the past to present times.
Films will be shown in the Lodge Living Room. This screening is free & open to the public.