SOU’WESTER EVENTS!

Baptist Arms create a dystopian gothic folk landscape with spare instrumentation and evocative harmonies.

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Anna Fritz is a cello-wielding activist folksinger who plays songs that crack you open and heal you. She creates a musical alchemy of cello and voice, strumming the cello like a guitar and playing beautiful melodies with the bow as she sings. Her songs boldly dig into themes of colonization, climate change, racial justice, gender, spirituality, and connection to the natural world. Like the great folksingers of previous generations, Anna is a catalyst for people to sing together. Her songs are infectious and easy to learn, imbued with a sense of timelessness as if they’ve been sung for generations. Her disarming, gentle nature and powerful presence gets unlikely crowds of people singing together from town halls to night clubs.

Listeners will find plenty of rockstar cred in this folksinger’s past. Anna Fritz is a sought after cellist with a 15 year tenure spanning the world of classical music and Portland, Oregon’s indie rock scene. She toured nationally with Portland Cello Project for seven years and can be heard on albums from My Morning Jacket, Band of Horses, The Decemberists, Dirty Projectors, and case/lang/veirs. As a solo artist, Anna Fritz has independently released three albums and performed for audiences in more than 50 venues in seven states.

This event is free and open to the public.

Readings by Martha Grover, July Westhale, Lizzy Acker, & Hajara Quinn with Music by “The Morals”!

This event is free and open to the public.

Espacio Flamenco Company is the professional performance group based out of Espacio Flamenco Studio. Dedicated to sharing Flamenco art in Portland, OR, the company produces regular performances throughout the year with a focus on musical integrity and artistic development.

This event is free and open to the public
www.espacioflamencopdx.com

Workshop Series at The Sou’wester

Creative Songwriting, Arranging and Rhythm: Tell Your Story through Song with Katie Sawicki & Zanny Geffel

Portland based, orchestral-rock band, The Cabin Project – Katie Sawicki and Zanny Geffel combine freewrite, lyric exploration, and song arrangement into a workshop offering.  Learn how to compose your own musical story in collaboration or independently.  Over the course of 7 years, this duo has built a methodology for songwriting, which will be discussed.  Specifically, the interplay of rhythm and lyric cadence, to compose melodies that are moving and dynamic.  Explore communicating timeless themes such as love, justice, loss, and other life journeys.  In addition, Zanny will introduce hand drumming and rhythm circle techniques, as a way to transcend one’s conscious practice, through contemplative improvisation.

Katie Sawicki provides individualized, strategic, support to organizations, coalitions, and community groups seeking to advance racial justice work. This includes policy, research and advocacy; and organizational development that centers on communities most impacted by economic and health inequities. She currently provides support to Oregon Health Equity Alliance (OHEA), MRG Foundation, The Rebuilding Center, Unite Oregon, NAACP – Past clients also include ACLU of Oregon, Women’s Foundation of Oregon. She moonlights as The Cabin Project’s lead-singer, a project that was formed in 2009, after touring the country for 10 years as a solo artist. thecabinproject.com

Zanny Geffel has a B.A. in classical percussion from Biola University.  She plays drum set, classical percussion, marimba, cajon and various Latin and African percussion instruments; specializing in classical, rock, jazz, and musical theater.  She performs regularly with The Cabin Project, Skull Diver and various bands and theater companies throughout Portland, OR. Zanny is a sensitive and thoughtful performer, recording artist and instructor, utilizing the many different classical techniques and rhythms from around the world. Merging many styles and influences, her lessons emphasize rhythm theory, articulation, musical feels and contemplation through drumming.  zannydrums.weebly.com

COST:  $40

BRING: Pen/Notebook, guitar and/or hand drum/percussion instrument (if you have one or would like to bring).  No instruments are required, we will provide instruments to those who don’t have one.  Any lyrics/poem drafts you’d like to share. Please bring a sack lunch and/or snack (hot tea and coffee provided).

All workshops are open to the public.

All Skill Levels Welcome.

This workshop is for students age 14 and up.

RSVP via souwesterfrontdesk@gmail.com or 360-642-2542

(All are invited to an evening of music with these instructors later in the day from 8pm-10pm in the Sou’wester Lodge. Free and open to the public. Visit www.souwesterlodge.com/calendar for TBA details.)

The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644

This class is part of the Fall & Winter 2017/2018 Workshop Series at The Sou’wester. Visit www.souwesterlodge.com/calendar to see the entire schedule of more than 28 artist-led workshops.

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Vradiazei, plays dark, metal influenced folk music on acoustic instruments. “The realization that the darkest days are yet to come inspired us to abandon the use of electricity in our music. We express the anguish of the past, the desperation of the present, and the uncertainty of the future without it. When the world is left in ruin our sound will echo in the empty streets.”

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Born in an attic “cabin” studio lined with Douglas Fir, The Cabin Project began as a solo act project started by Katie Sawicki, a former-folksinger from Brooklyn who became inspired by electric guitars, keys, synthesizers, and balancing all three onstage. After moving to the Pacific Northwest in 2008, Sawicki sought out sound rooted in the intimacy of folk, and the arrangements of orchestral rock. While she typically collaborates with her full-time band of percussion, strings, and bass, the solo Cabin Project builds this community of influences and collaborations and cultivates a sound that chimes earnest, reverent, and full of warmth. Her most recent record, released with the Cabin Project, Unfolded, is self-described as, “an album about despair, loss, hope, freedom, heartache, justice and love.”

