Singing in the land:  earth magic, song, and the body 

Thursday, May 25 5-7 pm

 

Join bodyworker, musician, and animist priest ell rieke (they/them) in residency at the Sou’wester for a magical, musical exploration of connection with the earth, our ancestors, and the world of spirit.  Part workshop, part participatory sonic experience, we will spend the first part of our time in conversation, talking through questions like:  what is magic and why does it matter?  Where do songs come from?  Is the earth talking to us?  How can sound and rhythm help us navigate this complicated, painful, beautiful world?  

 

In the second half of our gathering, ell will guide participants in using voice and body to connect with spirit and the earth.  They will teach some songs of the season, from both folk and modern traditions, and then guide a gentle ritual of reverence and celebration for the coming of summer.  You will be invited to sing or hum and move your body, and are also welcome to just sit and experience.  All bodies, voices, and backgrounds are welcome, including kids! 

 

Please bring something to sit on, and cozy layers in case the evening is cool.  You may want to bring a journal and pen, if you like taking notes, and are also invited to bring a special object (that will return home with you) and/or flowers for the group altar. 

Yawa, also known as Amenta Abioto, is a songwriter and producer from Memphis,TN and currently based in Portland, OR. In her one-woman performance, she builds vocal and instrumental loops from synth, drum machine, and kalimba creating atmospheric textures. Yawa surprises and tantalizes audiences with mind bending ideas while skipping vocally from soul-shaking gospel to smooth jazz. Her music is boldly mystical and soul-fired, and her raw live performances invoke elements of both theatrical and magical surprise. “

“Portraits, Men in Ballgowns, Sound, We Will Be Heard” by Scott Braucht

Sou’Wester Arts is thrilled to welcome filmmaker Scott Braucht whose program Portraits / Men in Ballgowns // Sound / We Will Be Heard will be featured in a special exhibition celebrating Pacific County Pride in our Red Bus Microcinema.

On view at The Sou’Wester’s Red Bus Theatre

May 29 – July 14, 2023.

Opening reception Monday, May 29 6-8p with a special acoustic performance from musician Khaelo Dé.

Jeremy Ferrara: Presented by Sou’wester Arts

There is an innate tenderness about Jeremy Ferrara. His good nature is inescapable, and anyone within earshot of his quavering voice and quiet guitar is likely to swoon in sympathetic reaction. He’s a folksinger, and a song-diviner. His music is as fun as it is finely detailed. His new album Everything I Hold is exemplary of this style. Produced by Mike Coykendall, the LP features just Jeremy, his guitar, and voice, on eight songs that fill the listener with wonder, empathy, and joy.

Divorce Care: Presented by Sou’wester Arts

Seattle independent rock band Divorce Care’s catchy guitar hooks and emotionally wrought lyrics are expertly hand-crafted for fans of pre-myspace-era emo. Bringing effortlessly nostalgic arrangements with a post-modern twinkle in her eye, singer/songwriter Bri Bloemendaal’s quietly powerful delivery simultaneously demands your attention while making you feel at home. Themes of love and loss are immediately apparent when you listen to Divorce Care’s debut album “Ladylike” (Produced by Andy Park), but scratch any deeper than the surface and you’ll observe Bloemendaal artfully wrestling with complexities of morality, feminism, and self-awareness. Underpinned by Seattle music scene veterans Matt Batey, Sean Lane and CJ Stout, Divorce Care’s powerhouse performance belie their new-kids-on-the-scene status, already making waves in the notoriously restless pool of PNW talent. 

Ida Jane has an eclectic style. Her music is Influenced largely by folk, alternative rock, and indie musicians such as: Fruition, Lucinda Williams, Mazzy Star, Jessica Lea Mayfield, Niel Young, Kacy & Clayton. Ida provides a mix of pensive, thoughtful songs as well as more upbeat, friendly, folk rock.

Kelli Schaefer: Presented by Sou’wester Arts

A few years disappeared into the forest of a global pandemic, but Kelli Schaefer and her brand new band trod through a new record this year, and it is expected to leap from the woods in 2023. With two full-length records and two EP’s already under her belt, her new record is another pivot in stylistic choice. This time, with a fresh take on the age-old singer-songwriter trope, Schaefer delivers haunting melodies over swirling woodwinds, piano, classical guitar, and upright bass. These songs could be the soundtrack to a modern gothic, a playlist for a trudge through the forest, the accompaniment to a subconscious mantra. As expected, Schaefer again demonstrates her refusal to confine herself to a single genre. Along with her bandmates Andrew Jones (bass), Ayal Alvez (piano, keys), Joey Binhammer (guitar), Schaefer is working to finish the record and planning tour steadily in the foreseeable future. The record was recorded live at Color Therapy with Ryan Oxford (Y La Bamba) and mixed by Alex Bush (Damien Jurado).

Crowey: Presented by Sou’wester Arts

What began as the solo project of Joey Binhammer (Die Geister Beschwören, Elektrokraken, Meeping, Whales Wailing), Crowey has grown into a psychedelic/folk soundscape project and collaboration between Joey and Kate Kilbourne (Mordecai, June Rose Band, Sweeping
Exits). Both multi-instrumentalists from Portland, OR, the duo crafts sweeping vistas of finger-style guitar, strings and vocal harmonies, exploring the deep well of human emotion and finding beauty in its darkest crevices. Layers of intricate orchestration evoke the sound of moving clouds. 

Brad Parsons: Presented by Sou’wester Arts

Brad Parsons is a singer-songwriter/multi-instrumentalist from Astoria, OR. His career collaborators include John Craigie, Bart Budwig, Horse Feathers, Cabinet, Fruition, TK & The Holy Know Nothings. In 2017, he released his debut album “Hold True,” followed by an EP, “The Starbird Sessions,” in 2020. Parsons has toured nationally and been a mainstay at festivals such as Northwest String Summit and Sawtooth Valley Gathering. 

JOHN & JULIE
“We Do”

An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023

Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.

John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.

Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.

curated by Nikki Cormaci