hemlock is the “phone-fi” bedroom folk project of swamp-raised musician Carolina Chauffe and various rotating collaborators, currently based in Chicago, IL. Bare-boned and bittersweet, this is means-to-an-end modern-day folk art for the open-hearted – a practice of gratitude to the here and now, swaying with rich, sun-glinted harmonies and tender finger-picking.

 

A self-proclaimed memory-hoarder, Carolina created hemlock in their home state of Louisiana in 2018 with the intention to further explore the practice of songwriting as a heart archive – erring on the side of the imperfect, eager, prolific. The songs of their several releases are often accompanied by intimate voicemails and field recordings – sonic collages spanning the many places they’ve called home – Astoria, OR being one of the most beloved of them. They are honored and thrilled to be back in the Pacific Northwest for a moment to share song with you.

 

 

 

Ritchie Young, the lead singer and songwriter for the Portland-based indie rock band Loch Lomond. The band has released several albums and has gained a following both nationally and internationally.

 

 

Rebecca Sanborn began writing songs at age six, starting an early pattern of straying creatively from sheet music. Her piano instructor taught her to write the music down, which seemed like a magical power. She also fell in love with theatre and writing, pursuing all of these arts with equal passion.  Rebecca got her first agent at age ten and landed starring roles in commercials. One director hired her on the spot because she had a voice “like Lauren Bacall”. In High School she would wake at 5 am to jump rope in the driveway and then pound out short works of fiction on the typewriter in the garage so as not to wake anyone. The love affair with stories and music continued and at eighteen, she left her native Portland, Oregon to study at The College of Santa Fe, in New Mexico—majoring in Theatre and immersing herself in the free, unpredictable world of the Contemporary Music Program. Every Thursday night a Forum was held where new music was emphatically encouraged. Rebecca had found her home. She studied under the experimental composers Joseph Weber and Peter Gordon and was moulded by Martha Graham’s personal demonstrator, Juanita Barry, in rigorous modern dance classes for four years.

Upon returning to the Northwest after college, Rebecca met her husband and musical partner, drummer Ji Tanzer. They are both members of the adventurous jazz quintet, Blue Cranes, the art pop trio, Swansea, and Portland’s veteran indie group, Loch Lomond. Rebecca and Ji also starred in the film “Light of Mine”, which garnered a coveted spot at the A.F.I. Fest in 2011. “Light of Mine” was the only independent film from The States to be included in the festival. Rebecca plays in the all-female, cape-wearing, fog-machine-loving synth trio, Eccoh Eccoh Eccoh with Kyleen King (Brandi Carlile) and Jenny Conlee-Drizos (The Decemberists).

In 2021, Rebecca was invited to write an original set of music for the Montavilla Jazz Fest—composing and arranging eight songs in two months. She performed these tunes with her long-time mentor and hero, pianist Randy Porter, bassist Jon Shaw, and of course, Ji Tanzer. The work now stands as a collective entitled “Shadow Work”. Several pieces have since been arranged by Douglas Detrick, and were performed at the 2022 Montavilla Jazz Fest with the 12-piece Portland Jazz Composers’ Ensemble as a part of “The Heroine’s Journey” – an evening with Marilyn Keller, Darrell Grant, and Rebecca Sanborn. In 2023, Rebecca was awarded a RACC grant to record “Shadow Work”.

Throughout all of the years of hard touring and performing, Rebecca never lost touch with the written word. She earned a spot in the highly competitive Tin House Winter Workshop in 2016, mentoring under Mitchell S. Jackson. She has completed five novels and continues to work on her literary, musical, or theatrical craft on a daily basis. When Rebecca isn’t engaged in art or teaching, she can be found chasing after her costume-obsessed five-year-old daughter or trying to get some sleep.

 

 

The nostalgic tones of a Juno-106 combine with ambient layers, sparkling guitars, and airy, bittersweet vocals to define Portland dream pop band Starover Blue. 

 

Founding members Kendall Sallay and Dirk Milotz began the group in 2007 while studying music at San Jose State University, then relocated to Portland in 2016 where they reformed as a six-piece. The band’s penchant for lush vocal harmonies, textural experimentation, and subtle use of odd meters appeals to fans of acts ranging from Cocteau Twins, Beach House, and Big Thief to The Joy Formidable, The Velvet Teen, and Wye Oak.

 

A new EP is underway for 2023 release, taking inspiration from heavier-hitting indie rock versus the synth pop textures of 2019 LP Ordinary Magic and 2016 debut Spacegeist. 

Ezza Rose

Presented by Sou’wester Arts

Since 2009, Ezza Rose and band has been cultivating a sound of their own. Drawing on several influences from the likes of Mazzy Star, Patti Smith, and their residency in Portland, ERB writes and performs music which reflects the listeners’ lives back at them while hinting at a new perspective. The fluidity of love, the ebb and flow of relationships, and getting caught in the machine of expectations, all are deconstructed with flowy rhythm, aggressive electric guitars, and dreamy vocal melodies. Ezza is excited to strip these songs down to their roots and perform for you acoustic this evening! She is currently working on a solo acoustic record to be released late in the year 2023. 

 

“More electrified and slightly more ominous than the simple, lilting sound she previously established, this is Rose at her best so far.” – Willamette Week

 

“…an intense studio album with a sudden and unexpected beauty.” – Oregon Music News

 

“Her beautifully delicate, mournfully classic voice floats amongst the loosely bound, misty particles in the air and our minds and fills the cracks with a sound that’s chilling and comforting, all at once.” – Vortex Music Magazine

 

“Ezza’s singer/songwriting talents push on. Her voice is consistently smooth and clear, ethereal, and from the gut.” – ElevenPDX