SPACENESS is a celebration of time, space and the unknown through experimental art, media and performance. Each year SPACENESS takes over the Sou’Wester Lodge in Seaview, WA, as well as the adjacent forest, seashore and wild spaces.

The next celebration of Spaceness is MARCH 2-4, 2018. Spaceness is FREE and welcoming to people of all ages. We recommend attendees secure lodging at one of the many comfortable establishments in the nearby towns of Astoria (OR), Ilwaco, Seaview, and Long Beach (WA) to enjoy the entire weekend of programming.

Follow @spacenesss ( ⏎ 3 s’) on Instagram for updates and special information about the event.

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Spaceness was founded by Portland artists Julia Barbee, Matt Suplee, and Alison Jean Cole and has been awarded funding by the Precipice Fund, Calligram Foundation, the Andy Warhol Foundation for the Visual Arts, and the Portland chapter of the Awesome Foundation.

SPACENESS 2018 will be accepting proposals from Sept 20, 2017 to Nov 1, 2017.

CALL TO ARTISTS

Entering the twenty-first century we have myriad human theories and logical arguments that explain the existence of our galaxy, the heavens, and the universe; however, that pool of knowledge is insufficient in addressing what we still do not know – the things that baffle and confound our species – truths that may evade us for eternity. These are the concepts that fall under the definition of “spaceness’.

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Wanderlodge are two longtime Portland roots-rockers who weave together musical styles from folk, country and classic rock. Their music features gritty, soulful vocal harmonies, fierce slide guitar work, and dark, vibey songs.
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The Polite Decliners offer spacey introspective country music, performed by members of The Cedar Shakes, The Sound Outside, The New Old Stock, and The Serious River Song Catalog. Songs about food and love.

“Lenore., a project that skirts the edges of folk and pop to create a sound that is earthy and melodic, toned and precise.”

— paste

“a band deeply committed to strong and timeless songwriting, calling upon the husky vibes of Fleetwood Mac, the intimate wonders of Simon & Garfunkel or the ethereal bliss of Enya, all wrapped around the majestic scenery of the Pacific Northwest.”

— tidal

“When they sing you’re transported to a different dimension, an unearthly realm. Here, you’ll find safety and security. Here, you’ll be able to rest, to find peace. And here, you’ll discover the courage you need to start living the life you want.”

— NPR

The coming together of Joy Pearson and Rebecca Marie Miller as Portland’s newest folk outfit, Lenore, is serendipitous, to say the least. After individually hitting rock bottom — Pearson following her divorce and Miller after a period of destitution in LA — the pair separately turned to songwriting in the search for a still point in their turning worlds.

After several years of lending their abilities to other projects, including Saddle Creek’s The Mynabirds, and Portland’s own The High Water Jazz Band, they finally found themselves spinning on the same axis when a chance meeting through a mutual friend, Pokey LaFarge, sparked an immediate connection. A drunken night ensued, and before they’d even scoped each other’s material, they had committed.

Now, just under two years since that fateful night, and Lenore can boast having performed at legendary Pacific Northwest venues including Mississippi Studios, Aladdin Theater, and Doug Fir Lounge in Portland, as well as the Sunset Tavern, Triple Door, and Tractor Tavern in Seattle. They’ve opened for the likes of Eric Bachmann, Laura Gibson, Esmé Patterson, and ex-collaborators, The Mynabirds, and have shared the stage with Peter Buck (R.E.M.), as well as Chris Funk and Jenny Conlee (The Decemberists).

Since Lenore’s formation, Miller and Pearson have gained full-time collaborators in seasoned Portland musicians Edward Cameron (classical guitar) and Jessie Dettwiler (cello), who have contributed significantly to the evolution of Lenore’s sound — a melancholic blend of harmony-driven folk with an ever present silver lining.

Harlowe is the moniker for the songs of Mark Robertson, often with collaborators from the artist collective Sleepy Volcano in Portland, Oregon USA. The second full length recording titled “Curses” is a lo-fi collection of songs intermixed with eclectic instrumental soundscapes, released October 2017.

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“It’s easy to see why Planes on Paper is starting to attract serious attention on the neo- folkie scene.”
— Paul de Barros, The Seattle Times
“There has been no shortage of bands that sound like Planes on Paper in the last 10 years of Seattle music, which makes it simultaneously delightful and frustrating when one of them is clearly a full head taller than the others.
— Sean Nelson, The Stranger
“This is folk music at the highest level.” — Greg Jones, Ear to the Ground Music
“Planes on Paper expertly maneuvers dual vocals to produce this eerie, serene, beautiful aesthetic […] simultaneously mellow and powerful.”
— Fallon Schlossman, WNYC New York
As a one year-old project, Planes on Paper was already receiving high praise from a nearly endless list of media outlets across the country: The Seattle Times, American Songwriter Magazine, KEXP Seattle, WNYU New York, The Revue, Ear To The Ground, and The Stranger, to name just a few. Now 2.5 years into relentless touring, the praise continues, and the songwriting duo finds itself at home on both coasts of the US, and playing some noteworthy festivals… all without yet releasing an album; that unconventional path speaks volumes about the strength of Planes on Paper’s live show.